The Mill on the Floss is George Eliot’s most autobiographical novel, and the first she published after her identity as a woman was revealed. A ‘dreamscape’ version of her Warwickshire childhood, the book is both a working-through and a reimagining of her life.

Ruth Yeazell and Deborah Friedell join Tom to discuss the novel and its protagonist Maggie Tullliver, for whom duty – societal, familial, self-imposed – continually conflicts with her personal desires. They explore the book’s submerged sexuality, its questioning of conventional gender roles, and the way Eliot’s satirical impulse is counterbalanced by the complexity of her characters.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrna

In other podcast apps: https://lrb.me/closereadingsna

Further reading in the LRB:

Rachel Bowlby on reading George Eliot:

⁠https://www.lrb.co.uk/the-paper/v35/n07/rachel-bowlby/waiting-for-the-dawn-to-come⁠

Dinah Birch on Eliot’s journals:

⁠https://www.lrb.co.uk/the-paper/v21/n10/dinah-birch/no-wonder-it-ached⁠

Rosemary Ashton on Eliot and sex:

⁠https://www.lrb.co.uk/the-paper/v05/n03/rosemary-ashton/two-velvet-peaches⁠

Gordon Haight’s speech on Eliot at Westminster Abbey:

⁠http://lrb.co.uk/the-paper/v02/n14/gordon-haight/gordon-haight-s-speech-in-westminster-abbey-on-21-june-when-a-memorial-stone-to-george-eliot-was-unveiled⁠

Next episode: ‘Our Mutual Friend’ by Charles Dickens.

As long as there have been poets, they have been writing war elegies. In this episode, Mark and Seamus discuss responses to the American Civil War (Walt Whitman), both world wars (W.B. Yeats, Wilfred Owen, Rudyard Kipling, Keith Douglas) and the conflict in Northern Ireland (Michael Longley) to explore the way these very different poems share an ancient legacy. Spanning 160 years and energised by competing ideas of art and war, these soldiers, carers and civilians are united by a need that Mark and Seamus suggest is at the root of poetry, to memorialise the dead in words.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠https://lrb.me/applecrld⁠

In other podcast apps: ⁠https://lrb.me/closereadingsld

Poems discussed in this episode:

Walt Whitman, ‘Vigil Strange I Kept on the Field One Night’

⁠https://⁠⁠w⁠⁠ww.poetryfoundation.org/poems/45478/vigil-strange-i-kept-on-the-field-one-night⁠

Wilfred Owen, ‘Futility’

⁠https://www.poetryfoundation.org/poems/57283/futility-56d23aa2d4b57⁠

Keith Douglas, ‘Vergissmeinnicht’

⁠https://warpoets.org.uk/worldwar2/poem/vergissmeinnicht/⁠

W.B. Yeats, ‘An Irish Airman foresees his Death’

⁠https://www.poetryfoundation.org/poems/57311/an-irish-airman-foresees-his-death⁠

Michael Longley, ‘The Ice-Cream Man’

⁠https://poetryarchive.org/poem/ice-cream-man/⁠

Rudyard Kipling, ‘Epitaphs of the War’

⁠https://www.poetryfoundation.org/poems/57409/epitaphs-of-the-war⁠

Further reading in the LRB:

Ian Hamilton on Keith Douglas’s letters:

⁠http://lrb.co.uk/the-paper/v23/n03/ian-hamilton/tough-guy⁠

Jonathan Bate on war poetry:

⁠http://lrb.co.uk/the-paper/v06/n22/jonathan-bate/players-please⁠

Poems by Michael Longley published in the LRB:

⁠https://www.lrb.co.uk/contributors/michael-longley⁠

Next episode: Family elegies by William Wordsworth, Denise Riley, Anne Carson and Robert Lowell.

James Hogg’s ghoulish metaphysical crime novel 'The Private Memoirs and Confessions of a Justified Sinner' (1824) was presented as a found documented dating from the 17th century, describing in different voices the path to devilry of an antinomian Calvinist, Robert Wringhim. Mikhail Bulgakov’s 'The Master and Margarita', written between 1928 and 1940, also hinges around a pact with Satan (Woland), who arrives in Moscow to create mayhem among its literary community and helps reunite an outcast writer, the Master, with his lover, Margarita. In this episode, Marina and Adam look at the ways in which these two ferocious works of comic horror tackle the challenge of representing fanaticism, be it Calvinism or Bolshevism, and consider why both writers used the fantastical to test reality.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠https://lrb.me/applecrff⁠

In other podcast apps: ⁠https://lrb.me/closereadingsff

Further reading in the LRB:

Liam McIlvanney on James Hogg:

⁠https://www.lrb.co.uk/the-paper/v26/n22/liam-mcilvanney/about-myself⁠

Michael Wood on Bulgakov:

⁠https://www.lrb.co.uk/the-paper/v19/n20/michael-wood/sympathy-for-the-devil

Most of what we believe we believe on faith, even those beliefs we hold to be based on scientific fact. This assertion lies at the heart of William James’s essay ‘The Will to Believe’, originally delivered as a lecture and intended not so much as a defence of religion as an attack on anti-religion. James’s target was the ‘rugged and manly school of science’ and the kind of atheism ‘that goes around thumping its chest offering its biceps to be felt’. In this episode Jonathan Rée and James Wood look at the intellectual environment William James was working in, and against, in the second half of the 19th century, and its parallels in the ‘new atheism’ of today. They also discuss the extraordinary upbringing William (and his novelist brother Henry) received and the advice he offered to anyone contemplating suicide in his essay ‘Is life worth living?’

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrcip

In other podcast apps: https://lrb.me/closereadingscip

Read more in the LRB:

Helen Thaventhiran: William James's Prescriptions

https://www.lrb.co.uk/the-paper/v46/n20/helen-thaventhiran/no-dose-for-it-at-the-chemist

Michael Wood: William James and modernism

https://www.lrb.co.uk/the-paper/v29/n18/michael-wood/understanding-forwards

Richard Poirier: Williams James's pragmatism

https://www.lrb.co.uk/the-paper/v06/n19/richard-poirier/copying-the-coyote

‘I want to write a poem of a new class — a Don Juan, without the mockery and impurity,’ Elizabeth Barrett Browning wrote to a friend in 1844, ‘and admitting of as much philosophical dreaming and digression (which is in fact a characteristic of the age) as I like to use.’ The poem she had in mind turned out to be her verse novel, Aurora Leigh, published in 1854, and described by Ruskin as the greatest long poem of the 19th century. It tells the story of an aspiring poet, Aurora, born in Florence to an Italian mother and an English father, who loses both her parents as a child and moves to England and the care of her aunt. From there she pursues her poetic ambitions to London, Paris, Italy and back to England while negotiating a traumatic love triangle between the vicious Lady Waldemar, the impoverished seamstress Marian, and the austere social-reformer Romney. In this episode, Clare is joined by Stefanie Markovits and Seamus Perry to discuss the wide range of innovations Barrett Browning deploys to fulfil her commitment to immediacy and narrative drive in the poem, and the ways in which she uses her characters to explore the extent of her own emancipatory politics.

Read the poem: https://www.gutenberg.org/cache/epub/56621/pg56621-images.html

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrna

In other podcast apps: https://lrb.me/closereadingsna

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Tennyson described 'In Memoriam' as ‘rather the cry of the whole human race than mine’, and the poem achieved widespread acclaim as soon as it was published in 1850, cited by Queen Victoria as her habitual reading after the death of Prince Albert. Its subject is the death in 1833 of Tennyson’s friend Arthur Hallam at the age of 22, and in its 131 sections it explores the possibilities of elegy more extensively than any English poem before it, not least in its innovative, incantatory rhyme scheme, intended to numb the pain of grief. From its repeated dramatisations of the experience of private loss, 'In Memoriam' opens out to reflect on the intellectual turmoil running through Victorian society amid monumental advances in scientific thought. In this episode, Seamus and Mark discuss the unique emotional power of Tennyson’s style, and why his great elegy came to represent what mourning, and poetry, should be in the public imagination of his time.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrld

In other podcast apps: https://lrb.me/closereadingsld

Read more in the LRB:

Frank Kermode:

⁠https://www.lrb.co.uk/the-paper/v32/n09/frank-kermode/eliot-and-the-shudder⁠

Seamus Perry:

⁠https://www.lrb.co.uk/the-paper/v33/n02/seamus-perry/are-we-there-yet⁠

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‘With Potocki,’ Italo Calvino wrote, ‘we can understand that the fantastic is the exploration of the obscure zone where the most unrestrained passions of desire and the terrors of guilt mix together.’ The gothic is a central seam of the fantastic, and in this episode Marina and Adam turn to two writers in that mode who lived over a hundred years apart but drew on the period of the Napoleonic wars: Jan Potocki and Isak Dinesen (the pseudonym of Karen Blixen). Potocki’s The Manuscript Found in Saragossa (1805) is a complex sequence of tales within tales, written from the point of view of the early 19th century but describing events in Spain in the 18th century. It’s a powerful commentary on the preoccupations of the Enlightenment and the repression of historical guilt. In Seven Gothic Tales (1934), Dinesen confronts some of the most unsettling aspect of sexual guilt and desire with psychological astuteness. Adam and Marina discuss the ways in which, in both works, the gothic was able to explore areas of human experience that other genres struggled to accommodate.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrff

In other podcast apps: https://lrb.me/crscfflrbpod

Read more in the LRB:

On Potocki:

⁠https://www.lrb.co.uk/the-paper/v17/n02/p.n.-furbank/nesting-time⁠

On 'Out of Africa':

⁠https://www.lrb.co.uk/the-paper/v08/n12/d.a.n.-jones/the-old-feudalist⁠

On Denisen's letters:

⁠https://www.lrb.co.uk/the-paper/v04/n10/errol-trzebinski/perfect-bliss-and-perfect-despair

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For Nietzsche, Schopenhauer’s genius lay not in his ideas but in his heroic indifference, a thinker whose value to the world is as a liberator rather than a teacher, who shows us what philosophy is really for: to forget what we already know. ‘Schopenhauer as Educator’ was written in 1874, when Nietzsche was 30, and was published in a collection with three other essays – on Wagner, David Strauss and the use of history – that has come to be titled Untimely Meditations. In this episode Jonathan and James consider the essays together and their powerful attack on the ethos of the age, railing against the greed and power of the state, fake art, overweening science, the triviality of universities and, perhaps above all, the deification of success.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrcip

In other podcast apps: https://lrb.me/closereadingscip

Read more in the LRB:

David Hoy on Nietzsche's life:

⁠https://www.lrb.co.uk/the-paper/v09/n01/david-hoy/different-stories⁠

J.P. Stern on 'Unmodern Observations' (or 'Untimely Meditations'):

⁠https://www.lrb.co.uk/the-paper/v12/n16/j.p.-stern/impatience⁠

Jenny Diski on Elisabeth Nietzsche:

⁠https://www.lrb.co.uk/the-paper/v25/n18/jenny-diski/it-wasn-t-him-it-was-her⁠

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In North and South (1855), Margaret Hale is uprooted from her sleepy New Forest town and must adapt to life in the industrial north. Through her relationships with mill workers and a slow-burn romance with the self-made capitalist John Thornton, she is forced to reassess her assumptions about justice and propriety. At the heart of the novel are a series of righteous rebels: striking workers, mutinous naval officers and religious dissenters.

Dinah Birch joins Clare Bucknell to discuss Gaskell’s rich study of obedience and authority. They explore the Unitarian undercurrent in her work, her eye for domestic and industrial detail, and how her subtle handling of perspective serves her great theme: mutual understanding.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrna

In other podcast apps: https://lrb.me/closereadingsna

Read more in the LRB:

Dinah Birch: The Unwritten Fiction of Dead Brothers

https://www.lrb.co.uk/the-paper/v19/n19/dinah-birch/the-unwritten-fiction-of-dead-brothers

Rosemarie Bodenheimer: Secret-keeping

https://www.lrb.co.uk/the-paper/v29/n16/rosemarie-bodenheimer/secret-keeping

John Bayley: Mrs G

https://www.lrb.co.uk/the-paper/v15/n05/john-bayley/mrs-g

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Philip Larkin was terrified of death from an early age; Thomas Hardy contemplated what the neighbours would say after he had gone; and Sylvia Plath imagined her own death in vivid and controversial ways. The genre of self-elegy, in which poets have reflected on their own passing, is a small but eloquent one in the history of English poetry. In this episode, Seamus and Mark consider some of its most striking examples, including Chidiock Tichborne’s laconic lament on the night of his execution in 1586, Jonathan Swift’s breezy anticipation of his posthumous reception, and the more comfortless efforts of 20th-century poets confronting godless extinction.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrld

In other podcast apps: https://lrb.me/closereadingsld

Read more in the LRB:

Jacqueline Rose on Plath:

⁠https://www.lrb.co.uk/the-paper/v24/n16/jacqueline-rose/this-is-not-a-biography⁠

David Runciman on Larkin and his father:

⁠https://www.lrb.co.uk/the-paper/v43/n03/david-runciman/a-funny-feeling⁠

John Bayley on Larkin

⁠https://www.lrb.co.uk/the-paper/v05/n08/john-bayley/the-last-romantic⁠

Matthew Bevis on Hardy:

⁠https://www.lrb.co.uk/the-paper/v46/n19/matthew-bevis/i-prefer-my-mare

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In the stories of Franz Kafka we find the fantastical wearing the most ordinary, realist dress. Though haunted by abjection and failure, Kafka has come to embody the power and potential of literary imagination in the 20th century as it confronts the nightmares of modernity. In this episode, Marina Warner is joined by Adam Thirlwell to discuss the ways in which Kafka extended the realist tradition of the European novel by drawing on ‘simple forms’ – proverbs, wisdom literature and animal fables – to push the boundaries of what literature could explore, with reference to stories including ‘The Judgment’, ‘In the Penal Colony’ and ‘A Report to the Academy’.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrff

In other podcast apps: https://lrb.me/closereadingsff

Further reading in the LRB:

Franz Kafka (trans. Michael Hofmann): Unknown Laws

https://www.lrb.co.uk/the-paper/v37/n14/franz-kafka/short-cuts

Rivka Galchen: What Kind of Funny is He?

https://www.lrb.co.uk/the-paper/v36/n23/rivka-galchen/what-kind-of-funny-is-he

Judith Butler: Who Owns Kafka?

https://www.lrb.co.uk/the-paper/v33/n05/judith-butler/who-owns-kafka

J.P. Stern: Bad Faith

https://www.lrb.co.uk/the-paper/v05/n13/j.p.-stern/bad-faith

Next episode: Jan Potocki’s The Manuscript Found at Saragossa and stories by Isak Dinesen.

Get the books: https://lrb.me/crbooklist

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