Welcome back to Deadline City! This week we are talking about the "Big Idea." But what is a "Big Idea" and who gets to decide that? We pull from our vast publishing experience plus trends we've seen come and go, and do a deep dive into a topic everyone seems to be chasing. 

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This week on Deadline City, we break down retellings and remixes. When it comes to writing, IS there anything new under the sun? We talk about our own experiences with tropes, reimaginings, classics, and WHO gets to tell these stories. Buckle in and join us. 

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This week we head to "Myth Buster Manor" where we asked the internet for publishing myths and rumors that are spread through the industry streets. Based on our experience, we tackle one by one. Is your career over if you don't hit the elusive NYT list? Are you relegated to a single genre? Does jumping agents make you less desirable? You asked, we answered. 

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This week's episode features Samira Ahmed, New York Times bestseller and activist! It's a deep dive into the politics of being an author. What risks do we take? What do we have to consider when we're writing about people from the real world, or fantasy worlds? We interrogate ourselves and the way we approach social media, as well as the decisions other creatives make when they're voicing their political views online. We hope you love this honest, and at times ridiculous (thanks Zoraida), conversation. 

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What's up Deadline City?! We're back to Burn Out Borough. This week we're having an honest conversation about how to identify burnout, working through COVID, what we're doing to cope with the times, and how we can be better.  No matter what, we're still creating. We're in this together, and hope this episode lets you know that you're not alone in Burnout Borough. 

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We're back and more tired than ever! But first, we need to catch up on all that's happened in our lives since the start of the year. So much has happened in the publishing industry this summer, and we go through our own version of "the state of the union." From Barnes & Noble's new policies to book bannings to the DOJ v PRH, we have a lot of opinions. Welcome back to Deadline City and we hope you stay a while! 

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It's that time again. RESOLUTION BLVD, we meet again. Dhonielle and Zoraida break down the peaks and pits of our year and lay out what we want to do better or try next year. 

What are your resolutions? 

We're also launching a small Deadline City shop! We've got mugs and tshirts and stickers, oh my! Check it out here: https://www.teepublic.com/stores/deadline-city

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This week on Deadline City, we discuss the subject of pen names. Why start your career with one? Why start a new one for a different genre? And what are the pros and cons of anonymity? Tune in to dive into another side of writer life on Deadline City. 

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This year, TikTok has become the new publishing buzzword. Publishers and authors have tried to crack the code of virality. What makes a book take off? Does crying online sell books? One thing is certain: when it works it works. Critically acclaimed author, Alex Aster, stops by Deadline City to talk about her first-hand experience with the platform, and how she leveraged her success into the biggest deal of her career so far. Listen in to what Alex has to say!

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This week on Deadline City we talk about POV. From a certain POV, that is. No, it's not a Star Wars episode, BUT we do dig into what makes us write the way we write. How do we choose the way we tell stories? All that and more on this week's episode of Deadline City. 

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This week Deadline City has a special guest! Publicity manager, editor, and festival founder, Saraciea J. Fennell knows the ins and outs of the publishing industry. She stops by the Publicity Parlor to give us her insights into author-publisher relationships and how we can feel a little less helpless in this big wide career. 

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