Episode No. 679 features artist Hugh Hayden. 

The Nasher Sculpture Center in Dallas is presenting "Hugh Hayden: Homecoming," an exhibition of new works informed by Hayden's upbringing in Dallas. The show includes sculptures that explore themes such as nostalgia, childhood, education, and religion. The exhibition was curated by Leigh Arnold and will be on view through January 5, 2025. 

The Rose Art Museum at Brandeis University is presenting "Hugh Hayden: Home Work," a survey of the last decade of Hayden's work. The show includes a site-responsive installation conceived for the Rose. "Home Work" was curated by Gannit Ankori and Sarah Montross, and will be on view through June 1, 2025.

Among the museums that have presented solo shows of Hayden's work are the deCordova Sculpture Park and Museum, Lincoln, Mass.; the Blaffer Art Museum, University of Houston; the Institute of Contemporary Art Miami, and White Columns, New York. His work is in the collection of museums such as the Metropolitan Museum of Art, New York, the Studio Museum in Harlem, the Whitney Museum of American Art, New York, and the Baltimore Museum of Art. 

Instagram: Hugh Hayden, Tyler Green. 

Episode No. 678 features curator Stephan Wolohojian.

Along with Laura Llewellyn, Caroline Campbell and Joanna Cannon, Wolohojian is the curator of "Siena: The Rise of Painting, 1300-1350" at the Metropolitan Museum of Art, New York. The exhibition examines the role of Sienese artists such as Duccio, Pietro and Ambrogio Lorenzetti, and Simone Martini in the dawn of the Italian Renaissance and before the onset of the plague in around 1350. While Florence is typically considered the most important city of the Italian Renaissance, "Siena" argues for a broadening of our understanding of the dawn of a new era. "Siena" is on view through January 26, 2025. The excellent exhibition catalogue was published by the National Gallery, London. Amazon and Bookshop offer it for about $45.

Some of the works referenced on the program are most easily seen via websites that aggregate multiple paintings into single pages, including:

• Ambrogia Lorenzetti, The Allegory of Good and Bad Government, 1838-39, Palazzo Pubblico, Siena.
• Duccio, Maestà, 1311, Museo dell'Opera Metropolitana del Duomo, Siena.
• Ugolino di Nerio, Santa Croce altarpiece, 1325-28.

Episode No. 677 features artist Andrea Carlson.

As mentioned at the beginning of this week's program:

Help Asheville and my friends and neighbors across the southern Appalachians! These are all local organizations helping people in western North Carolina:

• Southern Smoke Foundation;
• Asheville Food & Beverage United (also here); and
• Beloved Asheville.

The Museum of Contemporary Art Chicago is presenting "Andrea Carlson: Shimmer on Horizons," the latest exhibition in its "Chicago Works" series. Across painting, video, sculpture, and two billboards (along Interstate 94 between Illinois and Wisconsin), "Shimmer on Horizons" presents Carlson's investigation of how landscapes are constructed both politically and culturally. The exhibition was curated by Iris Colburn and is on view through February 2, 2025.

Carlson's work may also be seen in "Andrea Carlson: Future Cache" at the University of Michigan Museum of Art, which features a 40-foot-tall memorial wall that towers over visitors, commemorating the Cheboiganing (Burt Lake) Band of Ottawa and Chippewa Indians who were violently burned from their land in Northern Michigan on October 15, 1900. Curated by Jennifer Friess, the presentation is on view through June 2025.

Carlson is also included within "Scientia Sexualis" at the Institute of Contemporary Art, Los Angeles through March 2, 2025. The exhibition, realized as part of the Getty's "PST ART: Art & Science Collide" program, centers research-driven interventions into raced and gendered assumptions that structure scientific disciplines governing our sense of the sexual body. It was curated by Jennifer Doyle and Jeanne Vaccaro.

Carlson (Grand Portage Ojibwe/European descent) typically addresses land and its history by foregrounding decolonization narratives. Museums that have featured solo exhibitions of her work include the Smithsonian's National Museum of the American Indian, New York, and the Minneapolis Institute of Art. Her work is in the collection of museums such as the National Gallery of Canada, Ottawa, the Walker Art Center, Minneapolis, the Whitney Museum of American Art, New York, and the Denver Art Museum. She is also the co-founder of the Center for Native Futures in Chicago.

Chicagoans: on Saturday Carlson and poet Heid E. Erdrich will be in conversation at the MCA at 2:30 pm. A program at the Center for Native Futures precedes the event.

Instagram: Andrea Carlson, Tyler Green.

Episode No. 676 features curator Jay A. Clarke.

With Jill Lloyd, Clarke is the co-curator of "Paula Modersohn-Becker: I Am Me," which is on view at the Art Institute of Chicago through January 12, 2025. The career-surveying exhibition features Modersohn-Becker's proto-expressionist works that address subjects and themes such as childhood, the bodily experience of motherhood, pregnancy, and old age. "Modersohn-Becker" also features many of the artist's self-portraits, including the first nude self-portraits known to have been made by a woman. The excellent exhibition catalogue was published by Prestel Verlag. Amazon and Bookshop offer it for $40-47. 

Episode No. 675 is a holiday weekend clips episode featuring artist Ken Gonzales-Day. 

The Yale Center for British Art is presenting "Ken Gonzales-Day: Composition in Black and Brown" a two-part public art project informed by Gonzales-Day's investigation of YCBA's collections. Both works, a billboard along Interstate 95 in West Haven, Conn., and a site-specific vinyl work on the museum, feature Gonzales-Day's interrogations of historical constructions of race and the limits of representation. The billboard is on view into October 2024; the work at YCBA is on view until December 2024. 

Gonzales-Day’s work considers the historical construction of race and the limits of representational systems, such as photographs of lynchings and museum displays. His book “Lynching in the West: 1850-1935” expanded our understanding of racialized violence in the United States through the discovery of photographs of lynchings of Latinos, Native Americans, Asians and African-Americans in California. His work has been the subject of solo or two-person exhibitions at museums such as the Smithsonian’s National Portrait Gallery and the Palais de Tokyo in Paris.

This episode was taped in 2021 on the occasion of Gonzales-Day's inclusion in at the J. Paul Getty Museum, Los Angeles. For images, see Episode No. 498. 

Episode No. 674 features curators Kristen Collins and Nancy K. Turner, and curator Thea Liberty Nichols.

Collins and Turner are the curators of "Lumen: The Art and Science of Light" at the J. Paul Getty Museum, Los Angeles. "Lumen" explores how scientific understandings of light shaped the visual culture of the Middle Ages. It includes over 100 works, including celestial globes, golden altars, and illuminated manuscripts from the Christian and Islamic worlds. It's on view through December 8, 2024. "Lumen" is part of PST ART : Art & Science Collide, a regional cultural celebration taking place across over 70 Southland exhibition and performance spaces. It is accompanied by an excellent catalogue published by the Getty. Amazon and Bookshop offer it for $60-70.

With Mark Pascale, Thea Liberty Nichols is the co-curator of "Christina Ramberg: A Retrospective," which opens at the Hammer Museum on October 12 and which runs through January 5, 2025. Ramberg was a painter who developed an intense visual vocabulary derived from often fetishized objects such as corsets, hands, high-heeled shoes and hair, building from them into arresting compositions. Late in her life -- Ramberg died in 1995 at the age of 49 -- she also made an extraordinary series of quilts. The exhibition was a significant critical hit at the Art Institute of Chicago, where it was on view over the summer. The wonderful catalogue was published by the Art Institute of Chicago, which originated the show. Amazon and Bookshop offer it for about $45.

Episode No. 673 of The Modern Art Notes Podcast features artist Matthew Brandt. 

Brandt is included in "Second Nature: Photography in the Age of the Anthropocene" at the Nasher Museum of Art at Duke University. The exhibition shows how 45 photo-based artists from around the world have examined the Anthropocene. "Second Nature" was curated by Jessica May and Marshall N. Price and is on view through January 5, 2025. An excellent catalogue was published by Rizzoli Electa. Amazon and Bookshop offer it for about $49-60. 

Brandt's works often join physical elements from the subjects he photographs to investigations of the land and our impacts on it. He's received solo shows at museums such as the Newark Museum, and he's been included in major group shows at museums such as the J. Paul Getty Museum, Los Angeles, the Metropolitan Museum of Art, New York, and more. His work is in nearly all major institutional US photography collections. 

Brandt's website includes extensive galleries of the series of work discussed on the program, including: 

• Lakes and Reservoirs;
• Carbon;
• Trees (including George Bush Park 1, 2009-11);
• Taste Tests (featuring Yosemite);
• Eagles;
• Woodblocks;
• Waterfalls; and
• 1864.

Instagram: Matthew Brandt, Tyler Green.

Episode No. 672 features curators Kimberly A. Jones and Mary Morton; and curators Sant Khalsa and Juniper Harrower.

Along with Sylvie Patry and Anne Robbins, Jones and Morton are the curators of "1874: The Impressionist Moment" at the National Gallery of Art. The exhibition examines the condition of Parisian art in 1874, both official standards exhibited at and effectively promoted via the official salon, and the renegade works exhibited at the first impressionist exhibition. Included are impressionist stalwarts such as Claude Monet and Camille Pissarro, and also salon lions such as William Bouguereau and Jean-Léon Gérôme. The smart, delightful catalogue was published by the Musee d'Orsay and the NGA. Amazon and Bookshop offer it for about $46-60. "1874" is on view through January 19, 2025.

Khalsa and Harrower are the curators of "Desert Forest: Life with Joshua Trees" at the Lancaster (Calif.) Museum of Art and History. Part of this year's sprawling Getty PST ART initiative, it's on view through December 29. "Desert Forest" examines how artists from Carleton Watkins to Cara Romero to Nancy Baker Cahill have presented Joshua trees and the fragile Mojave Desert ecosystem in their work. A fine catalogue was published by Inlandia Institute. It's available from MOAH.

Instagram: Mary Morton, Kimberly Jones, Sant Khalsa, Juniper Harrower, Tyler Green.

Episode No. 671 features curator, professor, and former museum director Dean Sobel, and artist Jackie Winsor.

Winsor, a leading Canadian-American post-minimalist and feminist sculptor, died last week at 82. She was the first female sculptor to receive a retrospective at the Museum of Modern Art, New York (1979), which holds five of her works in its collection. The most recent institutional survey of Winsor's work was at MAMCO Geneva in 2022.

This week's program opens with Sobel, who organized the 1991 Winsor retrospective at the Milwaukee Art Museum. (The show traveled to the Newport Harbor Art Museum, Newport Beach, Calif., the North Carolina Museum of Art, Raleigh, the Museum of Fine Arts, Boston, and the Akron Art Museum in Ohio.  Sobel was later the director of the Clyfford Still Museum in Denver, and is a professor at the University of Denver.

Next will be host Tyler Green's 2014 conversation with Winsor, apparently the next-to-last interview for which she sat. (See her 2019 program with MoMA curator Christophe Cherix.) The program was recorded on the occasion of "Jackie Winsor: With and Within" at The Aldrich, Ridgefield, Conn. For images, see Episode No. 154.

Episode No. 670 features artist Arlene Shechet. 

Storm King Art Center in New Windsor, NY is showing "Arlene Shechet: Girl Group" through November 10. The exhibition joins Shechet's recent work exhibited in a typical gallery setting to six new monumental sculptures Shechet  created for installation at Storm King. The exhibition was co-curated by Nora Lawrence and Eric Booker, with Adela Goldsmith. 

On September 27 and 28, a group of six women will gather to dance at dusk in the midst of Shechet's outdoor sculptures. The performances are choreographed by Annie-B Parson in collaboration with the dancers: Cecily Campbell, Elizabeth DeMent, Natalie Green, Kashia Kancey, Brooke Ashley Rucker, and Jin Ju Song-Begin. Costumes for the performances were designed by Shechet. Tickets are available through Storm King's events page. 

Shechet's work is also on view at many art museums around the United States, including at deCordova Sculpture Park and Museum, Lincoln, Mass., in "Disrupt the View: Arlene Shechet at the Harvard Art Museums," and more.

Shechet is one of the nation's greatest living sculptors. Among the institutions that have presented solo exhibitions of her work are The Phillips Collection, Washington, DC; The Frick Collection, New York; and the Joslyn Art Museum, Omaha. In 2015 the Institute of Contemporary Art, Boston presented a mid-career survey. (On the occasion of that exhibition, Shechet was a guest on Episode No. 194 of The MAN Podcast.) 

Instagram: Arlene Shechet, Tyler Green.

Episode No. 669 is a summer clips episode featuring artist Tammy Nguyen.

This late summer and fall Nguyen will be featured in two institutional exhibitions, one a solo show and the other a group show. On October 4, the Sarasota (Fla.) Art Museum will present "Tammy Nguyen: Timaeus and the Nations." The show was curated by Rangsook Yoon. On September 4 the Cantor Arts Center at Stanford University will present "Spirit House." It's an examination of how contemporary artists of Asian descent challenge the boundary between life and death through art. It was curated by Aleesa Pitchamarn Alexander with Kathryn Cua.

Nguyen was a recipient of a 2023 Guggenheim fellowship, and has exhibited at museums such as MoMA PS1, the Metropolitan Museum of Art, The Factory Contemporary Arts Center in Ho Chi Minh City, Vietnam, and more. Her work is in the collection of museums such as the Institute of Contemporary Art Miami and the Dallas Museum of Art. This program was taped in 2023 on the occasion of her first museum solo exhibition, at the Institute of Contemporary Art, Boston. She is also the founder of Passenger Pigeon Press, an artists’ book publisher.

For images, see Episode No. 625B.