Rumble Strip
This summer, a one-in-a-thousand-year flood hit the village of Plainfield, Vermont. A local apartment building, which everyone called the Heartbreak Hotel, collapsed and washed away down the Great Brook. Twelve people were living there at the time, and they all survived. Most of their cats did not.
We talk a lot about the importance of affordable housing and community and village revitalization. For over a century, the Heartbreak provided all three. This is a story about what was lost that night, and what it might suggest about how we move forward.
This is a story about active drug addiction. Â
Last year I made a story about my private investigator friend Susan Randall, after her office was robbed in the middle of the day in downtown Burlington by a woman with a heroin addiction. She walked into Susan’s office while people were working there and loaded a bag with electronics, and left.  I couldn’t stop thinking about the woman. Where was she coming from that day and where was she going? The world of active addiction is a kind of world underneath the world, with its own rules and relentless demands. But to most people it’s invisible. Â
All four of the people in this story are in recovery, but they spent years in the world of active drug addiction. They’re aware of it in ways that most of us are not, and they agreed to describe it to me—what it feels like day to day, and its endless demands.
Warning: This story contains explicit descriptions of active addiction. It might not be for everyone.
Mark Utter was born with a form of autism that makes it impossible for him to say what he's thinking. For the first thirty years of his life, Mark did not have access to the world of words, except as a listener. An observer. When he was thirty, he was introduced to supported typing, and for the first time in his life, with the help of a facilitator and a typing pad, Mark started his life as a writer of words. This is an interview about what it's like inside the life and mind of Mark Utter.
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On the one-year anniversary of a 100-year flood, Vermont experienced another devastating flood. This is the story of one Plainfield, Vermont resident, who lost everything.
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Thank you Vermont Public for letting me run this show on Rumble Strip.
There are about 15 million people in this world having thoughts and ideas that they can't put into words. People who have had had strokes or traumatic brain injuries often live with aphasia, or difficulty talking or using language. Their thoughts are intact, but the language gets stuck. But music mostly originates in the undamaged hemisphere of the brain. People with aphasia can often sing. This is a story about a choir comprised of people with aphasia, and what it's like to struggle for words.
This is a follow-up show to Finn and the Bell. If you haven't heard that story, you might want to start there.
At Bread and Puppet in Glover, Vermont, there is a magical pine forest full of small homemade buildings and shrines to memorialize dead puppeteers and friends. It’s a place where my friend Tara Reese’s sons Finn and Lyle spent a lot of time when they were little, running around in the woods in the summer. Now there is a memorial here for Finn in the pine forest, built by some of the kids he used to play with here. Finn died by suicide on January 3rd, 2020. In 2021, Tara and I made a story about him called Finn and the Bell. People all over the world listened, and we received hundreds of emails and texts and artwork and poetry. Tara received letters that were addressed to ‘Finn’s Mom, Hardwick’, with no address.
But this is a story just about Tara, and about her evolution of grief. About what happens after the worst thing happens.
We recorded this conversation on Mother’s Day, at Finn’s memorial in the pine forest.
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This show ends with a song. The Bell was written by Jim Terry of Napa, California. He plays music with his sons, Graham and Clark and they’re called The Terry Family Band. Jim wrote this song after listening to Finn and the Bell. Thank you so much Jim!
Will Staats worked for both Vermont and New Hampshire for forty years as a wildlife biologist. He’s also a passionate hunter. He knows the back country of the Kingdom right up through Maine and into Labrador. One day in October he took me bird hunting deep in the unorganized town of Ferdinand. We talked about birds. And we talked about the growing divide between traditional hunting culture and people who don't like certain kinds of hunting here in Vermont. But it was more interesting than that...it was also about how people harden against each other then alienate each other...something we do a lot of these days.
I hung out with Forrest Foster in his sugarhouse a few weeks ago. Sugarhouses are the best because they’re full of warm, sweet steam and there’s nothing to do but hang around and make sure the pan doesn’t burn. Also, if sugaring is happening it means that winter is almost over and that is a joyous time for me. I love the hell out of April. So here are a few happy minutes with Forrest in his sugarhouse.
Kasey Phipps is transgender and has always been transgender. But Kasey didn’t grow up in a place where the word transgender was well understood. Or understood at all. It’s only in the last four years that Kasey’s put a name to this lifelong experience of living life in the wrong gender. This is just one story about the experience of being trans.Â
Credits:
Linda Young plays the harp in this show, for which I am eternally grateful. Here is a link to her excellent TRIO.
There is also a song in the show from one of my favorite artists, Carla Kihlstedt and the Tin Hat Trio. Here is a link to them performing this song, little i.
My thanks to Amelia Meath, Tobin Anderson, Chelsea Edgar and Serena Matt.
What Class Are You is a periodic series I make for Vermont Public. Thank you Vermont Public for letting me share the series on Rumble Strip.
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