With season 4 of “For All Mankind” in the books, we got a chance to spend a little time asking co-creators and showrunners Ben Nedivi and Matt Wolpert about the show in general, season four in particular, where the show might go if it’s renewed for future seasons, and (of course) why there are so many vending machines.

Dan Moren and Jason Snell with Matt Wolpert and Ben Nedivi

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We say goodbye to season four by detailing the exciting and eventful finale, in which the counter-countermeasures are foiled by counter-counter-countermeasures… or are they? The tension between the crew and the authorities on Mars reaches a breaking point! Frantic typing occurs—but without typos! And Jason gets some strong “Babylon 5” vibes—in the best way. Comrades, there’s been a Martian vending machine right behind you all along!

Dan Moren and Jason Snell

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Everything gets tense as we rush toward the season finale. How many Star Trek shows are there in this universe? Was that a modem sound? Would it be better if the KGB and CIA worked together? And what’s more American than eating a McDonald’s burger in a motel?

Dan Moren and Jason Snell

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Listeners, thanks for reminding us what happened to that one character we thought was dead, because he’s very much not dead and in this episode. The Henry Hill of space shucks off his robe and turns right to warn Aleida about the peril Margo may be in! Meanwhile, on Mars, it’s time to plan a heist! Kelly may be about to make history, but Ed is absolutely a Bad Grandpa. We talk through all the permutations as “For All Mankind” rockets on toward its season finale.

Dan Moren and Jason Snell

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So many lines being crossed! Ed’s rebellion encourages a worker revolt just as Kelly and Alex arrive on Mars. Meanwhile, Margo gets a new assignment, Aleida’s news appearance goes viral. And Dev spills some sugar and shows his true colors. If you were wondering if this season was in the truest bananas spirit “For All Mankind,” did the last line not clinch it for you?

Dan Moren and Jason Snell

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It all comes to a head in St. Petersburg—er, Leningrad. Chekhov’s hotel accommodations are placed on the mantel. Margo is reminded who her employers are. And on mars, Ed continues to rebel. And what is an asteroid, if not a giant vending machine?

Dan Moren and Jason Snell

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It’s a gold rush in space! Okay, maybe an iridium rush, as everyone on Earth wants to grab Goldilocks, the $20 trillion asteroid. But things are more complicated than that, of course. Danielle is stuck in an episode of “Lost,” having flashbacks to dark times. Kelly and Aleida have to deal with a rash decision made by Dev. And is Ed Baldwin this season’s… villain?

Dan Moren and Jason Snell

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It’s splitsville! “For All Mankind” explores rifts between supports of the old and new Soviet regimes, but there’s also an Earth-Mars dichotomy, the re-emergence of Cold War fault lines, the downstairs grunts versus the upstairs astronaut heroes on Mars, and even the Helios workers versus their billionare boss. Meanwhile, things are bad for Comrade Semonov, but Margo has finally found late-night coffee thanks to the washer from a cafeteria chair and—most importantly by far—a Soviet vending machine.

Dan Moren and Jason Snell

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Our season storylines begin to come into focus this week, as Kelly and Aleida encourage Dev to have his Steve Jobs moment, Margo learns about the calm atmosphere found at Soviet Union police stations, Ed finds calm in hydroponics, and Miles discovers that black market shenanigans can really snowball.

Dan Moren and Jason Snell

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This week we’ve got an upstairs/downstairs thing going on at Happy Valley, where newbie Miles is learning about black market speakeasies and base commander Danielle is enjoying some fresh pasta. Back on Earth, Kelly and Aleida join forces to TP things and build a business, and they’re all out of toilet paper. But the most important, earth-shaking thing in this episode is undoubtedly the triumphant Martian reappearance of a fateful vending machine!

Dan Moren and Jason Snell

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“You know, when I was a child, I liked to go to my father’s factory and enjoy the vending machine…” We’re back! And so is “For All Mankind,” complete with a new opening montage of “historical facts”, another dangerous adventure in outer space, some check-ins with old characters, and some surprising new ones.

Dan Moren and Jason Snell

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