How does it feel to be adopted? How does naming things affect experience? Why does a mysterious sound make Ian want to get out of the studio in Salford? Is it ever a good idea to pretend to have a particular accent? Poems, questions and much more - on this week's Verb.

Ian McMillan is joined by poets Joelle Taylor, Anthony Joseph, Luke Wright, and sociolinguist Rob Drummond.

Joelle Taylor brings us a brand new commission inspired by the 50th anniversary of the BBC television series 'The Changes' - with its mysterious sound that transforms and challenges modern life. Does it still have resonance today? Joelle won the TS Eliot Prize for poetry in 2022, and her most recent book is a novel - 'The Night Alphabet', which has been described as 'relentlessly inventive.'

Anthony Joseph is a poet, musician and academic. He shares poetry of intimacy and intimacy with language - in work from his selected poems 'Precious and Impossible'. Anthony won the TS Eliot prize in 2023 with his 'luminous' collection 'Sonnets for Albert'.

Luke Wright is a ground-breaking performer and poet - currently touring with his show 'Joy'. He reads new poems which look at the power of early experiences: a book that helped him understand the experience of being adopted, and a poem which celebrates the beauty of the view from his window in Suffolk.

Did the contestant who faked a Welsh accent on 'The Traitors' TV series make a good decision? And what poetry was there to be found in the series? Ian talks to Rob Drummond, Professor of Sociolinguistics at Manchester Metropolitan University.

Ian McMillan presents highlights from the TS Eliot Prize Readings - extraordinary poetry from 2024.

Poetry books featured :

Raymond Antrobus 'Signs, Music' (Picador Poetry) Hannah Copley 'Lapwing' (Pavilion Poetry) Helen Farish 'The Penny Dropping' (Bloodaxe Books) Peter Gizzi 'Fierce Elegy' (Penguin Poetry) Gustav Parker Hibbett 'High Jump as Icarus Story' (Banshee Press) Rachel Mann 'Eleanor Among the Saints' (Carcanet Press) Gboyega Odubanjo 'Adam' (Faber & Faber) Carl Phillips 'Scattered Snows, to the North' (Carcanet Press) Katrina Porteous 'Rhizodont' (Bloodaxe Books) Karen McCarthy Woolf 'Top Doll' (Dialogue Books)

Evolutionary biologist Richard Dawkins tells Ian McMillan about the influence of poetry on his writing, and shares poems written by his own mother. Ian also explores the influence of a very competitive mother on the life and poetry of former National Poet of Wales Gwyneth Lewis. And as it's the first Verb of the year, stand-up poet Kate Fox suggests new names for all the calendar months, whilst Stagedoor Johnny brings a new 'eartoon' (which explains why the names of baby animals can be so confusing).

Richard Dawkins' new book is 'The Genetic Book of the Dead' Gwyneth Lewis' memoir is 'Nightshade Mother' Kate Fox's latest book is 'On Sycamore Gap'

The Morecambe Poetry festival hosts Ian McMillan and the Verb at the Morecambe Winter Gardens, for a special recording with poets Pam Ayres, Raymond Antrobus and Henry Normal, three performers much- loved by audiences.

Pam Ayres takes us back to the beginning of her career with the first poem she ever performed live whilst working for the Royal Air Force. This preceded her memorable winning appearance on the TV talent show Opportunity Knocks.

Raymond Antrobus reads from a long sequence of poems written after he learned he was going to be a father. One of his poems describes the sign language his hearing son - born in 2021 - communicated with before he could speak. Raymond's own deafness was diagnosed when he was six.

Henry Normal has a long association with the Morecambe Poetry festival. He was involved in its creation and is almost its resident poet. He reads poems inspired by libraries saying he would not have become a writer were it not for free access to the wide world through the pages of books.

Produced by Susan Roberts

Ian McMillan is joined by four guests for more poetry and performance .

After a year characterised by wet weather, Alan Connor constructs a poem from 188 Words for Rain collected on travels around the country for his new book with that title. Comedian and writer Isy Suttie treats us to a new song written with the approaching Bonfire Night in mind, but the fireworks in the studio don't only come from her guitar. The other guests get a chance to join in too.

Poet Pascale Petit opens up her first novel which took 17 years to write, examining the differences and similarities between poetry and prose and Deryn Rees Jones reads from her own work and takes on this week's neon line, "all the worse things come stalking in".

Produced by Cecile Wright Editor Susan Roberts

This week on The Verb Ian McMillan is joined by Paul Farley, author of the bird-centred 2019 poetry collection 'The Mizzy'. Especially for The Verb he's written us a brand new poem that considers birds on our workplace, inspired by new 'Nature Postive' building regulations.

Malika Booker is tackling this week's 'Neon Line' poem. Booker won the Forward Prize for 'Best Single Poem' in 2023 and she takes us through the 2024 winners, who have recently been announced.

Linguist and author of 'You're All Talk', Rob Drummond brings us up to speed on langauge change.

And there's a brand new comission from Kate Fox on Strictly Season as well as a reading from her new book 'On Sycamore Gap' - inspired by the famous tree near Hadrian's Wall that was felled last year

Presenter: Ian McMillan Producer: Jessica Treen

Ian McMillan talks to Margaret Atwood and Alice Oswald about how we write poetry, and their own process, the natural world, time, and the possibilities of myth.

BBC Contains Strong Language 2024 took place in Sydney Australia in partnership with Red Room Poetry and ABC Australia . This special edition of The Verb was recorded in State Library of New South Wales n front of a audience as part of the festival.

With guests Eileen Chong the first Asian Australian poet to be on the school syllabus, who came to Australia from Singapore in 2007.

Singer songwriter Paul Kelly - described as the Laureate of Australia - whose latest project sets the work of poets as varied as Shakespeare and Les Murray to music .

Omar Sakr - the son of Turkish and Lebanesemigrants whose collection The Lost Arabs won the prestigious Prime Ministers Literary Award .

Ali Cobby Eckermann - a First Nation poet who only met her birth mother as an adult. She, her mother and grandmother were all stolen , tricked or adopted away from their families . Her poetry talks powerfully about this personal and national story .

Recorded with an acknowledgement of the Gadigal people the traditional custodians of the land where this edition of The Verb took place Produced by Susan Roberts

Bringing you the best in Australian spoken word poetry . A special edition of Adverb, recorded at the Riverside Theatres in Parramatta the creative edgy hub of West Sydney. Featuring the founder of the exciting Bankstown series of poetry slams Sara Mansour along with many of the poets who have performed there in slams that attract huge audiences to poetry .

The Dharug people are the traditional custodians of the land upon which this performance was recorded in front of an audience.

Here 7 of the best perform their work.

Presented by Ian McMillan with

L-Fresh the Lion Yleia Mariano Sara Mansour Adrian Mouhajer Hani Abdile Mohammed Awad and Dobby

Recorded live at the sunny Latitude Festival Ian McMillan has gathered three top poets for The Adverb - The Verb's showcase of the best live poetry and readings.

Dr John Cooper Clarke is a legend of the punk poetry scene and gets us into gear with a poem about the thrilling allure of the hire car. The best art can come out of limitations and Luke Wright shows his amazing lyrical dexterity with a poem entirely based on the assonance of the letter A.

And TS Eliot prize winner Joelle Taylor spellbinds the crowd with an autobiographical poem about growing up as a butch lesbian, touching on her early life in Accrington.

Along the way, the Barnsley Bard Ian McMillan offers us some of his own work, including a no-holds-barred anaylysis of the perils of drinks machines.

Presented by Ian McMillan Produced by Kevin Core

Why does 'mean' have so many meanings? Why do poets take metaphor so seriously? Why do objects like pink ghetto blasters make poems live? And why are the filaments of our eyes in the edges of the snow?

To answer these surreal, and not so surreal questions - Ian McMillan is joined by Alistair McGowan, Caroline Bird, and Toria Garbutt, and presents an 'eartoon' - a cartoon for the ear, from Richard Poynton (otherwise known as Stagedoor Johnny).

Alistair McGowan is an impressionist, actor, writer, pianist, and now - poet. He joins Ian McMillan in a pun-off - the first time such an event has ever been staged on national radio (probably). Alistair's collection of poems is called 'Not what we were expecting' (Flapjack Press).

Toria Garbutt is a spoken word artist, poet and educator from Knottingley. She shares tender, funny poems from 'The Universe and Me' (Wrecking Ball Press) many of which take us into her relationship with her sister when they were young, and reveal how much poetry there is in the objects of childhood.

Caroline Bird's new poetry collection is called 'Ambush at Still Lake' (Carcanet). She reads poems of motherhood which are like 'upside down jokes' and take 'toddler logic' (like the idea that imaginary carrots have completely run out) to surreal and sinister conclusions. Caroline also presents us with our neon line, a stand-out line from a classic poem, and explores why it works so well. It's this mystery poem which proposes that there are 'filaments of our eyes' in the 'edges of the snow'.

Richard Poynton is a writer and performer (also known as Stagedoor Johnny). He stars in his own invention, a backstory for the origin of the English language, which explains why it has so many words with multiple meanings. In this week's Eartoon Richard introduces us to a 'mean' lasagne. (you won't want to meet it down a dark alley).