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Why be a slug? Slugs: A Manifesto (Makina Books) explores a creature that survives by being disgusting. Weaving together manifesto, memoir and poetic language, artist Abi Palmer considers the politics of space, iridescent queerness, and shapeshifting viscous ‘slug time’. In the face of a potential apocalypse, Slugs: A Manifesto envisions a future where humanity becomes just a little more sluglike.

Palmer was joined in conversation with Zarina Muhammad of The White Pube, co-author of the forthcoming Poor Artists (Particular Books).

Find more events at the Bookhsop: https://lrb.me/eventspod

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In her first novel Hagstone (Fourth Estate), Sinéad Gleeson – who has, in the words of Anne Enright, ‘changed the Irish literary landscape through her advocacy for the female voice’ – explores the darker side of human nature and the mysteries of faith and the natural world in the setting of a remote island housing a commune of women seeking refuge from the modern world.

She was joined in discussion by Booker Prize winner Douglas Stuart, author of Shuggie Bain and Young Mungo.

Find more events at the Bookshop: https://lrb.me/eventspod

Get Hagstone: https://lrb.me/hagstonepod

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In Catherine Lacey’s dystopian thriller, recently published in paperback by Granta, CM Lucca, widow of a recently deceased avant-garde artist, sets out to write a biography of the woman she idolised. Her quest leads her, through a maze of pseudonyms, half-truths and outright fabrications, on a journey into the Southern Territory, a fascist theocracy that seceded from the Union after the Second World War.

Lacey, author of three previous novels and one of Granta’s ‘Best of Young American Novelists’, was joined in conversation about her work by Jen Calleja, translator, co-founder of micro-press Praspar and author of Vehicle (Prototype).

Find more events at the Bookshop: https://lrb.me/eventspod

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Palestinian writer and journalist Yasmin Zaher’s debut novel The Coin (Footnote Press) has been hailed as ‘already a masterpiece’ (Slavoj Žižek), ‘a filthy, elegant book’ (Raven Leilani) and ‘bonkers’ (Elif Batuman). A young Palestinian woman, wealthy but stateless and with no access to her wealth, finds her life and sense of self unravelling as she teaches underprivileged children at a New York middle school, gets involved in a money-making scheme selling Birkin bags and becomes unhealthily obsessed with health and cleanliness.

Zaher read from her novel, and was joined for discussion by poet and novelist Sheena Patel (I'm a Fan).

Get the book: https://lrb.me/thecoinpod

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Published to coincide with the poet’s 85th birthday, Ash Keys (Jonathan Cape) presents a new selection of Longley’s finest works. Born in Belfast in 1939, his verse inhabits the landscapes Ireland’s west, at the same time occupying a space within a distinctly European tradition, ranging freely across the continent's histories, tragedies and triumphs. ’One of the most perfect poets alive,’ writes Sebastian Barry. ‘There is something in his work both ancient and modern. I read him as I might check the sky for stars.’

Michael Longley was joined for this reading and discussion by fellow poet Declan Ryan, whose most recent collection Crisis Actor is published by Faber.

Get the book: https://lrb.me/ashkeyspod

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Juliet Jacques is one of the most electrifying short fiction writers working in the UK today; The Woman in the Portrait (Cipher) collects her published and unpublished fiction, work which Agata Pyzik has described as a ‘large canvas on which the pattern for a utopian socialist queer life might be inscribed’.

Jacques was joined in conversation by the writer and art critic Orit Gat.

Get the book: https://lrb.me/jacquesportaitpod

Find more events at the Bookshop: https://lrb.me/eventspod

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In her first novel The Last Sane Woman (Verso) poet Hannah Regel investigates the pains and pleasures of artistic practice carried out against the odds. While researching in a small archive dedicated to women’s art young graduate Nicola Long happens upon one half of a correspondence, conducted half a century before, written by a recently graduated ceramicist to a friend. As Nicola reads on she becomes obsessed with the parallels between her own life and that of the woman she encounters in the letters.

Regel was joined in conversation by LRB contributor and art critic Emily LaBarge.

Find more events at the Bookshop: https://lrb.me/eventspod

Get the book: https://www.londonreviewbookshop.co.uk/stock/the-last-sane-woman-hannah-regel

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