As Pretty Much Pop ends its 5th year of podcasting, Mark, Lawrence, Sarahlyn and Al break from our usual format to talk in a more free-form way about the thin line between the "new" media we talk about on the show and the classics of yesteryear.

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

We discuss the Deadpool films in light of the new Deadpool & Wolverine, which leaves the fourth wall thoroughly smashed. Is the new film just a meta-text about the existence of other Marvel films? Is this just a particularly irreverent phase in superhero films (contra Christopher Nolan Batman seriousness)? Featuring Mark, Sarah, Al, Lawrence, and Al. 

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

Sponsors: Save 10% on your first month of online therapy at betterhelp.com/pretty. Check out the Let Me Ask My Dad podcast.

We discuss Christopher Storer's culinary dramedy in light of the release of its strange third season. What made this a uniquely wonderful show in its first season? Is the unsatisfying character of this season just a matter of its being only the first half of what was originally planned? We talk about the flashbacks, the cameos, the comedy, "food porn," and more.

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

If you enjoy our show, check out the Pop Pantheon podcast.

We discuss the 2015 and 2024 Pixar films by writer/director Pete Docter , featuring the usual crew of Mark, Lawrence, Sarahlyn, and Al.

These films show kids that it's OK to be sad and how to cope with anxiety. Is the films' emotional impact objectionably manipulative? Does the "mental landscape" depicted helpfully represent the various elements we juggle, or is it just a fun pile of metaphors?

Sponsors: Give online therapy a try at BetterHelp.com/pretty. Immerse in GoT/House of the Dragon at historyofwesteros.com.

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

Mark, Lawrence, Sarahlyn, and Al discuss the five films in George Miller's Mad Max/Road Warrior franchise. What was the original appeal of the series, and has this changed? Are we still afraid of an "Apunkalypse," or is this just an aesthetic to be ripped off by Fallout and other properties? How can films 80% occupied by car chases be actually good? Is Mad Max an icon a la Indiana Jones, and is there actual world building in this series?

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

We discuss the ten films that all started with the 1968 Charlton Heston vehicle (based on Pierre Boulle's 1963 novel) through the latest offering, Kingdom of the Planet of the Apes. What psychologically are these films about? Which parts of this sprawling franchise are worth your time?

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

Mark, Lawrence, Sarahlyn and Al discuss the new Amazon TV show based on on the video game series that launched in 1997. How does one best adapt a sandbox game? How dark is too dark for comedy? We talk world-building and exposition dumps, narrative structure and character revelation, and morality in a ruined world.

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

Mark, Lawrence, Sarahlyn, and Al look at pop music and the idea of genre. Beyoncé is beloved enough that she can do whatever she wants to musically, but the response to her Cowboy Carter album among country music listeners has been pretty critical. Is it real country, and what is it to even ask that question? Is gate-keeping about your favorite genre always stupid?

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

Sponsor: Get 50% off your first box of ready-to-eat meals and 20% off your next box at FactorMeals.com/pretty50 (use code pretty50).

The incredible post-Seinfeld improvised sit-com Curb Your Enthusiasm has had its finale, and so Mark, Lawrence, Sarah and Al reflect on its format, its characters, its way of exploring puzzles of modern manners, its treatment of race and gender, and more. Was it too repetitive? Did it get too contrived?

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

Sponsor: Get 50% off your first box of ready-to-eat meals at FactorMeals.com/pretty50 (use code pretty50).

When we write, how much is planned vs. improvised? How much is inspirational vs. double-or-triple checked? How does this factor weigh into how much music we release, how eclectic our sound is, and how well we improvise with others?

This discussion features three returning guests:

• Roger Joseph Manning Jr. was the keyboardist/singer for Jellyfish and Imperial Drag, and more recently as a solo artist and with the Likerish Quartet. Hear his solo episode. The end song on this episode "I'm Startin' a Band" from his Radio Daze EP (2023).
• David Christian is the singer/guitarist for Britain's Comet Gain. Hear his solo episode. The intro music to this discussion is "Love and Hate on the Radio" from Radio Sessions 1996-2011.
• Portland-based Rachel Taylor Brown has released 10 solo albums. Hear her solo episode. Her song choice relevant to this discussion was "Stagg Field."

Sponsor: Get 50% off your first box of ready-to-eat meals at FactorMeals.com/pretty50 (use code pretty50).

Mark, Lawrence, Sarahlyn, and Al discuss the American version, and to a lesser extent the British and Australian versions, of this reality game show that originated in 2021 in the Netherlands, based on the party game Mafia (aka Werewolf), plus Survivor-like challenges and a gothic tone.

How does such a simple (stupid?) concept end up creating compelling TV? Are we cruel for liking this show? Is it better suited to hardened reality game show players, or with normal people? What's the role of the host, and is Alan Cumming the best possible one?

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.