Lauren is joined by fashion sourcer extraordinaire Gab Waller, who is in the business of unearthing scarce and impossible-to-find items for clients around the world. (She does most of her work via Instagram DM.) They discuss what shoppers want now that the Quiet Luxury (ew) boom is over, whether stuff is too expensive, and why Miu Miu is invincible. Plus, Lauren checks in from New York Fashion Week.

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Lauren welcomes Sporty & Rich founder Emily Oberg to the show. They talk Paris versus Los Angeles and why tennis kits are far more boring than they used to be. Emily also shares her opinion on Chanel’s current merchandising strategy and addresses the pseudo-controversy around Sporty & Rich’s recent Wall Street-themed collection.

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Lauren is joined by Brett Heyman, founder of accessories, home, and cannabis line, Edie Parker. They discuss Brett’s past life working in P.R. at Gucci and Dolce & Gabbana, how the industry reacted when she started selling marijuana (legally), and why cottage cheese survives all trend cycles. They also go pretty deep on the technicalities of launching, and maintaining, a cannabis brand in an industry that still very much operates like the Wild West.

Fashion People copy: For a 20% discount on Lauren's fashion business insider newsletter, 'Line Sheet', click here

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Lauren welcomes back WSJ’s Jacob Gallagher, fresh from Chicago, to discuss all the bad clothes he saw at the Democratic National Convention. The duo also contemplate what Kamala Harris should (and shouldn’t) be wearing, a late-breaking Barneys New York revival, and whether the menswear brand Evan Kinori makes sense outside of San Francisco (or on anyone other than a GQ editor).

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Lauren takes a minute to catch up with Nancy MacDonell, author of "Empresses of Seventh Avenue: World War II, New York City, and the Birth of American Fashion," to discuss designers Claire McCardell and Elizabeth Hawes, and why Yves Saint Laurent is still bigger than Halston and Bill Blass.

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Lauren is joined by uber-stylist Kate Young to discuss the latest season of fashion's favorite Netflix show, and why Hollywood often gets the industry so wrong. Plus, the duo contemplate the future of Victoria’s Secret, and whether Spanx-founder Sara Blakely's high-heel venture, Sneex, will be a hit with consumers whose feet hurt. Kate also has a theory about Taylor Swift...

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Lauren welcomes Directors Fits creator Hagop Kourounian to the show. They discuss why film directors have great style, the evolving relationship between fashion and Hollywood, and why uniform dressing is so appealing. Also, Lauren digs into the Victoria’s Secret C.E.O. news and offers a readout of the Emily in Paris Season 4 global premiere in L.A.

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Lauren beats the summer heat with New York Times reporter Jessica Testa. They ask: Who is a Miu Miu girl, really? Why were the closing ceremony outfits at the Paris Olympics so boring? And who’s behind Melinda French Gates’ glow-up? Finally, the duo preview New York Fashion Week.

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On a very special episode, WSJ reporter and foremost Zuckerberg style expert Jacob Gallagher joins Lauren to unpack what one ex-Nike employee calls “an epic saga of value destruction” at one of the world’s most beloved brands, from distribution missteps to whether the collaborations are still working. Lauren and Jacob also theorize about why the HBO show 'Industry,' which begins its third season next week, has become so popular with fashion people.

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Ssense’s Steff Yotka joins Lauren from Copenhagen Fashion Week. They explain why it exists, who to watch there (Mfpen), and why Scandinavian brands are more relevant than ever. They also cover the best athlete style at the Paris games. Plus, Steff makes a case for Charli XCX as the fashion ambassador of our time, and the duo make their picks for Peter Hawkings’ replacement at Tom Ford.

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Lauren dials up beloved Los Angeles designer Irene Neuwirth to learn what it takes to build a fine jewelry brand from scratch, as well as the rise and fall of Barneys New York, wearing pretty dresses, and the eternal allure of a horse motif. Plus, Lauren checks in on the Arnault Olympics and the developing situation at Nike.

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