Why do critics consider Don Quixote the first “modern” novel, and what does it tell us about the aesthetics of fiction?

We're joined by Tom Pink, who tells us about Suárez on ethics, law, religion, and the state.

Suárez and other Iberian scholastics ask where political power comes from and under what circumstances it is exercised legitimately.

Vitoria, Molina, Suárez and others develop the idea of natural law, exploring its relevance for topics including international law, slavery, and the ethics of economic exchange.

Did the metaphysics of Francisco Suárez mark a shift from traditional scholasticism to early modern philosophy?

What was Luis de Molina trying to say about human free will with his doctrine of “middle knowledge,” and why did it provoke such controversy?

To celebrate reaching 450 episodes, Peter looks at the philosophical resonance of two famous artworks from the turn of the 16th century: Dürer’s Self-Portrait and Michelangelo’s paintings in the Sistine Chapel.

We learn from Anna Tropia how Jesuit philosophy of mind broke new ground in the scholastic tradition.

The “School of Salamanca,” founded by Francisco Vitoria, and the commentators of Coimbra are at the center of a movement sometimes called the “Second Scholastic.”

Yes, there were Spanish Protestants! Andrew (Andrés) Messmer joins us to explain how they drew on humanism and philosophy to argue for their religious agenda.

Cajetan, Bañez and other thinkers make Aquinas a central figure of Counter-Reformation thought; we focus on their theories about analogy and the soul.