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Parul Sehgal is a book critic at The New York Times. She was previously a columnist and senior editor at The New York Times Book Review. Her work has appeared in the Atlantic, Slate, Bookforum, The New Yorker, Tin House, and The Literary Review, among other publications, and she was awarded the Nona Balakian Award from the National Book Critics Circle for her criticism. She has been a featured speaker at TED and teaches at Columbia University and the Center for the Humanities at CUNY.
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Ocean Vuong is the author of the critically acclaimed poetry collection Night Sky with Exit Wounds and the New York Times bestselling novel On Earth We're Briefly Gorgeous. A recipient of the 2019 MacArthur "Genius" Grant, he is also the winner of the Whiting Award and the T.S. Eliot Prize. His writings have been featured in The Atlantic, Harper's Magazine, The Nation, The New Republic, The New Yorker, and The New York Times. Born in Saigon, Vietnam, he currently lives in Northampton, Massachusetts.
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Garth Greenwell is the author of What Belongs to You, which won the British Book Award for Debut of the Year, was longlisted for the National Book Award, and was a finalist for six other awards, including the PEN/Faulkner Award, the James Tait Black Memorial Prize, and the Los Angeles Times Book Prize. A New York Times Book Review Editors' Choice, it was named a Best Book of 2016 by over fifty publications in nine countries, and is being translated into a dozen languages. A new book of fiction, Cleanness, is forthcoming from FSG in early 2020. His fiction has appeared in The New Yorker, The Paris Review, A Public Space, and VICE, and he has written criticism for The New Yorker, the London Review of Books, and the New York Times Book Review, among others. He lives in Iowa City.
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Lewis Hyde is the author of Trickster Makes This World: Mischief, Myth, and Art and The Gift: Creativity and the Artist in the Modern World, as well as a book of poems, This Error Is the Sign of Love.
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Imani Perry is the Hughes-Rogers Professor of African American Studies at Princeton University, where she also teaches in the Programs in Law and Public Affairs, and in Gender and Sexuality Studies. She is a native of Birmingham, Alabama, and spent much of her youth in Cambridge, Massachusetts, and Chicago. She is the author of several books, including Looking for Lorraine: The Radiant and Radical Life of Lorraine Hansberry. She lives outside Philadelphia with her two sons, Freeman Diallo Perry Rabb and Issa Garner Rabb.
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Maaza Mengiste was born in Addis Ababa, Ethiopia. A Fulbright Scholar and professor in the MFA in Creative Writing & Literary Translation program at Queens College, she is the author of The Shadow King and Beneath the Lion’s Gaze, named one of the Guardian’s Ten Best Contemporary African Books. Her work can be found in The New Yorker, Granta, and the New York Times, among other publications. She lives in New York City.
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In this week's episode of A Phone Call From Paul, Paul Holdengraber and Sarah Broom discuss her memoir, The Yellow House, the Kei Miller and Peter Turchi epigraphs in the book, the influence of Toni Morrison on her work, and how people underestimate reading work that makes you feel.
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In this week's episode of A Phone Call From Paul, Paul Holdengraber and John Waters discuss his new memoir, Mr. Know-It-All (or as he describes, a "self-help book for lunatics," what he's reading this summer, and his experience working for Mary Oliver at her bookstore in Provincetown.
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In this episode of A Phone Call With Paul, Paul Holdengraber speaks with David Ulin about the dramatic changes in Los Angeles, the literature of the city, and his work on Joan Didion.
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In this episode of A Phone Call With Paul, Paul Holdengraber speaks with Robert Macfarlane about his new book, Underland, the pleasures and necessities of walking, the threshold experience of the underworld, and the longing for the language of trees.
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In this episode of A Phone Call With Paul Paul Holdengraber speaks with Nathaniel Kahn about Larry Poons, playing dumb while interviewing documentary subjects, the relationship between capitalism and the art world, and where art's true power and purpose lies.
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