Tamar is alive! The Lonely Palette is alive! But in the year since we last spoke, she's been elbow-deep in audio projects galore - good for the pocketbook, but bad for independent art history podcast productivity. But your patience will be rewarded! And in the meantime, a few announcements: - Join me and my fellow H&S colleagues at the PRX Podcast Garage in Allson, MA on Wednesday, November 6 for an evening of audio camaraderie. Register here: https://bit.ly/3Cd05fB - Explore our Hub & Spoke Expo showcase, starting with the first episode of our very first exclusive Expo series, "The Rabbis Go South." (All episodes now available: https://bit.ly/3NUhhc8) Imagine 16 American rabbis jailed for acting on their beliefs. The Rabbis Go South is a thrilling seven-part narrative podcast that uncovers a true story of Jewish-Black solidarity in St. Augustine, Florida during the Civil Rights Movement. An inspiring tale of hope for a divided world. The Rabbis Go South was created by documentary filmmakers Amy Geller and Gerald Peary. It’s a presentation of the Hub & Spoke Expo.

In this special episode of The Lonely Palette, I’m sharing the episode I made for the PRX limited-run podcast series "Monumental," which interrogates the state of monuments across the greater U.S. and what their future says about where we are now and where we’re going. This was the concluding episode, exploring how some monuments are larger than life, dwarfing us, making us feel small relative to the grandness of history. But what if a monument was human-scaled? What if it made us aware of our bodies in space? We don’t often think about the design choices that go into making a monument, but more and more, a new generation of artists and designers are reimagining what a monument can look and feel like, and the kinds of stories they can hold. This episode takes us to Montgomery, Alabama to the National Memorial for Peace and Justice, to Shreveport, Louisiana, to the South Side of Chicago, to Navajo Nation in Arizona. It explores how many American monuments to slavery took inspiration from Holocaust memorials in Germany. And it looks at decentralized memorials that are using technology to help bring monuments to the past into the future. See the images: https://bit.ly/49FR3Ui Support the show: www.patreon.com/lonelypalette

The Lonely Palette, as you've heard so often, is an enormously proud founding member of the Hub & Spoke Audio Collective, a group of fiercely independent, story-driven, mind-expanding podcasts. Since 2017, we've supported each other while forging our own paths, prioritizing craft and humane storytelling above all else. Now, if you haven't noticed, media in general, and podcasting in particular, is in a space some may generously call post-apocalyptic. But an incredible silver lining is that the industry is now recognizing how important independence is. We've been here all along, and with your support, we're not going anywhere. Please enjoy a bonus episode of the Hub & Spoke Radio Hour, a tasty sampler of a few of our shows in a dapper audio package. Today's theme is love. As the philosopher Haddaway once asked, what is love? It turns out, love can be anything that stirs the heart: passion, grief, affection, kin. The desire to consume; the poignancy of memory. Here at Hub & Spoke, we want to stretch our arms, and ears, around it all. This episode is hosted by Lori Mortimer and edited by Tamar Avishai. Production assistance from Nick Andersen. Music by Evalyn Parry, The Blue Dot Sessions, and a kiss of Dionne Warwick. Listen to the full episodes: - Rumble Strip, “Forrest Foster Lays Karen to Rest” - Mementos “Cherie’s Letters” - Ministry of Ideas, “Consumed” - The Lonely Palette, “Jean-Honoré Fragonard's The Desired Moment (c. 1770)” You can also share the love by supporting our Valentine’s Day fundraiser: www.hubspokeaudio.org/love

Since her arrival on the art scene in the 1960s, legendary art writer Lucy Lippard’s work - searing, novelistic, crisp, and endlessly curious - as well as her insights, activism, entrenchment in the art world, and friendships have secured her role as one of the most important minds in art criticism of her generation. Now, at 86 years old, all of the stuff that she’s collected along the way – photographs, drawings, relationships, grandchildren – is the subject of her new memoir, or, actually, what she calls “Stuff (Instead of a Memoir).” She joined me to talk about the book, but also more than 60 years of writing about art in the way that centered life. After all, “art,” she often quotes, “is what makes life more interesting than art.” Art is the artists, the world they inhabit, their shared cultural references, their shared understanding of the art world and art history. Their human experiences rendered in paint. The stuff they leave behind. Music Used: The Blue Dot Sessions, “Lacquer Groove,” “Hardwood Lullaby” Episode Webpage: https://www.thelonelypalette.com/interview/2023/12/20/lucy-lippard-art-writer

In the 1950s and 60s, Coenties Slip—an obscure street on the lower tip of Manhattan overlooking the East River—was home to some of the most iconic artists in history, and who would define American Art during their time there: Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, these artists created a unique community for unbridled creative expression and experimentation. Prudence Peiffer is the kind of art historian who understands the importance of context and place, and her book, “The Slip: The New York City Street that Changed American Art Forever” provides the kind of rich context and human detail that textbooks could only dream of. She joined me to discuss the history of these artists, why we have such a hard time seeing artists as people, the friction between accessible artists and their inaccessible art, why watching Robert Indiana eat a mushroom for 39 minutes is actually totally beautiful, and what it means to authentically nudge art history towards inclusion. Prudence Peiffer is an art historian, writer, and editor, specializing in modern and contemporary art. She is Director of Content at MoMA, New York. She was a Senior Editor at Artforum magazine from 2012-2017, and Digital Content Director at David Zwirner in 2018. Her writing has appeared in the New York Times, New York Review of Books, Artforum, and Bookforum, among other publications.  Her book, “The Slip: The New York City Street that Changed American Art Forever” has been longlisted for the National Book Award. See the images: https://bit.ly/3rOM7vE Music used: The Blue Dot Session, “Skyforager” Rufus Wainwright, “11:11” Support the show: www.patreon.com/lonelypalette

Taking a break from writing about astronauts, Tom Wolfe donned his white suit and strolled to the art museums of New York City, letting the incomprehensible literary works of the movement wash over him like a warm bath of clam broth, and producing what, in the words of art critic Rosalind Krauss, "hit the art world like a really bad, MSG-headache-producing, Chinese lunch." For you, dear listeners, here is the headache-inducing introduction to "The Painted Word," read aloud, as was always intended. This free preview is available to all listeners, but the full chapter, and all future chapters, will be going to $2 (and above) per episode patrons, so pledge that support to find out just what in the heck Wolfe defines as an "apache dance." It's so not what you think it is that it might just be what you think it is. The next chapter will be released on Tuesday, October 17. Don't miss a word, painted or otherwise, by becoming a patron. www.patreon.com/lonelypalette Music used: Glenn Miller, “Tuxedo Junction” The Blue Dot Sessions, "No Smoking," "Mercurial Vision" Our website: www.thelonelypalette.com

Giorgio Vasari (1511-74) may have gone down in history as the very first Western art historian, but he is also a messy bench who loves drama, and we are here for it. Listen to his take on Sandro Botticelli from “The Lives of the Artists” (Bondanella trans., 1991), particularly his practical jokes, from which no friend or neighbor escaped unscathed. This is a free edition of The Lonely Palette Reads, a perk that will be going out exclusively to Patreon patrons in the future. To become a patron, go to patreon.com/lonelypalette and sign up at any level of support. Thank you! Got suggestions for other intimidating-until-read-aloud-texts for future episodes of The Lonely Palette Reads? Email the show at [email protected]. Music used: Glenn Miller, “Tuxedo Junction” The Blue Dot Sessions, “Belle Anette” Our website: www.thelonelypalette.com Support the show: www.patreon.com/lonelypalette

The neoplatonic ideal of beauty, the girl on the half-shell, the naked chick riding a clam. Her tilted head and fluttery hair are recognized by everyone and their grandma, but no one - experts included - can explain just why in the heck this painting is so iconic. Shell we take on the challenge? See the images: https://bit.ly/3LeIwxu Music used: Django Reinhardt, “Django’s Tiger” Joan Baez, “Diamonds and Rust” The Blue Dot Sessions, “TwoPound,” “Coulis Coulis,” “Delmendra,” “No Smoking,” “Belle Anette,” “Rue Severine,” “Ranch Hand,” “Pastel de Nata,” “Khfett” Lady Gaga, “Venus” Episode sponsor: https://www.artofcrimepodcast.com/ Support the show: www.patreon.com/lonelypalette

In April 1989, Barbara Kruger - an artist, activist, and former magazine layout editor - created a flyer for a pro-choice women’s march in Washington, DC to protest the Supreme Court’s potential overturning of Roe vs. Wade. But this flyer was never meant to be a picket sign. Instead, it has become a timeless artwork all its own: directly addressing any viewer from any era, demanding they confront their own politics, and drawing the battle lines between all the external - and internal - tensions that exist not only within the parameters of the abortion debate, but within women themselves. See the images: https://bit.ly/45wNrSb Music used: Django Reinhardt, “Django’s Tiger” The Blue Dot Sessions, “Thread Indigo,” “Monder,” “Tall Journey,” “Stephi,” “Morning Glare” Helen Reddy, “I Am Woman” (performed at the Mobilize for Women's Lives Rally in Washington in 1989) Support the show: www.patreon.com/lonelypalette Episode sponsors: Jay Handy Financial Services (for artists!) https://www.signalpointinvest.com/team/jay-handy/ Altenew www.altenew.com Discount code: TAMAR10%OFF

Whether for his critics, his friends (...?), or his canvases, the Victorian-era, Gilded-age Aesthetic ex-pat painter James Abbott McNeill Whistler had one motto: float like a butterfly, sting like a bee. See the Images: https://bit.ly/3PMpK3o Music Used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Slate Tracker,” “Laser Focus,” “The Griffiths,” “Crumbtown,” “Discovery Harbor,” “Leave the TV On,” “Pickers,” “Caraval, “Lady Marie” Support Hub & Spoke's Independence Fundraiser: www.hubspokeaudio.org/july4

Splotches, spills, and stains. They can evoke shapes, moods, energy, even music. Yet no one seemed to appreciate their very beauty with the same intuitive, delicate flair as Helen Frankenthaler, who created something fiercely new "between cocktails and dinner," or, more accurately, between the broad shoulders of a relentlessly masculine movement. Not bad for a saddle-shoed girl a year out of Bennington. See the images: https://bit.ly/3ChhuAE Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Bedroll,” “A Common Pause,” “Palms Down,” “Desmontes,” “Delamine,” “Greylock,” “Angel Tooth,” “Dear Myrtle” Joe Dassin, “Les Champs-Elysees" Episode sponsor: The Art of Colour: The History of Art in 39 Pigments: https://bit.ly/43Qp1SJ Support the show! www.patreon.com/lonelypalette Register for our Hub & Spoke live show in Woodstock, VT on June 15: https://normanwilliams.org/events/podcasts-a-listening-event/