Annie and Nick are joined by Robert Smith to review the year in music. He’s the lead singer of The Cure, one of the UK’s most influential bands ever - they’ve headlined Glastonbury 4 times, sold over 35 million albums, and their 2024 album, Songs of a Lost World, was one of the most talked about records on Sidetracked this year. 2024 was the year of the pop girlies, with Charli XCX and Chappell Roan dominating the charts and the discourse – Annie and Nick ask Robert what he thinks of it all. And the debate around ticket pricing reached boiling point this year after Oasis fans were blindsided by their use of dynamic pricing, who should take responsibility? Plus, Robert talks about releasing new music for the first time in 16 years, shares his real thoughts about that viral clip from the Rock and Roll Hall of Fame red carpet, and reveals his favourite star. Get in touch with Annie and Nick! If you’re over 16 WhatsApp 079700 82700 or email [email protected]

For Sidetracked’s first ever Christmas party, Annie and Nick are joined by singer SELF ESTEEM, Ezra Collective’s Femi Koleoso, comedian Joanne McNally and BBC Music Correspondent Mark Savage, at their favourite Irish pub. With the festive season in full swing, Annie and Nick ask their guests why music and Christmas are so intrinsically linked. And although it’s full of joy, why does Christmas music have the power to make people feel devastatingly sad? Plus, Femi plays the piano in public for the very first time, Annie takes on the role of Santa and Joanne talks about her brief time at the top of the Irish music charts. Get in touch with Annie and Nick! If you’re over 16 WhatsApp 079700 82700 or email [email protected]

As Kneecap win their discrimination case against the UK government, Annie and Nick discuss the relationship between music and politics – but how much freedom do artists really have? Elsewhere, Massive Attack are leading the charge on low carbon gigging and demonstrating how live music can become more sustainable. Plus, Liam Gallagher’s plaque has gone missing from Lidl, Solange might have new music on the horizon and how brat was Charli XCX’s Brat tour?

Having spent their formative years in clubs around the UK, Annie and Nick unpack why club culture is disappearing and what can be done to save it. Elsewhere, Kendrick Lamar is taking a victory lap with his new album GNX and proving why he is the ultimate winner of this year’s biggest rap beef. Plus, Kate Nash has found a savvy way of raising money for her next tour, Rod Stewart is officially a legend and Amyl and The Sniffers might have one of the best first lines of a song ever.

Is the art of the music video dead? Following last week’s discussion about the MTV EMA’s, Annie and Nick share some of your comments about the relevancy of music videos. Elsewhere, Beyoncé has announced that she will play an NFL half time show on Christmas Day, but which artist would you abandon Christmas dinner for? Plus, Bjork is recreating the sounds of extinct animals, Ed Sheeran wishes he wasn’t on the new Band Aid song and Charli XCX might have the most supportive parents in the business.

Grammy nominations and the EMAs have welcomed us back into awards season, but are they still relevant and should we even care? BBC Music Correspondent Mark Savage gives his analysis. Elsewhere, Pharrell Williams is challenging our mind’s eye with his new Lego film, Busta Rhymes reveals that Benny Hill is the rapper’s comedian and Nick explains why he’s not friends with Frank Ocean.

Plus, Annie and Nick find out about Band Aid 40 and debate whether they could tell the difference between a real and AI song.

Does UK Rap need fixing? With 20 years of skin in the game, Ghetts joins Annie to discuss the current state of the UK Rap scene, the importance of championing artist authenticity and who he looks to for inspiration. Elsewhere, what is it about certain songs that keeps us coming back? Annie shares the science behind what makes music so addictive. Plus, Tyler, The Creator proves why risks are worth taking, Ghetts reveals the bars that inspired him to start rapping and the legacy of Quincy Jones.

Annie and Nick dress up as two musical icons for a spooky special - but what makes up the perfect Halloween song? Elsewhere, Laura Marling has released her new album to critical acclaim, and it acts as a perfect example of why an artist’s agency and authenticity are so important in the age of streaming. Plus, Kate Bush has us all gagged with the announcement that she’s ready to start making new music, Beyoncé and Eminem have been out on the US election campaign trail with Kamala Harris and Tyler, The Creator is proving why he could be a future Glastonbury headliner.

Olly Alexander joins Nick to discuss meeting Rihanna, the highs and lows of Eurovision and why he wants to ‘do a Kate Bush’. They also pay tribute to Liam Payne and reflect on the legacy he has left behind. Elsewhere, Tyler, The Creator is bucking the trend by releasing new music on Mondays - should other artist’s lean into this or does New Music Friday serve a purpose? Plus, Charli XCX’s Brat has finally gone to Number 1 (sorry James Blunt), Olly and Nick get their head around the hidden lyrics in Rihanna’s ‘SOS’ and the excitement for new Lady Gaga is palpable.

How much influence do music reviews have in 2024? Annie and Nick chat to The Guardian’s Laura Snapes about the role of the music critic, what it’s like to give a scathing review and why professional critique should always be valued. Elsewhere, Glastonbury tickets go on sale next month at their highest ever price - but what should festival-goers be getting for their money? Plus, new albums from Kendrick Lamar and Frank Ocean may be on their way, viral hit The Spark has been longlisted for two Grammy awards and Lauryn Hill serves Annie a night of beautiful chaos.

Is breaking America worth the cost? Annie and Nick discuss why artists are struggling to take their tours across the pond and the impact this could have on British music. Elsewhere, the world is clearly still not over Brat, as Charli XCX reveals the tracklist for her remix album – but what does it tell us about the rise in pop collaborations? Plus, misinterpreted lyrics, Robbie Williams as a CGI monkey and why Nick isn't going to become the newest member of Bucks Fizz.