You could say ASIP has brought me closer to ‘my people’ over the years—those with a deep, almost obsessive appreciation for all things ambient and electronic. The ones who love this music, who show up at the same gigs, who get so inspired by the sounds and stories that they start paving their own.

Based in Rotterdam, Rosillon is one of those people. Co-founder of the electronic music platform Embodiment, he’s been a long-time listener and supporter of ASIP. At his core, he’s just another music obsessive, choosing to share his passion through mixes and curated events—the kind of person who keeps music culture moving forward, regardless of genre or scale. Last November Rosillon had the pleasure to play for the first edition of ZERØBPM, a 18 hour non-stop ambient/meditation experience in a church in the Netherlands. And his previous mixes have cropped up for the brilliant Deep Breakfast series, as well as the Korean collective, Vurt.

I don’t typically accept submissions for the isolatedmix series, but his vinyl-only mix landed in a way that many don’t. And when he shared the story behind it, it perfectly captured how music like this isn’t just heard—it’s experienced, absorbed, and ultimately, passed on. Listening back and reading his inspiration, it reminded me of the exact mindset I experienced when picking a name for this endeavor, A Strangely Isolated Place.

Places of inspiration for Rosillon’s mix

~

“ Last summer, during my travels through Bulgaria, I found myself deeply inspired by the landscapes, and the sense of remoteness that each place evoked. As soon as I returned home, I aimed to translate these experiences into sound.

This mix is the result of that, a sonic exploration of isolation, both physical and emotional. The concept behind this set revolves around the idea of ‘isolated places’, not just in the geographical sense, but also within the mind. These are the places that trigger emotions, memories, and introspection. Places shaped by sound aesthetics that speak directly to the imagination. With this in mind, I carefully selected tracks that embody these feelings, crafting a mix that serves as both an escape and a reflection.

The mix unfolds as a metaphor for the experiences we gather during our journeys. It begins at an airport, a symbolic starting point that sends the listener on their way. From there, the music takes you through a collage of progressively more obscure destinations, each transition serving as a portal to another isolated place.

Places of inspiration for Rosillon’s mix

Some transitions are smooth and fluid, while others are abrupt and disorienting, mirroring the unpredictability of travel itself. As the mix progresses, it immerses the listener in various emotional landscapes, reflecting the highs and lows that come with discovering unfamiliar territory.

Near the end, a vocal announcement signals that the gate is closing, marking the inevitable conclusion of the journey. The bittersweet nostalgia of leaving behind an enriching experience is captured in a track featuring glitching sounds layered over a field recording of an airport.

However, just as in real life, the end of a trip brings with it a renewed appreciation for the lessons learned and the memories made. In the closing section of the mix I wanted to embrace this sentiment, offering a positive and empowering conclusion.

It reminds us that every journey, whether to distant lands or within ourselves, leaves a lasting impact, shaping our perspective in ways we may not fully grasp until we return home. I hope this mix transports you to your own isolated places, allowing you to lose yourself in the journey and find meaning in the sounds along the way.”

- Rosillon

astrangelyisolatedplace · isolatedmix 129 - Rosillon

Listen on Soundcloud the ASIP Podcast or the 9128.live iOS and Android app

Download MP3

Tracklist (vinyl only)
01. The Black Dog – M1 [Dust Science Recordings]
02. Rod Modell - Ghost Lights B-side [Astral Industries]
03. Inhmost – In The Bay [re:st]
04. 3.11 – Dissolve in Patience [PRS]
05. Box5ive – Rough Sleeper [co:clear]
06. 3.11 – Hard Copy [PRS]
07. Alva Noto - Confidential Information 1 [Noton]
08. Off The Sky – Ahurani [re:discovery records]
09. Xenia Reaper – 23724 [INDEX:Records]
10. William Selman - Farther Off Among The Foaming Black Rocks [Mysteries Of The Deep]
11. Pontiac Streator & Mister Water Wet - Angelus Spit [Motion Ward]
12. TIBSLC – Hypertranslucent [Sferic]
13. Quiet Places – Side B [A Strangely Isolated Place]
14. The Black Dog - Lounge [Dust Science Recordings]
15. Alva Noto - HYbr:ID Ectopia Field 1 [Noton]

~

Rosillon Soundcloud | Instagram
Embodiment Soundcloud | Instagram

 

 

Dreamfish - Dreamfish

There are a few LPs I have been hunting down for a long time now, and the original Dreamfish 2LP is up there. I've never seen it in the wild, and a Bandcamp comment suggests only 500 copies were originally pressed back in 1993. Silent State is slowly working through some of the most majestic titles from this era, and now Dreamfish is up for reissue, with preorders on Feb 7th. Read this interview I did with Nils from Silent State a while back who is on a mission to share more from the Namlook estate.

Dreamfish by Dreamfish

Snad - Bubblescope

I’ve been on a Smallville kick recently - well, probably since the Joe Davies album reminded me they exist, and they constantly churn out some of the best house music going. This latest one from Snad was playing in Passenger Seat Records in Portland when I asked what it was… of course, it turned out to be on Smallville. A lovely slice of dubby relaxing house music to float away to. The B-side, the standout.

Smallville 67 - Snad - Bubblescope by smallville records

Kiln - Seltzer Boa

Every year since 2021, Kiln has offered up a single through Bandcamp on January 1st, as a sonic snapshot of their groovable electronics. Many will know of this group through their releases on Ghostly, defining a specific sound that is perhaps the most organic and instrumental way possible to approach the listenable side of early IDM. Look out for more from Kiln arriving very soon….cough cough.

Seltzer Boa by KILN

PFM - Equilibrium VIP

It’s not often you get an unreleased gem from one of the kings of atmospheric / liquid drum’n bass making an appearance on Bandcamp. PFM has been dropping a bunch of singles on his own bandcamp in recent years (often deleting the releases once people have downloaded them), but looks like this one is set to stay, with a vinyl press to boot.

Roller.

Equilibrium VIP - PFM / Icarus - PFM & Greekboy by PFM / PFM & Greekboy

Simon Littauer - Modular

Everyone hates on Instagram for many reasons, but once in a while, if you follow bunch of music nerds, it presents you with… more music nerds, jamming in front of their expensive rigs. Most sound as you’d expect, but Simon Littauer’s got a knack for intertwining some absolutely beautiful pads and melancholy amongst the complex analog glitch and breaks. This album is name your price right now, too.

Modular by Simon Littauer

Find these albums and many more over on my Bandcamp Collection.

 

 

Our first release of 2025 was announced today, featuring our very own Olga Wojciechowska, (Infinite Distances (2019), Unseen Traces (2020), and the 2022 collaboration with Scanner), alongside Tomasz Walkiewicz.

The Monoparts project was sent to me as unreleased material a few years back by Olga, and it was spoken of as something that would never see the light of day, due to the duo going their own ways.

It was put into rotation on 9128.live, and since then, I grew to love it so much, I made the steps to secure it as a release on ASIP.

In a dramatic departure, Olga unveils a new and unexpected side, debuting her haunting vocals—a delicate, spellbinding performance that recalls the golden era of trip-hop, and comparisons to the sounds pioneered by Tricky, Massive Attack, and Martina Topley-Bird.

"This album is like becoming one with the earth itself—feeling the rawness of the wood, tasting the earth in your mouth, and sensing the presence of ancient spirits. The music carries a deep, primal energy, like being part of the forest, with creatures watching you from the shadows." - Olga Wojciechowska

To complete the journey, ASC lends his signature touch with a stunning drum’n’bass reinterpretation, amplifying the album’s nostalgic essence. Soothsayers emerges as a spellbinding ode to times gone by, in more ways than one.

Featuring artwork by Moon Patrol, with mastering and lacquer by Andreas LUPO Lubich, Soothsayers will be available on 12” maroon smoke-colored vinyl and Bandcamp on February 28th. Preorder is now available on Bandcamp and Space Cadets, with more stores to follow soon.

Save the Monday 24th for our listening party over on Bandcamp. RSVP here.

  Soothsayers by Monoparts 

 

There are only a few podcasts and mix series that stand the test of time over the years and become regular go-to’s. Unrush, for example, began 8 years ago and has since hosted classic mixes from Wanderwelle, Jamie Mccue (Silent Season), Kamikaze Space Program, Sven Weisemann, and the host herself, Mareena. If you’re not familiar with the series, you have some digging to do.

As many may know, my DJ mixes are often conceptual and ladder to a bigger idea. For example, my most recent mix for Monument was made entirely of loops, and I’d often spend weeks perfecting the output.

I often try and do more with recorded sets because you have more time to obsess and create something different than what someone would hear playing live. However, for this mix, given it was over the holiday period and life is pretty hectic right now, I chose to adopt a more “don’t overthink it” approach, and just did what hit me...

I was also more optimistic about kicking off the year, and I didn’t want to go down a dark or ambient route (as might be the initial reaction given the mix series title). In hindsight, I very rarely do straight-up ambient sets.

The result:

We are delighted to begin the year with a mix from ASIP (Ryan Griffin), the founder of A Strangely Isolated Place - a label and mix series that has become a cornerstone for contemporary ambient music. Inviting him felt long overdue, and we couldn’t be happier to share this contribution from someone whose work continually inspires us. For this mix, Ryan delved into musical memories, crafting a journey filled with nostalgia and influences. As he beautifully puts it:

"Thank you, Mareen, for the invite to your series. This mix is full of nostalgia, some Balearic undertones, and classic approaches to ambient electronic music, without an agenda. It starts to speak to some major influences on me over the years. Growing up on 90's electronic music, influential summers in Europe, and the formative years of early 00's IDM and electronica. If Unrush is self-described as 'a serene space within the mind that is free from the encumbering stresses of daily life,' then this is music that always helps me get there."

Ryan’s contribution is a heartfelt journey through time, marked by the sounds that have shaped him and continue to inspire, perfectly embodying the unrushed ethos. Let yourself drift and enjoy... ❤️

The set features 3 unreleased tracks that may or may not be forthcoming on the label. Well… Aspetuck’s is locked and loaded at least, and the Mikkel Rev and Alvar are in the early discussion and sequencing stages (the fun part!)

Listen to the mix below or on Soundcloud. Bandcamp links in the tracklist wherever possible.

UNRUSH · 093 - Unrushed by ASIP

Download MP3

Tracklist:

01. Ishq - And Awake (2011, Interchill Records)
02. Aspetuck - Hit Me With Your Pet Shark (Forthcoming, A Strangely Isolated Place)
03. Wilson Tanner - Further Than Your Headlights (2016, Growing Bin Records)
04. TSR - gtchi3 (2012, Record Union)
05. MPU101 - Sunset Memories (2024, Ilian Tape)
06. Dream Dolphin - L.E.A (Mirror Coordinate Mix) (2023, Music From Memory)
07. C-thru - Awake In A Dream (2023, Pacific Rhythm)
08. Norman Feller - Melting From The Inside (2003, Electrolux)
09. Gallo - That Moment (2023, Hell Yeah)
10. Spooky - Let Go (1993, Guerilla)
11. Neutron 9000 - Empire (1994, Rising High)
12. Alvar - Our Peach Sky (Unreleased)
13. Mikkel Rev - Unknown (Unreleased)
14. Ebi - Kaze (1996, Space Teddy)
15. Jochem Paap - Dx-Snth (1999, Fax)

 

 

This edition is a little harder given I’ve recently just completed my Reflection on 2024 mix with over 40 tracks and artists I’ve enjoyed this year. So with that in mind, I’m digging into some non-2024 stuff I’ve picked up on Bandcamp recently.

Akra - Pure (Rising Sun Melancholia - Shield Cut)

After our label event at Public Records in early December, we headed upstairs to continue the night at a second space (one of 3 rooms at the venue), where the DJ was sat in front of another lovely Devon Ojas system, comfy on a couch, spinning a bunch of classic house and 10’s. Most of it was built for the Friday night crowd- funky and danceable - but at one point, this absolute beast of a sub-bass cut through, and then a soaring atmospheric string line. My old ass started to move. I walked away not knowing what it was, but got a short 5-second video to go from. After sending it to the DJ on Instagram asking for a track ID - and after a bit of back and forth - it was finally revealed.

Funny, as my friend Hadi mentioned on my Instagram video when trying to ID the track “sounds like early Rising Sun”…. I responded… yeah it does, but I doubt it… it was a 10” and in the middle of a lot of older Chicago house-sounding stuff..

I was very glad to be in the wrong. Big love to Isaiah Collier, who was spinning this tune and did what any great DJ should do, and helped track down that track ID!

Pure EP (Rising Sun / Lake People / Greg Beato Mixes) by Akra

Christian Kleine - Relic Memories

As I prep another host of music from Christian Kleine’s prime era to be released on the label soon, he quietly dropped this bunch of nostalgia over on Bandcamp. As confirmed with a few other die-hard CK lovers, this is straight from the era that made many fall in love with his unique sound (and I'm kind of annoyed he didn’t send it my way first tbh ha). I have some more gems of his to come very soon, though, so don’t worry.

Relic Memories by Christian Kleine

Jako Jako - Metamorphose

It’s the track Amygdala that blew me away from this album. Enough arps, enough analogue, enough euphoria for a perfectly sweet slice of electronics. It’s like Hania Rani’s classical sensibilities transported into a full analog system.

Metamorphose by JakoJako

Citizen Maze - Northern Angelique

I have been well aware of Analog Attic Recordings for a long time now, of course through my relationship with ASIP artist Alex Albrecht. But, it often takes a while to make it through all of the releases. But after recently adding the Analog Attic catalog into rotation on 9128.live, I found myself deep in Citizen Maze’s releases - lost in some warm, dubby, trancey euphoric world. That’s a very rudimentary way to describe this music - but I’m only here to point you in the right direction, and not ruin it any more for you…

This might be the last we hear from the Citizen Maze alias, though, which is disappointing… a recent Soundcloud set text mentioned, “This mix might be the last of my mixes under Citizen Maze as I'm slowly working towards establishing my new alias and it's sound”…

Northern Angelique by Citizen Maze

Aspetuck - Early Color

As you may have already figured out, we are gearing up for a 2025 release with Aspetuck. Based in New York, Griff recently played at our Public Records label showcase, and is also a regular artist on South Korean techno label, Oslated, with several releases to date and a new album coming in the new year.

In addition to this, Griff also runs his own label alongside the Delayed crew, called Never Late. Early Color, the label’s first release, sets a very clear intention of sound and style that’s subsequently been followed by two more great releases by Mjulev and Tensen Park (also recommended).

A truly relaxing jaunt through various styles, soundtracking the brim of a beautiful horizon.

Early Color by Aspetuck

Find these albums and many more over on my Bandcamp Collection.

 

 

As with all my previous ‘Reflection’ year-end mixes, I begin with a collection of albums, EPs, and compilations that resonated with me over the past year. From there, I curate tracks to build the mix—a process that’s as much about omission as inclusion. Inevitably, many of my favorite tracks and albums don’t make the final cut, simply because they don’t fit the flow of the mix or get lost along the way. There are plenty of albums I played on repeat that aren’t included here, but I enjoy this process much more than creating lists.

As I remind myself each year, this isn’t meant to be a definitive “best-of” list. Instead, it’s a snapshot of some of my favorite music from the year, distilled into one cohesive and listenable format. Compiling these mixes under self-imposed restrictions is my way of revisiting and celebrating the music I’ve loved critically, while sharing it with you in a way that’s both meaningful and accessible. For me, listening back to these mixes is like flipping through an audio photograph, capturing the essence of my year in music and invoking memories from special moments.

I encourage you to use this mix as a jumping-off point—dive into each artist, explore their albums in full, and check out the labels behind the music. You can find a Buy Music Club list linked below to help you dig deeper. If you’re curious about the broader scope of music I’ve supported this year, my Bandcamp collection is always up to date. And for the ASIP year-end label compilation, you can find the feature and mix here.

~

Starting this year’s mix was no easy task. It’s been a whirlwind of a year, with my family relocating from Los Angeles back to Oregon. For a significant stretch, my ideal listening setup was in flux, and I wasn’t commuting to work as much—two key times I’d normally dive deep into the music I’d collected.

That said, I still managed to accumulate a fair share of vinyl this year (probably too much), so that became my starting point. I began shortlisting from my unsorted crate—my go-to spot for new acquisitions—despite knowing the mix would eventually be recorded digitally I always intend on ripping some vinyl-only releases. Since most of my purchases are through Bandcamp, I typically have digital files ready to go, but there are still a few frustrating cases where I’ve had to double-dip and buy the digital files separately (labels, let’s get those Bandcamp download codes in vinyl sleeves—it’s almost 2025!).

This year’s shortlist started with over 80 artists/tracks from albums I’ve loved, which I eventually narrowed down to 40 for the final mix. It’s a good representation of what’s been on heavy rotation for me. As always, I stuck to my usual self-imposed rule of no ASIP artist related tracks. I’d easily fill an entire mix with their music if that rule weren’t in place (also that’s what 9128.live is good for). I like to take this time to highlight other incredible, often overlooked releases that haven’t made the rounds in our circles, or through the usual “best of” lists.

I intended to rip some of my vinyl-only releases for this mix as a few really stood out this year, but time wasn’t on my side, and no digital was available. On the bright side, nearly all the music included here is readily available on Bandcamp for you to support.

A few callouts as you skim through the tracklist.

The latest Röyksopp album leans heavily into ambient tropes, but it’s undeniably comforting—a continuous flow reminiscent of the classic Art of Chill mixes, blending atmospheric textures with accessible pop crossovers. It nails that sweet spot, and I’m not one to turn my nose up at that.

Isabel Pine, whose demo first landed in my inbox some time ago, continues to impress—her latest release is an absolute gem. Aja’s ‘Lullaby’ is pure sweetness, so addictive I often found myself hitting repeat. C.K. didn’t drop any new ambient projects this year, but he did finally upload his phenomenal catalog to Bandcamp The track I included serves from his only 2024 release as an ambient counterpart to his more techno-focused album from this year.

Music From Memory’s Virtual Dreams compilation was a highlight for me—every track on it felt like a guaranteed vibe, no matter the mood (#1 on my HHV list). Casino Versus Japan’s comeback might just be his finest work yet, even if it hasn’t made it onto other lists out there. Its stripped-back, raw quality made it a challenge to incorporate into this mix without it becoming the centerpiece.

Minotaur Shock was a standout discovery in 2024, offering a blend of IDM-infused drum-oriented sounds. This track, in particular, is one of his most melodic. Another new find was Civilistjävel!, courtesy of Juan (OKRAA), who introduced me to the record while we were record shopping in New York. Florian T M Zeisig made waves with a ’90s-inspired album, consistently impressing with his inventive approaches (and even debuting a new alias).

nthng remains a regular on my year-end mixes, and deservedly so. My favorite track of his this year was ‘Echo Track,’ though it didn’t quite fit into this mix. Synkro returned as Ovïd with a mesmerizing slice of gaseous dub-techno—I even let it run long to max out its hypnotic qualities in the mix. Brian Grainger and his aliases are extremely productive, so it’s hard to cut through sometimes, but I always gravitate to his Coppice Halifax output.

Vril delivered an audio-sensory onslaught with his new album. While my favorite track didn’t make this mix, the entire release is excellent. I bent one of my own rules by including two tracks from Daniel[i]—a testament to the quality of that record. Rising Sun also deserves a mention. Even though his uploads this year were from his back catalog, the music is as timeless as ever (and I have a special memory of hearing this amazing track at Public Records, cementing a solid 2024 core memory).

Solar Alliance saw me bending another rule, as this is technically from the Ute collective but for anyone into '90s-style trance and downtempo- not to be missed. Xylitol, another new artist on my radar, delivered a release perfectly aligned with its Planet Mu home—think Aphex-inspired IDM with breaks and bass. Metamatics took an unexpected turn, dropping a drum’n’bass album with a '90s vibe featuring vocal samples from the emotional worlds normally assigned to DJ Healer or Rising Sun.

Finally, the closer comes from Mortal—a 1997 gem I only discovered in 2024. Though technically from December 2023, it missed last year's mix and felt like the perfect way to wrap up this year’s edition.

astrangelyisolatedplace · ASIP - Reflection on 2024

Listen on Soundcloud the ASIP Podcast or the 9128.live iOS and Android app

Download

Tracklist:

01. Chihei Hatakeyama - Insects Chirping At Night (Field Recs)
02. CHANTSSSS - Lose My (Theory Therapy)
03. Endless Trains & Taennya - Lifeless Place (Archives)
04. Röyksopp (Feat. Alison Goldfrapp) - We Enter (Self Released)
05. Merely & Malibu - outlanders intro (Year 0001)
06. anthéne - Crimson (Floralia Editions)
07. Isabel Pine - Silhouettes (Where The Flowers Grow)
08. Old Amica - Klorofyll (Self Released)
09. Aja - Absolune (Grand Musique Management)
10. Winter Silhouette - Solidarity (Peak)
11. C.K - We Share The Skies (Private Recording System)
12. Dub Squad - Blown Fruit (Music From Memory)
13. Shokunin - Darlands (Bonse1)
14. Li Yilei - Yip, Yip, Yip (Métron Records)
15. Voyage Futur - Marina Botany (Vill4in)
16. Casino Versus Japan - Licht (Self Released)
17. Minotaur Shock - With Me? (Bytes)
18. Civilistjävel! - XII (Felt)
19. Ear To Ear - Live Recordings D (Astral Industries)
20. Strategy - Numeros (Community Library)
21. Florian T M Zeisig - Wave Guide (Stroom)
22. nthng - Dont Be Scared (Self Released)
23. Brendon Moeller - Pressure (Quiet Details)
24. Lb Honne - Musium (Project Indigo)
25. Priori ft. Sabola - Learn To Fly (Naff Recordings)
26. Ovïd - Dream Sequence (Fauxpas Musik)
27. Coppice Halifax - Ceremonial (Milieu Music)
28. pondlicker - orchid media (Naff Recordings)
29. Daniel[i] - Jobkas Dom (Muzan Editions)
30. Vril - Pneuma (Omnidisc)
31. Low End Activist - Airdrop 02 (Yarnton Rd 2 Cassington) (Peak Oil)
32. Daniel[i] - Dom Amb (Muzan Editions)
33. Wardown - 5 It Is The Mercy (Blu Mar Ten)
34. Rising Sun - The Ascend (Original) (Self Released)
35. Vera Logdanidi - Euphoria (Semantica)
36. Donato Dozzy - Lucrezia (Spazio Disponibile)
37. Solar Alliance - Tri-Mind (Self Released)
38. Xylitol - Monte Mare (Planet Mu)
39. Metamatics - A Second Chance Is Rare (Self Released)
40. Mortal - Minus One (Sunny Crypt)

Buy Music Club List

 

 

Handing over a year’s worth of releases to todos and watching the magic unfold is always an exhilarating experience. His ability to craft a narrative from such a rich and varied palette is unparalleled, offering fresh insights into the music and the year behind us. A true specialist in narrative witchcraft, todos continues to redefine DJ mixes with such a limited palette to build from. This year’s selection posed an increasingly complex challenge, with its mix of tempos and styles, but it’s a testament to the incredible work of the ASIP artists in 2024, all tied together under the meticulous eye of our trusted selector.

The year began with new label signing Salvatore Mercatante, and his pin-point drum patterns and room-filled IDM. This was followed by an about-turn in style with a new label signing, Lihla, presenting her hypnotizing blend of spoken word and atmospheric multi-instrument talent. Lapsed Pacifist (who happens to be a good friend of todos' in the UK - another full circle moment for the label) presented his debut album, featuring 'rolling waves of lavender synths', which Pop Matters recently listed as one of its best ambient albums of 2024. Keeping things unexpected, we then presented another new artist, Theef, who released a selection of timeless deep techno cuts from a DJ mix he posted online in 2018. It was then a chance for one of ASIPs most cherished sounds to return, as Illuvia continued his monumental exploration into the deep expanse of ethereal ambient drum'n bass. By now, we were approaching the much-celebrated half-century catalog number, and who better than long-time label artist, Markus Guentner to bring it over the line, alongside eight other fantastic talents. Colombian producer OKRAA, evolved his living-and-breathing psychedelic electronics, introducing more breaks and electro to his palette, in a truly unexpected second album. And closing out the year, Hungarian artist swanasa, presented a taster of her sonic capabilities in a short EP, that shone a light on multiple approaches we hope to explore from her very soon.

Thank you for all of your support, comments, and encouragement this year. Here's to those who explore the unique, the nostalgic and the new, and those who forge their own way forward.

Download on Bandcamp

Join us on Friday 20th December, 12pm PST for the full mix premiere and Bandcamp listening party.

2024 | Label Compilation (mixed by todos) by A Strangely Isolated Place

todos Continuous DJ mix tracklist:

1. swanasa - Swan Song (edit)
2. Lihla - Resonance
3. Markus Guentner - Father Of Waters
4. Lapsed Pacifist - Tragic
5. Markus Guentner & Arovane - Utopian Fragments (edit) / Illuvia - A New Tomorrow (edit) / swanasa - AHO / Lihla - Becoming Human (edit)
6. OKRAA - La Gran Corriente
7. Salvatore Mercatante - Love Of Lies
8. Illuvia - Tectonic Shift
9. Markus Guentner & Abul Mogard - While Hunting Nightmares And Dreaming For Peace
10. Theef - Strange Nights
11. Salvatore Mercatante - How Many Hands
12. OKRAA - Para Desaprender (edit)
13. Theef - Odd Entity
14. Lapsed Pacifist - Almost Remembered

Download MP3

 

 

Hitting record stores while in New York is a must. Despite heading there a few times over the years, I've always had a crammed agenda with “work”, so I never really had the time to do some proper digging. This time around, I was so focused on our event at Public Records, and digging took a bit of a back seat again. I ended up nearly missing my flight home by cramming in as many stores as possible up to the last minute. And with that rush, I didn't really have the time to take nice photos (some stores don't even allow it) or make this a much richer article, similar to my dives into Tokyo and Osaka record stores.

But, given the overwhelming choice of record stores in this city, it's worth me compiling this list for anyone going for the first time, especially if you're into the same music as you find here (and maybe I can continue to update it after another trip).

I would have loved something like this before planning my weekend... So, here's a hit list of stores I managed to hit and come recommended if you’re looking for records on the more ambient and electronic spectrum (rock, punk, jazz and hip-hop, etc can also be found at some of these stores).

Octopus Records

Octopus Records

This store is a bit of a trek if you're staying anywhere downtown or Manhattan, but if you're Brooklyn side, it's not too bad. Beginning as a Discogs seller and evolving into a physical location, Octopus is the most closely aligned to my kind of music, with a superb curation of ambient, downtempo, and all things in between. It had an ASIP label section at one point, but speaking to the owner now, the stock has been cut back lately (and I hope to fix that!) This is a quintessential neighborhood record store, with a knowledgeable, approachable owner, cats enjoying the space, and a warm vibe that makes you want to spend all day digging (then hit a nice Taco joint around the corner - let me know if you need the tip).

I could have purchased a lot more from this store, but it was my first hit, so I was trying to keep some cash in the bank. I managed to pick up this album from my Wantlist by Uf0, which I have yet to see in the flesh, and with no copies available in the US on Discogs, it was a nice little find to kick things off.

Arp better than line by Uf0

Ergot Records with a used copy of one of our early releases - ASIPV003.

Ergot Records

I was staying in Brooklyn, and I wasn't sure if I would get into Manhattan, but I'm glad I did. We showed up at opening time on Sunday, but no one was there after 15 minutes. Burger at 'Hamburger America' it was then just a short walk down the road [damn, it's a good Smashburger].

Heading back to Ergot after a near heart attack, the store had now opened, and as soon as I walked in, a section dedicated to "Future Dance" focused my attention. After browsing a solid chunk, I could sense the store's curation intention, with music from the likes of Brian Leeds and his Loidis album, Djrum, Ali Berger, and many others in today's world of artists blurring the edges of dance music, techno, ambient and IDM. This section also featured artists and labels who call New York home, so it made sense that Ergot would cater to this crowd. In addition, Ergot continued to draw on similar styles throughout its racks, with the likes of minimal techno, experimental, disco, drum and bass, and many more sections in the electronic world to get busy in.

The guy working the desk was spinning the new album by SnPLO, a lovely 3X12"of Chain Reaction-esque techno, so I had to pick that up, along with an original used Peter Michael Hamel LP of his infamous Berlin-School trip, Colors of Time, some lovely brooding ambient by Civilistjavel (thanks for the tip Juan!). And lastly, the third Tranquilizer EP by Terre Thaemlitz - highly sought after before a recent repress.

Brödföda by Civilistjävel!

A1 - Records

An institution, no doubt, so a visit was a must. I knew it would be heavy on hip-hop given its history and what I’ve seen in the press before, but I was there for the house music if anything. At this point, my time was running out, and I only managed to go through the top bins, leaving the knee-breaking bottom rows for next time. As you would expect from a record store that has been around since 1996, the choice was deep and extensive. With speed of the essence now and my flight approaching, my eyes went to the wall, where record stores would normally place their most expensive records, but in this case, records that don't otherwise fit in any of the existing genre racks, maybe? An early Blu Mar Ten record - a classic that is hard to find in the US with only one on Discogs right now at over $250... purchased for just $40.

Upon checkout, the cashier asked what it was - apparently, the owner had brought it into the shop recently from his own collection, and the cashier had meant to give it a spin. So he stuck it on the turntable, gave me an approving nod, and then said he would be finding it on Spotify. Wait, what? Don’t you work in a record store? My loaded question was met with a resounding NY response - "Are you aware how small NYC apartments are? I can only take home so many records!".

Fair.

Stranded Records

Stranded Records

Probably one for the calm aesthetics rather than my music choice, but this nice sub-street level spot was a nice vibe to look through, despite not finding anything of substance for my own taste. And being just around the corner from Ergot, it's worth a shot for anyone in the area. There is plenty of jazz, as well as more pop-oriented records, but anyone looking for something that straddles early experimental, synth, or similar might have some luck here, as the recent arrivals bins were a nice mix of early electronic records, and you know when you can just tell it’s the type of place to get a few gems every now and then?

ASIP artist OKRAA digging at Captured Records

Captured Records Shop

More of a classic ‘anyone can find something in here’ store, akin to the Amoeba Store’s on the opposite coast, it was probably the largest store out of the bunch I visited. This meant a healthy selection of all genres, but I was pleased to find sections for house and techno 12"s specifically, meaning a lovely variety from the cheesiest stuff of the 90’s to the more underground techno of late. Nothing really hit home, but I did find a nice DJ Food album for a friend who tries to snap up anything on Ninja Tune.

Razor N Tape

A bonus mention if you’re already in the nighborhood. Technically, it is a label-specific store, and this small space is run by the label namesake but also features some other select curations. I'm calling it out, as it's just around the corner from Captured Records, and owning a small label shop is a dream of mine. They also had some quality merch that I tried to get in my size, to no avail.

~

On my hitlist for next time:

Face Records - if it's as good as the Tokyo store [see here] then a must hit.

Archivio Records - appointment only, I didn't plan too well and missed any open spots.

What did I miss? Where else should I add for next time?

Brooklyn Record Exchange has two shops, full of world, abstract and proper digger territories.

 

We had an amazing night at Public Records, New York last Friday, as we held our first label showcase in a very long time. With OKRAA in town from the UK, and local artists Salvatore Mercatante and Aspetuck, it made sense for us to put some firepower behind this moment and bring them together for a special evening (and then also spend the weekend record shopping!).

Aspetuck opened the evening with his sublime meld of ambient-forward beats, debuting new material, including tracks from his upcoming ASIP album in 2025.

Salvatore Mercatante followed, and put the epic Devon Ojas 4-point surround system to the test through his chest-rumbling electronics and sharp hi-hats, taking music from his recent release ‘Ø’, plus plenty of unreleased material.

OKRAA closed the evening with a mixture of his amorphous ambient and big swells of drones, interspersed by his more electronic breaks and electro from his new album ‘La Gran Corriente’. By the end, the room was jacking, and Juan was pulling at our hearts as the closing track from his 1994 release, ‘Ola De Luz’, rounded out the evening in fine fashion.

A big thank you to everyone who came, said hello, and purchased some records. Visuals on the night were created by Salvatore for his own set, and Dead Society for OKRAA’s, with photography by Daniel Salemi.

See you at the next one.

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A new video for the final track, Swan Song, taken from swanasa’s new release here on ASIP. Directed by guardabrazo the video’s simplicity matches the track’s pure recordings and abstract manipulation of swan sounds.

Mirror EP by swanasa, is now available digitally, streaming, and as name your price on Bandcamp.

 Mirror by swanasa 

 

A Strangely Isolated Place proudly presents Mirror EP, the first label release from Hungarian electronic artist swanasa (A. Abigél Bánházi). Following her 2023 debut, When You Need to Rest, Let the Sounds Hold You, released on Budapest’s EXILES, Abigél’s Mirror EP serves as a captivating follow-up and a purposeful first introduction to the world of ASIP, showcasing her ability to bridge experimental sound design with hypnotic, meditative drones.

Mirror by swanasa

“We begin at the edge, the Sad Sea, where the waves mirror our emotions, a boundary between the conscious and the deep unknown. As we dive, the waters grow wild, swirling in the chaos of our unconscious. But through the storm, we start to see the patterns—guided by the wolf, the soul’s escort through the shadows.

Deeper still, silence falls. In this quiet, the voices of whales, and dolphins become our companions, leading us toward truth. The water washes away the darkness, and in that stillness, the swan rises—a symbol of transformation, of wisdom found.”

Mirror EP encompasses a diverse range of textures, from deeply immersive soundscapes to intricate rhythmic elements, reflecting swanasa's dedication to pushing the boundaries of ambient music, informed by the interplay of folk culture, Jungian psychology, and digital experimentation. Each composition is a seamless blend of synthetic and organic sounds, influenced by her connection to nature, creating an evocative experience that resonates with themes of ecological awareness and modern technology’s role in artistic expression.

Featuring rhythmic chanting and layered vocal samples that invoke a sense of ritual and deep introspection, washes of abstracted sounds manipulated from the recordings of wolves, and mystical sounds straight from nature’s own. The EPs tracks highlight swanasa's exploration of sound as a symbolic language, inviting listeners into a world where the lines between reality and imagination blur.

swanasa's music is brought to life through her live performances, where Mirror EP and her previous material form the foundation for dynamic, meditative sets. Having performed alongside artists such as Abul Mogard, swanasa’s live shows emphasize deep listening and immersive sound environments, drawing audiences into her unique sonic world.

Mirror EP will be released on November 22nd, 2024, available as a digital download, mastered by Rafael Anton Irisarri @ Black Knoll Studio, New York. The artwork, an original texture created by Zsuzsi Palman, continues the theme from Abigél’s first EP.

View the release page for full details and links to buy.