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This was the first album released by Bob Marley & the Wailers. Maz Jobrani makes his debut on The 500 to talk about “No Woman, No Cry” from Natty Dread, the first of three times we’ll be talking about the King of Reggae on the podcast. 

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DistroKid Artist Of The Week: Junior Marvin

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Sharing a preview of a podcast called The Wonder of Stevie. You might think you know Stevie Wonder. You might think you know his music. But you’ve never heard it like this. Host Wesley Morris is taking you on a deep-dive through Stevie's Classic Period: five legendary albums back-to-back in just four years. Hear about the record deal that started it all, the technology Stevie adopted to create never-before-heard sounds, and his influence on our culture. There will be appearances from legends like Barack and Michelle Obama, Questlove, Smokey Robinson, Dionne Warwick, Babyface, Janelle

Monae and more.

In this episode, Wesley details how, years after signing his first recording deal with Motown Records, Stevie decides to renegotiate his contract. One of the things on the table? Complete creative freedom. What follows is the beginning of one of the greatest streak of albums in American popular music: Music of My Mind.

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Fleetwood Mac’s Self-Titled album not only introduces Stevie Nicks and Lindsey Buckingham, but also a softer, warmer sound with tracks like “Over My Head”  “Say You Love Me”, and “Landslide.” Dane Cook joins Josh to talk about one of the biggest bands from the 1970s. 

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DistroKid Artist Of The Week: McKenna Michaels

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Willie Nelson's Red Headed Stranger perhaps is the strangest blockbuster country produced, a concept album about a preacher on the run after murdering his departed wife and her new lover, told entirely with brief song-poems and utterly minimal backing. Andy Richter joins Josh to discuss Willie’s 18th album and the legend he became. 

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DistroKid Artist Of The Week: Tara Thompson

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The Immaculate Collection is Madonna’s first greatest hits album and her most-sold record. It sold over 31 million copies worldwide, making it one of the best-selling albums of all time. Legendary comedian Kathy Griffin stops by to discuss the final album from the Material Girl to make The 500 list.  

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DistroKid Artist Of The Week: Little Boots

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The 1969 debut album from The Stooges was a forerunner to what would become the punk rock genre. The 500 turned to its top contributor Wayne Federman to discuss Iggy Pop and the album that would go on to inspire future punk legends like The Ramones and the Sex Pistols. 

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DistroKid Artist Of The Week: Amyl & The Sniffers

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-Fresh is the sixth album by American funk band Sly and the Family Stone, the band’s final album to reach the Top 10. Speech, of hip hop group Arrested Development, makes his debut on The 500 to talk about an album Brian Eno credits with shifting the history of recording, "where the rhythm instruments, particularly the bass drum and bass, suddenly [became] the important instruments in the mix”

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DistroKid Artist Of The Week: Speech

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-Often considered his best and most accessible album, So was an immediate commercial success and transformed Gabriel from a cult artist into a mainstream star, becoming his best-selling solo release. Thomas Lennon makes his debut on The 500 to talk about the former Genesis frontman’s hits and deep cuts on 1987’s “So”. 

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DistroKid Artist Of The Week: Nicotine Dolls

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Despite encountering multiple speed bumps in the recording process and fractures within the band that were becoming more prevalent, Buffalo Springfield released their second album before band members like Neil Young and Stephen Stills went on to even bigger things. Adam Ferrara stops by to talk about tracks like “Mr. Soul” and “Broken Arrow.”

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DistroKid Artist Of The Week: Nathan Jacques

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Happy Trails” is an album recorded from performances at the Fillmore East & West venues. Most of the tracks are reworkings of some of Bo Diddley's tracks. Quicksilver Messenger Service was very influential but wasn’t commercially successful The 500 invited Wayne Federman & DJ Morty Coyle back to unpack “Happy Trails”, the last QMS album to feature their original lineup. 

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DistroKid Artist Of The Week: Giant Sand

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Elvis Presley’s popularity began to wain as the 1960s went on. In 1968, he was asked to do a Christmas special but decided to sing songs from his catalog instead. The decision proved to be a wise one, as the popularity of the TV special provided Elvis a career resurgence. Josh Wolf returns to The 500 to discuss the live album “From Elvis In Memphis” and his love of The King. 

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DistroKid Artist Of The Week: Brigitte Calls Me Baby

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