Hollywood responds to a perceived lack of urgency from Los Angeles Mayor Karen Bass, a new twist develops in the Blake Lively/Justin Baldoni feud, and Donald Trump is unhappy with Comcast after comedian Seth Meyers makes fun of the incoming president. Kim Masters and Matt Belloni are here to help us all make sense of this relentless week. 

Plus, we revisit our conversation between Masters and Sing Sing director Greg Kwedar. Everyone involved in the production was paid the same daily rate, a model that Kwedar hopes could bring more parity to film sets. The movie stars Colman Domingo as a wrongly-convicted man staging a play inside the real Sing Sing prison. Much of the cast includes formerly incarcerated actors playing versions of themselves.

Warner Bros. has parted ways with its marketing chief and president of international distribution. What’s behind the shakeup at the studio and how does that affect the company’s slate of 2025 releases? Kim Masters and Matt Belloni dive in. 

Plus, Masters speaks to The Brutalist co-writer & director Brady Corbet and co-writer Mona Fastvold. The pair talk about the seven-year battle to get their post war epic to the big screen. They also explain their audacious decision to make a three and a half hour film with an intermission, share thoughts on the state of the country, and Corbet reveals his thoughts about Trump’s plans to demolish brutalist federal buildings.

The feud between Blake Lively and It Ends with Us director Justin Baldoni continues to unfold. What's going on here? Kim Masters and Bloomberg's Lucas Shaw investigate.

Plus, Masters speaks to Nosferatu writer-director Robert Eggers and Focus Features chairman Peter Kujawski. The pair talk about their long partnership, which spans the director's entire career. Eggers also talks about winning over seasoned crews who have years more experience than he does, and why a little humor goes a long way in a movie like Nosferatu.

As 2024 comes to an end, we want to thank you, our listeners! We asked you to send us your burning questions about the industry, and you delivered – from around the world. Kim Masters and Matt Belloni dish it out over everything from the mind numbing amount of trailers before movies, to the surprising reason behind FYC billboards – we’re looking at you, studio execs. Did we answer your question in our first ever listener mailbag? Tune in to find out!

As 2024 comes to an end, we want to thank you, our listeners! We asked you to send us your burning questions about the industry, and you delivered – from around the world. Kim Masters and Matt Belloni dish it out over everything from the mind numbing amount of trailers before movies, to the surprising reason behind FYC billboards – we’re looking at you, studio execs. Did we answer your question in our first ever listener mailbag? Tune in to find out!

It’s that time of year again and we are serving up a heaping plate of 2024 Megabanter! The Paramount–Skydance merger finally lands, streamers and legacy studios duke it out for sports rights, Bob Iger makes his moves while the Disney board ramps up its succession race, and linear television continues to decline — what’s the story of the year? Banter buddies Lucas Shaw and Matt Belloni join Kim Masters to figure it out.

Rupert Murdoch wants to update his family trust in favor of his son Lachlan, who runs the Fox News empire. What’s behind Nevada commissioner Edmund J. Gorman Jr.’s decision to block the move? Kim Masters and Matt Belloni investigate. 

Plus, Masters talks to documentarian Nic Stacey about his Netflix film, Buy Now! The Shopping Conspiracy. The London-based filmmaker tells us how he managed to pull together an impressive roster of whistleblowers from top companies such as Amazon, Adidas, and Apple. He also says that working with Netflix’s U.K. team was a breeze, despite the documentary’s focus on tech giants. Stacey also explains why he chose to use an AI narrator named “Sasha” to guide viewers through the film.

Gail Slater is Donald Trump’s pick to head the Justice Department's antitrust division. As she gears up to oversee cases against major tech companies like Google and Apple, how will the veteran antitrust lawyer view future mergers in Hollywood? Kim Masters and Matt Belloni dive in. 

Plus, Masters speaks to journalist Jacob Soboroff and documentarian Errol Morris about their film Separated, a sobering look at the Trump Administration’s 2017 child separation policy. They have a lot to say about those who were complicit in tearing thousands of children away from their families. Plus, Soboroff weighs in on Comcast’s refusal to release the film before the election.

Kim Masters and Matt Belloni take a look at the forthcoming Thanksgiving weekend box office projections and examine the unauthorized use of screenplays to fuel AI learning models.

Plus, Eric Deggans sits down with Grammy-winning songwriter Evan Bogart to discuss the state of the music industry — which Bogart assures us is “not all bad.” Bogart goes on to detail how independent artists are benefiting from major label consolidations and reorgs. Plus, he tells us the story of how he discovered Eminem while as a 19 year-old Interscope Records employee.

Comcast is set to spin off a slew of cable channels including E!, SYFY, MSNBC, and CNBC. What’s behind the move? Plus, the big announcement also brings with it the news of a long anticipated promotion for NBCUniversal executive Donna Langley. What does she have in store for the company in her new role?  Kim Masters and Matt Belloni dive into the latest at Comcast. 

Plus, NPR’s Jeff Lunden speaks to playwright Winnie Holzman and composer Stephen Schwartz about the long-anticipated film adaptation of their hit stage show Wicked. Among other pressing topics, they’re sharing what drove the decision to split the story into two movies.

Disney’s streaming numbers soar as announced in the company’s earnings report earlier this week, but questions remain in the ongoing search for a new CEO. Also, what’s next for the company’s Film and Parks divisions? Matt Belloni and Kim Masters break down Disney’s Q4 earnings report.

Plus, Masters speaks to Edward Berger about his latest film Conclave. The German director tells us how studying filmmaking at NYU in the 90s led him to an internship at the indie production company Good Machine. He also sings the praises of Netflix, which he reveals was the only financier daring enough to pay for his grim German-language war film All Quiet on the Western Front. The film went on to receive four Academy Awards, including Best International feature film.