Desperate times call for even more desperate measures, and your three fav film f*gz needed an excuse to catch up on a Z**m call! In this Very Special Quarantine Edition of movies imo., Ben, Brandon, and Daniel get together virtually to share and discuss three of their favorite films watched while sheltering in place amidst the global pandemic, and maybe share a few laughs while they’re on the line. Ben takes the celestial escalator down to Earth in Michael Powell and Emeric Pressburger’s A MATTER OF LIFE AND DEATH, Daniel rides the Eurostar through purgatory in Chantal Akerman’s THE MEETINGS OF ANNA, and Brandon cuts a rug with Ingrid Bergman at a groovy nightclub in Gene Sak’s CACTUS FLOWER. Together, they enjoy friendship and film f*ggotry from a safe distance apart.

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They say film fagz don’t belong in hot air balloons, and yet here they are flying high and yelling over each other for part two of their special year-end review of the top twenty movies of 2019. Ben mourns the inevitable death coming for us all, Daniel brandishes bourgeois objects in class warfare, and Brandon survives a miserable hangover to celebrate the bliss of watching a movie four times without becoming immune to it charms. The end!

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The dead speak! In part one of a special year-end review episode of movies imo., Ben, Brandon, and Daniel yell over each other about their collective twenty favorite movies of 2019. But first they discuss abstention from the internet, cinematic shames of the decade, and how it feels to see each other for the very first time since the podcast’s cancellation. Ben cries from the soul while celebrating two late auteur masterpieces, Daniel celebrates a great moment of onscreen con artistry, and Brandon takes the film fagz to school on his favorite directorial debut of the year.

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In episode one hundred of movies imo, Ben, Brandon, and Daniel yell over each other about three movies they’d wished they’d had the chance to discuss on the podcast: Ben offers up Lars von Trier’s devastating death penalty musical DANCER IN THE DARK, Brandon brings Steven Spielberg’s bleak dystopian fantasia AI: ARTIFICIAL INTELLIGENCE to the table, and Daniel serves to the group Alan J. Pakula’s paranoid thriller/podcast outro feature KLUTE. On this final episode of the podcast, they also list their ten individual favorite new-to-me films discussed while on the mic. Ben makes the case for Jane Fonda as one of the ten best Best Actress winners in Academy history, Daniel celebrates the seemingly askew coverage of Björk’s dance numbers, and Brandon debuts (and edits) his Spielberg ranking live on the air. From the bottom of our hearts, thank you for listening - and we looking forward to meeting you all at 23 Commerce Quay, 1080 Bruxelles for an ice cold Anchor Steam!

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In episode ninety-nine of movies imo., Ben, Brandon, and Daniel yell over each other about Phoebe Waller-Bridge’s sublime comedy series FLEABAG. Ben swiftly denounces the cast and crew of THE SQUID AND THE WHALE between analysis of the show’s sly visual scheme, Daniel makes a declarative statement about YOU CAN COUNT ON ME while appreciating Waller-Bridge’s structure around psychology, and Brandon stands behind THE SAVAGES after worshipping at the altar of wit and wisdom in the final scene between Fleabag and her father.

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In episode ninety-eight of movies imo., Ben, Brandon, and Daniel yell over each other about Richard Linklater’s Cate Blanchett-led adaptation of the bestselling novel WHERE’D YOU GO, BERNADETTE? before discussing two other Linklater comedies with a magnetic movie star lead: SCHOOL OF ROCK and BERNIE, both starring Jack Black. Ben finds much to relate to in Blanchett’s breakdown of creative deprivation, Daniel remembers the first time he ever flirted with a man, and Brandon grapples with leaving off a Pixar from his best of the decade list.

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In episode ninety-seven of movies imo., Ben, Brandon, and Daniel yell over each other about Lynn Shelton’s provocative new comedy SWORD OF TRUST before going on to discuss three more of her signature films: HUMPDAY, YOUR SISTER’S SISTER, and OUTSIDE IN. Ben believes Jay Duplass to be one of the finest actors of his generation, Daniel celebrates Marc Maron being born in a trunk, and Brandon shares inside intel on Shelton’s delightful demeanor offscreen.

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In episode ninety-six of movies imo., Ben, Brandon, and Daniel yell over each other about Quentin Tarantino’s penultimate feature film ONCE UPON A TIME IN... HOLLYWOOD before discussing three of their other favorite QT films: PULP FICTION, JACKIE BROWN, and KILL BILL VOL. 1. Ben seconds his teenage Livejournal opinions regarding Uma Thurman’s Bride in the pantheon of great performances, Daniel rewinds on memories of secretly watching Tarantino movies on VHS, and Brandon breaks down the formative impact this collection of bloody pastiche had on him as a young film f*g.

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In episode ninety-five of movies imo., fellow film f*g Cameron Scheetz (@cameronscheetz) steps into Daniel's seat while he's toiling away at the Outfest Los Angeles Film Festival to discuss Jon Favreau’s THE LION KING with Ben and Brandon. They also yell over each other about Beyoncé’s music video SPIRIT and the original 1994 THE LION KING. Ben makes a case for why Caleb Deschanel will certainly win the Oscar for Best Cinematography, Brandon tries but struggles to say something—anything—nice about the film, and Cameron explains why he does not wish to sleep with Zazu in the remake, despite that nerdy bird being a lifelong childhood crush.

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In episode ninety-four of movies imo., Ben, Brandon, and Daniel yell over each other about Lulu Wang’s fake wedding and looming funeral family dramedy THE FAREWELL. They also discuss two other matriarch-near-death films with Michael Haneke’s AMOUR and Chris Colombus’ STEPMOM. Ben delivers a keynote address on the incongruous yet deeply felt ridges of STEPMOM’s emotional landscape, Daniel stans some smoke in the wind, and Brandon declares Wang’s latest to be his favorite film of the year.

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In episode ninety-three of movies imo., Ben, Brandon, and Daniel yell over each other about Ari Aster’s pagan group therapy retreat MIDSOMMAR before discussing two other cult-based horror films with an emphasis on divine authority in Robin Hardy’s THE WICKER MAN and Ingmar Bergman’s THE VIRGIN SPRING. Ben draws a parallel between Aster and the music of celebrated conductor Harold Hill, Daniel opines upon the purgatory of graduate school, and Brandon finds the film of the week to be not quite his tempo.

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