Legendary composer John Williams talks with host Jon Burlingame about his latest film score for Disney's Indiana Jones  and the Dial of Destiny. The two discuss an amusing story shared by Harrison Ford about the oddest place he ever heard Williams' iconic march, to the particulars of writing music for Phoebe Waller-Bridge’s mysterious character, Helena. Williams also reveals how he has successfully collaborated with some of the foremost filmmakers of the last two centuries to create many of the most recognized film scores of all time— with no signs of slowing down after nearly seven decades in the studio. 

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Host Jon Burlingame sits down with Thomas Newman, the iconic composer whose latest work can be heard in Pixar’s new film Elemental. They talk about how Newman went about creating music and introducing vocal elements for the imaginary world of the film, as well as reveal the helpful advice Thomas’ cousin, the legendary Randy Newman, once gave him. 

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Host Jon Burlingame sits down to talk about the collaboration between Oscar®-nominated director Rob Marshall and eight-time Academy Award®-winning composer Alan Menken on The Little Mermaid. They reveal exclusive, behind-the-scenes stories about recording with stars, including Halle Bailey, Awkwafina and Melissa McCarthy, as well as the excitement of working alongside Lin-Manuel Miranda to reimagine the original animated version of the film.

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 Host Jon Burlingame sits down with composer John Murphy to talk about his film score for “Guardians of the Galaxy Vol. 3” and collaboration with director James Gunn. They discussed the use of opera, the influence of Renaissance music and the reveal where the best percussion sound came from, as well as the challenge of writing music to the tonal shifts of the story.

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In this episode of The Big Score Grammy Award winner and composer, Simon Franglen, takes listeners behind the music of Avatar: The Way of Water, with water being one of the main inspirations for how Simon deftly created an ambient piece of music matching the stunning visuals of the film. But, creating unique water sounds was just one part of the process, tune in to hear how Simon created a new instrument, printed from his sketch on a 3D printer, and perfect for a character 10 feet tall with three fingers. A longtime collaborator with director, James Cameron, Simon also reveals in the episode how he came to work with Cameron initially on Titanic, winning a Grammy for “My Heart Will Go On” and which lead to them collaborating again on the original Avatar, alongside James Horner, and Avatar: The Way of Water.

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Host Jon Burlingame sits down with composer Joseph Shirley to talk about his work on Season 3 of the Disney+ series, The Mandalorian, and the overall soundscape of the series, the Star Wars legacy and his longtime collaboration with Ludwig Göransson.

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Host Jon Burlingame sits down with Grammy-winning composer Simon Franglen to discuss his epic score for Avatar: The Way of Water. Simon recalls the singular experience of working with director James Cameron and the tight-knit Avatar family, how sounds of Earth inspired him in the creation of music for another planet, and what the return to Pandora means to him. 

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Legendary Oscar-winning composer and songwriter Alan Menken joins host Jon Burlingame to discuss his songs for Disney’s Disenchanted, the long-awaited sequel to Enchanted. Alan reflects on his enduring partnership with Disney, how he created the ‘magical’ sound so many associate with animated classics, and why he’s enjoying revisiting and reinventing that magic in this new film. 

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Host Jon Burlingame visits the studio of Emmy-winning composer Laura Karpman for a conversation about her latest work for Marvel, including Ms. Marvel, What If…?, and the upcoming film The Marvels. Laura speaks on the importance of representation in music and film, and how she blended Pakistani folk music, traditional super hero sounds, and hip hop to create an authentic score for the MCU’s first South Asian and Muslim super hero.

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“Award winning composer Natalie Holt joins host Jon Burlingame to describe her process of creating the otherworldly soundscapes of both Loki and Obi-Wan Kenobi. They discuss her unique approach to composing for heritage characters, working with her idol John Williams, and her passion for equity in the film music world."

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