Prepare to delve into the haunting world of Guy de Maupassant's "Who Knows?", a chilling tale that blurs the lines between reality and the supernatural. Join the narrator as he recounts his unsettling experiences with his beloved furniture, which seems to take on a life of its own. As the story unfolds, you'll find yourself questioning the narrator's sanity and the true nature of the events that unfold. Is it a case of mental instability, or are there truly otherworldly forces at play? Immerse yourself in this atmospheric masterpiece and unravel the mystery that lies at the heart of "Who Knows?".

Guy de Maupassant (1850-1893) was a French writer who made significant contributions to the development of the short story genre during the latter half of the 19th century. Born on August 5, 1850, in Tourville-sur-Arques, France, Maupassant was influenced by the literary circle of Gustave Flaubert, who became his mentor. He began his literary career in 1880 with the publication of his famous short story, "Boule de Suif." Over the next decade, Maupassant produced a prolific body of work, including over 300 short stories, six novels, three travel books, and a volume of poetry. His stories, such as "The Horla" (1887) and "Qui Sait?" ("Who Knows?") (1890), often explored themes of madness, the supernatural, and the darker aspects of human nature. However, Maupassant's life was cut short by the effects of syphilis, which he had contracted in his youth. After a suicide attempt in 1892, he was committed to a mental asylum in Paris, where he died on July 6, 1893, at the age of 42.

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In this haunting and enigmatic short story by Shirley Jackson, an unnamed woman eagerly awaits her wedding day, only to find herself plunged into a nightmarish search for her missing fiancé, Jamie Harris. As she navigates the city streets and encounters a cast of indifferent, jaded characters, the protagonist's quest for love and connection takes on an increasingly surreal and desperate edge. Through masterful prose and subtle psychological insight, Jackson weaves a tale that blurs the lines between reality and illusion, exposing the fragility of human relationships and the ways in which societal expectations can shape and distort our perceptions. "The Daemon Lover" is a masterpiece of ambiguity and unease that will leave listeners pondering the nature of identity, desire, and the elusive search for meaning in a world that often feels isolating and uncertain. Join me as we delve into the unsettling depths of Shirley Jackson's unforgettable story.

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M.R. James's "A Warning to the Curious" (1925) is a seminal ghost story that explores the consequences of disturbing ancient artifacts and the enduring power of folklore. Set in the fictional coastal town of Seaburgh, based on Aldeburgh, Suffolk, where James had strong personal connections, the story follows Paxton, an amateur archaeologist who unearths one of three legendary crowns believed to protect England from invasion.

The story draws upon a rich tradition of magical artifacts in British folklore, such as the Glastonbury Thorn and the buried head of Bran the Blessed, situating itself within a larger cultural narrative of Britain's magical defenses. James's deep knowledge of East Anglian history and folklore is evident in his vivid descriptions of Seaburgh's landmarks and his reference to the crown of Redwald, an ancient East Anglian king, foreshadowing the 1939 discovery of the Sutton Hoo treasure.

As a work of folk horror, "A Warning to the Curious" explores the clash between modernity and the lingering presence of the past, with Paxton encountering the vengeful ghost of William Ager, the crown's guardian. The story resonates with other works in the genre, such as H.R. Wakefield's "The First Sheaf" (1922), highlighting the dark side of rural traditions and the supernatural.

The story's post-World War I context adds depth to its themes, reflecting the profound impact of the war on British society. Paxton's tragic fate, with his broken jaw and mouth filled with sand, evokes the horrific injuries suffered by soldiers in the trenches, serving as a metaphor for the lost potential and unfulfilled promises of a generation scarred by war.

Derrida's concept of hauntology and Mark Fisher's extension of these ideas provide a compelling lens for analyzing the story. The ancient crown and Ager's spectral presence embody the past's disruption of the present, while the story's pessimistic tone reflects the post-war zeitgeist and the haunting of society by the specters of war and lost futures.

"A Warning to the Curious" showcases James's mastery of the ghost story genre, weaving together folklore, history, and the supernatural to create a haunting tale that continues to resonate with readers, reminding us of the enduring power of the past to shape our present.

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M.R. James (1862-1936) was an English author, medievalist scholar, and provost of King's College, Cambridge. Best known for his ghost stories, which are widely regarded as among the finest in the genre, James redefined the traditional ghost story by abandoning many of the formal Gothic clichés of his predecessors and using more realistic contemporary settings. His stories often reflect his academic background, with the protagonist being a scholar or antiquarian.

"Casting the Runes" is a short story by M.R. James, first published in 1911 as part of his collection "More Ghost Stories." The story tells the tale of Edward Dunning, a researcher who crosses paths with a vindictive occultist named Karswell. Karswell seeks revenge by cursing Dunning with a slip of paper containing runic symbols, which will cause his death unless he can pass the curse back to Karswell. The story has been adapted several times for television and film, most notably as the 1957 movie "Night of the Demon" (released in the US as "Curse of the Demon"), directed by Jacques Tourneur and starring Dana Andrews and Niall MacGinnis.

The structure of "Casting the Runes" is somewhat unconventional, with the narrative shifting focus between various characters and events. The story begins with a series of letters, followed by a conversation between the Secretary and his wife about Karswell. The lunch scene where Harrington's death is mentioned serves to introduce the main protagonist, Dunning. The spotlight then shifts to Henry Harrington, the brother of the deceased, as he aids Dunning in understanding the curse. The Secretary makes another appearance before the climactic scene on the train, where Dunning manages to pass the rune back to Karswell. This uneven structure contributes to the story's sense of unease and unpredictability.

Many have noted the similarities between the fictional character Karswell and the real-life occultist Aleister Crowley (1875-1947). Both were deeply involved in the study and practice of the occult, had a reputation for eccentricity and mischief, and authored numerous works on alchemy and magic. While James never explicitly stated that Crowley was the inspiration for Karswell, the physical description of Karswell in the story bears a resemblance to photographs of Crowley from the early 20th century. It has been suggested that James, who was at Cambridge during Crowley's time there, might have met or been aware of the young occultist. Crowley enrolled at Trinity College, Cambridge in 1895, during James' tenure at King's College. Although there is no direct evidence of a meeting between the two, it is plausible that James, who was known to interact with students, might have encountered or heard about the flamboyant and controversial Crowley.

At its core, "Casting the Runes" is a story about the consequences of offending a narcissist and the lengths to which such an individual might go to exact revenge. Karswell's fragile ego and vindictive nature are the driving forces behind the curse he places on Dunning, who unknowingly slighted him by criticizing his work. The story serves as a cautionary tale about the dangers of crossing those with inflated senses of self-importance and the potential for seemingly minor actions to have far-reaching and deadly consequences. James' masterful storytelling and his ability to create an atmosphere of mounting dread have solidified "Casting the Runes" as a classic of the horror genre, one that continues to resonate with readers over a century after its publication.

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Fritz Leiber (1910-1992) was an influential American writer of fantasy, horror, and science fiction. He is best known for his sword-and-sorcery stories and his novel "Conjure Wife" (1943). Leiber's works often combined elements of fantasy, horror, and science fiction, and he coined the term "sword and sorcery." He is widely regarded as one of the most important figures in modern speculative fiction.

"The Smoke Ghost" (1941) is a key example of urban weird fiction, blending horror, fantasy, and social commentary. The story explores themes of urban alienation and the horrors of modernity, as seen in other works like H.F. Arnold's "The Night Wire" (1926) and Leiber's "The Girl with the Hungry Eyes" (1949). These stories tap into the sense of disconnection and vulnerability that people experience in the face of rapid urbanization and technological change.

Leiber's background in psychology and interest in Carl Jung's works are evident in "The Smoke Ghost." The titular entity can be interpreted as a manifestation of the Jungian Shadow archetype, representing the repressed aspects of the protagonist Catesby Wran's psyche and the collective unconscious of modern urban society. The climax of the story, in which Wran accepts the smoke ghost's dominion, can be seen as a twisted individuation process.

"The Smoke Ghost" shares similarities with M.R. James's ghost stories, featuring a protagonist haunted by a supernatural entity embodying his deepest fears and anxieties. Both Leiber and James suggest that even rational individuals are not immune to the lure of the supernatural. However, Leiber's story is firmly rooted in the modern urban landscape, reflecting the anxieties of a rapidly changing world.

Leiber's story also bears the influence of H.P. Lovecraft and cosmic horror. The smoke ghost can be seen as a manifestation of the cosmic horror lurking beneath the surface of modern urban life, defying easy categorization and understanding. The story's bleak ending echoes the cosmic pessimism in Lovecraft's work. However, Leiber brings the horror into the heart of the modern city, creating a kind of urban cosmic horror that transplants Lovecraftian themes into the gritty, mid-20th century metropolis.

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Alan Noel Latimer Munby (25 December 1913 – 26 December 1974) was a distinguished English librarian, bibliographical scholar, and book collector, noted for his contributions to the study of rare books and manuscripts. Additionally, he gained recognition as an author of ghost stories, influenced by the style of M. R. James.

Munby was born in Hampstead, the son of architect Alan E. Munby and Ethel Greenhill. He received his education at Clifton College and later attended King's College, Cambridge, where he acquired the nickname "Tim."

Munby's career encompassed various roles in the antiquarian book trade, including positions at Bernard Quaritch Ltd. and Sotheby & Company. During World War II, he served in the British Army and was later held as a prisoner of war. Following the war, he assumed the role of Librarian at King's College, Cambridge, and was subsequently appointed as a fellow. He held esteemed positions such as the J.P.R. Lyell Reader in Bibliography at the University of Oxford and the Sandars Reader in Bibliography at the University of Cambridge. Munby was also a co-founder of the Cambridge Bibliographical Society and served as President of the Bibliographical Society until his passing in 1974.

Munby's scholarly works include a comprehensive study of the eccentric nineteenth-century book collector Sir Thomas Phillipps, as well as a series of Sale Catalogues of Libraries of Eminent Persons. He collaborated posthumously on a union list of British Book Sale Catalogues, 1676–1800, with Lenore Coral.

In addition to his scholarly pursuits, Munby authored a collection of ghost stories titled "The Alabaster Hand." Three of these tales were written during his internment in Oflag VII-B, a German prisoner-of-war camp, and were featured in the prison-camp magazine, Touchstone. The stories, namely "The Topley Place Sale," "The Four Poster," and "The White Sack," received acclaim for their subtle yet chilling narrative style, reminiscent of the tradition established by M. R. James.

"The Alabaster Hand" was published in 1949 by Dennis Dobson Ltd.

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Robert E. Howard (1906–1936) was an influential American author primarily known for his contributions to the genres of fantasy, horror, and adventure fiction. He is best remembered as the creator of Conan the Barbarian, a character who has become an iconic figure in popular culture.

Born in Peaster, Texas, Howard demonstrated a keen interest in storytelling from a young age. He began writing fiction in his teens, and by his early twenties, he had already begun to make a name for himself in the pulp magazine market. Howard's stories were published in a variety of popular magazines of the time, including "Weird Tales," "Strange Tales," and "Fight Stories."

Howard's most famous creation, Conan the Barbarian, first appeared in the story "The Phoenix on the Sword," published in "Weird Tales" in 1932. Conan, a fierce and cunning warrior from the fictional Hyborian Age, quickly captivated readers with his adventures in a world filled with sorcery, monsters, and intrigue. The character's popularity endured long after Howard's death and has inspired countless adaptations in various media, including books, comics, films, and video games.

In addition to Conan, Howard created numerous other memorable characters and settings, such as Solomon Kane, Bran Mak Morn, and the mythical land of Hyperborea. His writing style was characterized by vivid descriptions, fast-paced action, and a knack for creating atmospheric settings.

Tragically, Howard's life was cut short when he took his own life at the age of 30. The reasons behind his suicide remain the subject of speculation, but it is widely believed that personal struggles, including his mother's failing health and financial difficulties, contributed to his decision.

Despite his untimely death, Robert E. Howard's legacy endures through his influential body of work. His stories continue to entertain and inspire readers, and his impact on the fantasy genre remains profound, cementing his place as one of the most significant writers of speculative fiction in the 20th century.

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Abraham "Bram" Stoker was born on November 8, 1847, in Clontarf, Dublin, Ireland. He was the third of seven children born to Abraham Stoker and Charlotte Mathilda Blake Thornley Stoker. Stoker spent much of his early childhood bedridden due to an unknown illness, during which he entertained himself with stories and books. Despite his illness, he eventually made a full recovery and went on to study at Trinity College Dublin, where he excelled in athletics and graduated with honours in Mathematics.

After graduation, Stoker pursued a career in civil service while also working as a freelance journalist and theatre critic. His passion for writing led him to become the manager of the Lyceum Theatre in London, where he met and formed a close friendship with the renowned actor Sir Henry Irving. Stoker's association with Irving greatly influenced his literary career and provided inspiration for some of his most famous works.

Although Stoker wrote numerous novels, short stories, and non-fiction works, he is best known for his Gothic horror masterpiece, "Dracula," published in 1897. The novel, which tells the story of Count Dracula's attempt to move from Transylvania to England in order to spread the undead curse, has become a timeless classic of English literature. "Dracula" introduced many of the vampire conventions still prevalent in contemporary culture, including the portrayal of vampires as charismatic and aristocratic beings with a thirst for blood.

Despite the success of "Dracula," Stoker struggled financially throughout much of his life. He continued to write prolifically, producing several more novels and short stories, but none achieved the same level of success as his iconic vampire tale. Stoker passed away on April 20, 1912, in London, at the age of 64. While he did not live to see the full extent of "Dracula's" enduring legacy, his creation has since become one of the most iconic and influential figures in popular culture, inspiring countless adaptations, sequels, and reimaginings in literature, theatre, film, and television. Bram Stoker's contribution to the horror genre and his enduring legacy as the creator of one of literature's most iconic monsters continue to be celebrated by readers and scholars alike.

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John William Polidori, an Italian-English physician and writer born in 1795, was a notable figure associated with the Romantic movement. As the eldest son of Gaetano Polidori, an Italian scholar, and Anna Maria Pierce, a governess, Polidori was exposed to intellectual pursuits from a young age. He received his medical degree from the University of Edinburgh in 1815 at the remarkably young age of 19. Polidori's literary talents and connections led him to serve as personal physician to the renowned poet Lord Byron, embarking on a European tour with him in 1816.

During their travels, Polidori found himself in the company of other literary luminaries, including Mary Shelley and Percy Bysshe Shelley. It was during this time, at the Villa Diodati by Lake Geneva, that the idea for "The Vampyre" took shape. Inspired by a fragment of a story by Lord Byron, Polidori penned his own tale, which would go on to become the first vampire story in English literature. Originally published in April 1819 in the New Monthly Magazine, "The Vampyre" was falsely attributed to Lord Byron, likely to capitalize on his fame. This misattribution persisted for years, causing confusion over the true authorship of the story.

Polidori's "The Vampyre" introduced several key features of the vampire archetype that would influence vampire literature for generations to come. Notably, his portrayal of Lord Ruthven, the titular vampyre, departed from the traditional folkloric depictions of vampires as grotesque creatures. Instead, Polidori's vampyre was an aristocratic figure, seductive and charming, preying on high society. Lord Ruthven's aristocratic allure, coupled with his predatory nature and mysterious aura, set the template for the modern vampire, ushering in a new era of vampire fiction characterized by sophistication and allure.

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Henry James (1843–1916) was an American author renowned for his contributions to literature, particularly within the realm of psychological realism. Born in New York City, James spent much of his life traveling between Europe and the United States, which greatly influenced his cosmopolitan worldview and writing style. Known for his intricate character studies and keen exploration of human psychology, James's works often delved into themes of social conventions, personal freedom, and the complexities of interpersonal relationships. Throughout his prolific career, he authored numerous novels, short stories, and essays, earning him recognition as one of the foremost literary figures of the 19th and early 20th centuries.

Henry James made a special contribution to the ghost story genre through his unique blend of realism and supernatural elements. His ghost stories are characterized by their vague, psychological qualities, featuring unreliable narrators and a chilling mixture of realism and romantic suggestiveness. James challenged conventional notions of what constitutes a ghost, exploring the haunting power of guilt and remorse alongside more traditional supernatural elements. His works, including "The Turn of the Screw" and "The Ghostly Rental," continue to captivate readers with their rich prose, intricate character portraits, and haunting themes.

"The Ghostly Rental," first published in Scribner's Monthly in September 1876, exemplifies Henry James's exploration of themes within the ghost story genre. This tale revolves around a grad student's fascination with an old soldier who visits an abandoned mansion to collect rent from his supposed ghostly daughter. Themes of guilt, redemption, and the blurred lines between reality and imagination permeate the narrative, as James challenges readers to ponder the nature of truth and the power of perception. Through its atmospheric setting and complex characters, "The Ghostly Rental" remains a timeless exploration of the human psyche and the haunting effects of past misdeeds.

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John Stephen Glasby (23 September 1928 – 5 June 2011) was a British author born in East Retford, Nottinghamshire. Trained as a research chemist and mathematician, Glasby's early career saw him balancing his scientific pursuits with a burgeoning passion for writing. His literary journey began in the 1950s and 1960s, during which he emerged as a prolific figure in the pulp publishing industry. Despite his scientific background, Glasby's literary ambitions led him to explore a wide array of genres, from speculative fiction and romance to westerns and spy thrillers. His ability to seamlessly transition between genres showcased his versatility as a writer, earning him a dedicated readership across various literary circles.

Throughout his career, Glasby's output was characterized by both quantity and quality. Under numerous pseudonyms and house names, including "A. J. Merak," "John E. Muller," and "Chuck Adams," Glasby penned over 300 novels and short stories. His imaginative storytelling and attention to detail captivated readers, while his scientific acumen lent authenticity to his speculative works. Notably, Glasby's foray into speculative fiction produced enduring classics such as "Project Jove," showcasing his ability to blend scientific concepts with compelling narrative arcs. Additionally, his contributions to genres like westerns, romance, and espionage underscored his versatility and adaptability as an author, cementing his reputation as a multifaceted literary talent.

Despite the commercial constraints of the pulp publishing industry, Glasby's literary legacy endured beyond his prolific output. His works continue to be celebrated for their enduring appeal and cultural significance, reflecting the diverse interests and talents of a writer who defied categorization. Beyond his literary contributions, Glasby's dedication to both scientific inquiry and creative expression left an indelible mark on the literary landscape, inspiring generations of readers and writers alike. With a career spanning decades and genres, John Stephen Glasby remains a revered figure in British literature, remembered for his prolific output, imaginative storytelling, and enduring impact on the world of letters.

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