Two Men. One Podcast. Every Black Film Ever. Len Webb and Vince Williams are on the MICHEAUX MISSION - to watch and review every Black feature film ever released.
It’s the final show of 2024 and the Men of Micheaux nerd all the way out on Len’s thrift store treasure, great Black heist movies, comedy teams to come, the UN-Top Five Jesus Flicks, a little James McAvoy love, and a real dissection and appreciation for Jeymes Samuels’ creative The Book Of Clarence and a search for the real LaKeith Stanfield.
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A review of 1980s Stir Crazy that brings on a reckoning of the careers of the film’s stars, Gene Wilder and Richard Pryor - including a What If swapping Pryor into Sidney Poitier movies. Plus, the Top Five Black Comedy Teams (surprises and hard admissions), thigh-high boots, and the banning of a listener lead into a historic Philly cheesesteak rant against the world.
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The Men of Micheaux (and the audience) weigh in on The Wayans Family, the most distinctive voices of Hip-Hop, Paul Robeson, The Wizard of Oz, and Wicked. The review of Blazing Saddles is damn near a bonus for episode.
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Len shares stories about his time in Jamaica, entertaining Vincent along the way. The hosts debate the merits of Papa Wayans versus Puppy Wayans, and the entire show is dedicated to the talented video producer Dylan. They also call out the "Not Top Five" Other Dylans, even taking a jab at the most famous Dylan of all. Additionally, they review one of Dylan's childhood favorites, which features Chris Rock, as he wants the world to see him.
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Philly podcaster Trenae Nuri from City Cast Philly joins the Mission to celebrate young Denzel and the unique version of a Philly staple offered by Jim's Steaks. Additionally, she assists the Men of Micheaux in creating the next great Philly statue and encourages a positive review of the 2007 film Pride from Guess Who?
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In remembrance of actor and producer Tony Todd (1954-2024), the Mission revisits 2018 when Vincent and Len participated in a memorable three-way call with "The Candyman" himself. During this uncensored and unfiltered conversation, they discussed a range of topics, including the Philadelphia Eagles, New England sports, Barack Obama versus Donald Trump, legendary boxer Jack Johnson, Oscar Micheaux, and much more.
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Vincent and Len close out Bootober in grand fashion reviewing 2023’s star-studded Haunted Mansion, but not before the Top Five Scooby Doo Copycats, a redraft of the Top Five Brother Singing Acts, Teena Marie versus The Cookout and Godfather Talk with a sensitive man named Fredo.
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Here comes The Judge! One of the Men of Micheaux accepts 'judgeship' for Election Day 2024, while the other Micheaux Man answers listener mail and plays Six Degrees and the Top Five as if everything is just fine! Plus, Vincent and Len comment on the full Regina Hall filmography before reviewing the eerie college thriller co-starring Zoe Renee and Amber Gray.
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The Men of Micheaux pay tribute to Toni Vaz, a recently deceased and recently discovered legendary Hollywood actress and stuntwoman. They discuss her creation of the NAACP Image Award and struggle to define “The Chittlin’ Circuit.” They also talk about The Borg Queen stumping Vincent in Six Degrees of D’urville. After that, they review Remi Weekes’ immigration horror film “His House,” which includes a spoiler-worthy twist that leads to differing opinions from Len and Vincent.
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The horror edutainment team of Kat Kushin and Gabe Castro - The Ghouls Next Door - bring their expertise on everything spooky, creepy and weird as they join the Men of Micheaux to review the #1 horror film of 2023, plus a Jill Clayburgh sighting, Denzel The Impaler, and much more.
Search for The Ghouls Next Door on Apple, Spotify and YouTube, and everywhere you find podcasts.
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The Mission says farewell to John Amos (Good Times, Let’s Do It Again, Roots), Beverly Hills Cop’s John Ashton, and Dame Maggie Smith of Harry Potter and Downton Abbey fame. The night’s Top Five gives “Birth” to a foul Nation, and Bootober gives an assessment of Jordan Peele’s sophomore feature that bridges the uncanny and the absurd with the dark and the dangerous.
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