The "Bodies, Bodies, Bodies" director is back with her Nicole Kidman starring sexual thriller about a high powered CEO who explores her submissive kink through an affair with a much younger intern. Halina shares her very specific vision for the film, and breaks down how she used her experiences as an actor to bring authenticity and craft to the sex scenes.

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Academy Award-winning editor William Goldenberg stops by the podcast to talk with IndieWire features writer Jim Hemphill about his directorial debut “Unstoppable.” “Unstoppable”tells the true story of Anthony Robles, a wrestler who was born without a leg yet went on to become an NCAA champion. Goldenberg talks about his process casting, shooting, and cutting the film, which is now streaming on Amazon Prime Video.

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Director Peter Berg joins IndieWire features writer Jim Hemphill to discuss his epic new Netflix series “American Primeval,” a Western about the bloody battles that erupted in 1850s Utah between Mormons, immigrant settlers, indigenous tribes and faithless opportunists out to make a buck. Berg talks about creating the series’ visceral action sequences, relying on advisers and rigorous research to provide a sense of journalistic detail, and why he’s optimistic about the future of America in spite of his brutal vision of its past.

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'Sing Sing' tells the real life story of men imprisoned at the infamous prison in upstate New York, and the Rehabilitation Through the Arts program that helped the men find their voice, dignity, and hope. Director Greg Kwedar sat down with IndieWire to discuss developing this sensitive story for the screen, and directing a cast of mostly formerly incarcerated men who understood the story better than he did.

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Payal Kapadia is one of the most exciting up and coming filmmakers we have right now, and she sat down with IndieWire's Chris O'Falt in studio to discuss her new film that is one of the year's best. Listen in to learn a lot about Mumbai, filmmaking in India, and what how Kapadia's work in documentary informs her style; a blend of fiction and non-fiction filmmaking.

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IndieWire features writer Jim Hemphill sits down with writer and director James Mangold to talk about his return to the musical bio-pic with his Bob Dylan film “A Complete Unknown.” The interview covers what Mangold learned about making musicals from “Walk the Line,” what he learned about directing actors from Robert De Niro on “Copland,” and why recording actors live instead of lip-syncing is the only way to go.

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Succumb to the darkness with us as we sit down with one of our favorite directors to discuss his provocative vampire movie 'Nosferatu.' Eggers discusses the intense physical performance from Lily-Rose Depp, his trademark meticulous period reconstruction, and what it meant to complete this remake he has beed dreaming about for decades.

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The director of this summers box office sensation joined IndieWire features writer Jim Hemphill to discuss the anxieties and joys of making a sequel to the beloved 2015 film, what Mann learned from his teen girl advisory board, and how his film evolved from script to screen.

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How did director Brady Corbet and his team make one of the most epic-feeling movies of the year for less than 10 million dollars? Listen in to our conversation with him to learn the filmmaking tricks they used to tighten the budget, and hear him discuss what the Brutalist Architecture in 'The Brutalist' really means.

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At our inaugural Future of Filmmaking summit this November, IndieWire's Chris O'Falt hosted a fascinating discussion on performance capture filmmaking, featuring the director, VFX supervisor, and a lead actor from "Kingdom of the Planet of the Apes." Listen in to hear how the team on these films is pushing performance capture technology forward, and what it was like for the actors in "Ape Camp."

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"Nickel Boys" is not only one of the best films of the year, but also one of the most experimental and challenging we've seen in a long while. IndieWire's Chris O'Falt sat down with Director RaMell Ross to explore why this story had to be told in first-person cinematography, and hear what Ross is trying to say about film form, and how it needs to evolve.

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