This week we’re excited to present a conversation from the 62nd New York Film Festival with The Seed of the Sacred Fig director Mohammad Rasoulof.   The Seed of the Sacred Fig opens at FLC on November 27. Get tickets at filmlinc.org/fig A target of Iran’s hardline conservative government for his films’ criticism of the state, director Mohammad Rasoulof fled his home country to avoid an eight-year prison sentence, though he hadn’t finished editing his latest film yet. His searing drama The Seed of the Sacred Fig won a Special Prize from the jury and three other awards on its premiere at the Cannes Film Festival. The film is every bit as urgent and gripping as its real-life backstory would portend: longtime government worker Iman (Missagh Zareh) has just received a major promotion to the role of judge’s investigator, to the hopeful delight of his wife Najmeh (Soheila Golestani); at the same moment, a series of student protests against the government have exploded in the streets, stoking the sympathies of their independent-minded daughters Rezvan (Mahsa Rostami) and Sana (Setareh Maleki). The growing wedge between progressive children and traditional parents intensifies through a series of unsettling events that put Iman’s future in jeopardy. Both paranoia thriller and domestic drama, The Seed of the Sacred Fig is above all an epic of anti-patriarchal political conviction. An NYFF62 Main Slate selection. A NEON release. This conversation was moderated by NYFF programmer Rachel Rosen.

This week we’re excited to present a conversation from the 62nd New York Film Festival with A Traveler’s Needs lead actress Isabelle Huppert. A Traveler’s Needs opens at Film at Lincoln Center beginning Friday, November 22nd. Get tickets at filmlinc.org/traveler Isabelle Huppert reunites with Hong Sangsoo for their third delightful outing, this time starring as a nomadic Frenchwoman named Iris who drifts into the lives of a disconnected group of people in a Seoul suburb. In need of money, she has taken up giving French lessons, although she has no teaching experience to speak of. Cutting an ethereal figure in a straw hat, flowered sundress, and green cardigan, Iris puzzles the locals with her unorthodox methods and unyielding love for a Korean rice wine. Iris’s effect on those around her is at once familial, romantic, and pedagogical, leading to a succession of gently amusing moments of cultural confusion and curiosity. Hong’s endearing, enigmatic observational comedy is a gentle exploration of human motivation and the surprising connections between people despite—or because of—language barriers. Winner of the Grand Jury Prize at the 2024 Berlinale. This conversation was moderated by NYFF Artistic Director Dennis Lim.

This week we’re excited to present a conversation with director Payal Kapadia and producer Thomas Hakim of the NYFF62 Main Slate selection All We Imagine as Light. All We Imagine as Light opens at Film at Lincoln Center on November 15 with Payal Kapadia in person! Get tickets at filmlinc.org/light The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated with a vivid, humane richness by Payal Kapadia, who won the Grand Prize at this year’s Cannes Film Festival for her revelatory fiction feature debut. Centering on two roommates who also work together in a city hospital—head nurse Prabha (Kani Kusruti) and recent hire Anu (Divya Prabha)—and a newly retired coworker Parvaty (Chhaya Kadam), Kapadia’s film alights on prosaic moments of connection and heartache, hope and disappointment. Prabha, her husband from an arranged marriage living in faraway Germany, is pursued by a courtly doctor; Anu carries on a romance with a Muslim man, which she must keep a secret from her Hindu family; Parvaty finds herself dealing with a sudden eviction from her apartment. Kapadia captures the bustle of the metropolis and the open-air tranquility of a seaside resort with equal radiance, articulated by her superb actors with an unforced expressivity and by the camera with a lyrical naturalism that occasionally drifts into dreamlike incandescence. This conversation was moderated by NYFF Artistic Director Dennis Lim.

This week we’re excited to present a conversation with Basel Adra and Yuval Abraham, co-directors of No Other Land, a Main Slate selection of the 62nd New York Film Festival.  No Other Land opens at FLC on November 1. Get tickets at filmlinc.org/land This eye-opening, vérité-style documentary, made by a Palestinian-Israeli collective of four directors over the course of five years, provides a harrowing account of the systematic onslaught of destruction experienced by Masafer Yatta, a group of Palestinian villages in the southern West Bank, at the hands of the Israeli military. Headed by Palestinian activist Basel Adra and Israeli journalist Yuval Abraham (also two of the film’s directors), the collective commits itself to filming and protesting the demolitions of homes and schools and the resulting displacement of their inhabitants, which were carried out to make way for Israeli military training ground. In addition to the indelible footage of destruction and expulsion captured by its undaunted witnesses, No Other Land serves as a moving portrait of friendship between Adra and Abraham, who form a philosophical and political alliance despite the drastic differences in their abilities to exist freely in this world. Winner of multiple awards including the Panorama Audience Award for Best Documentary Film at the 2024 Berlinale. All NYFF62 feature documentaries are sponsored by HBO. This conversation was moderated by NYFF Main Slate selection committee member Justin Chang.

This week we’re excited to present a conversation with director Mati Diop on Dahomey, a Main Slate selection of the 62nd New York Film Festival.  Dahomey opens at FLC on October 25, with Q&As opening weekend. Get tickets at filmlinc.org/dahomey The African kingdom of Dahomey, which ruled over its region at the west of the continent until the turn of the 20th century, saw hundreds of its splendid royal artifacts plundered by French colonial troops in its waning days. Now, as 26 of these treasures are set to return to their homeland—now within the Republic of Benin—Diop documents their voyage back, transforming this rich subject matter into a multifaceted examination of ownership and exhibition. Alternating images of nocturnal melancholy and debates among students at Benin’s University of Abomey-Calavi about what should be done with the objects, Dahomey brilliantly negotiates a lost past and an unsure present. All NYFF62 feature documentaries are sponsored by HBO. This conversation was moderated by NYFF Main Slate selection committee member Justin Chang.

Director Robinson Devor and co-writers Jason Reid, Bob Fink, and Charles Mudede joined NYFF Artistic Director Dennis Lim for the world premiere of Suburban Fury at the 62nd New York Film Festival. In September 1975, Sara Jane Moore fired two shots at President Gerald Ford on a crowded sidewalk in San Francisco’s Union Square. Moore holds the center of this fleet and compelling nonfiction drama from protean filmmaker Robinson Devor, who lends it the feel of a 1970s thriller. All NYFF62 feature documentaries are sponsored by HBO.

Director Carson Lund and actor Keith William Richards joined NYFF selection committee member Justin Chang for the North American premiere of Eephus at the 62nd New York Film Festival.  Set in autumnal Massachusetts, sometime in the 1990s, Carson Lund’s poignant and gracefully accomplished debut feature lovingly nestles in with a pair of amateur recreation league baseball teams as they play one last game at their beloved Soldiers Field before it’s torn down for the construction of a middle school. Eephus opens on March 7, 2025 at Film at Lincoln Center.

Director Steve McQueen joins NYFF62 Artistic Director Dennis Lim to discuss Blitz, the Closing Night selection of the 62nd New York Film Festival. Blitz opens at Film at Lincoln Center on November 1st. Tickets are now on sale: filmlinc.org/blitz An authentic and astonishing recreation of London during its blitzkrieg, Blitz pushes the artistry of Steve McQueen to ever more impressive levels. Working on a vast scale, McQueen sets things at human eye level, telling his original tale from the parallel perspectives of working-class single mother Rita (Saoirse Ronan) and her 9-year-old son, George (newcomer Elliott Heffernan), as they become separated within the labyrinth of a city under siege. Alternately overwhelming and tender, McQueen’s dazzling film offers a multicultural portrait of 1940s London too infrequently seen on screens.

Directors Scott McGehee and David Siegel, author Sigrid Nunez, and cast members Naomi Watts, Sarah Pidgeon, Carla Gugino, Noma Dumezweni, Constance Wu, Owen Teague, and Bing join NYFF62 programmer Florence Almozini to discuss The Friend, a Spotlight selection at the 62nd New York Film Festival. This deeply fulfilling adaptation of Nunez’s beloved, slyly shape-shifting National Book Award winner features Naomi Watts as a novelist who finds her comfortable, solitary New York life thrown into disarray after her closest friend and mentor (Bill Murray) commits suicide and bequeaths his beloved Great Dane to her.

On today’s NYFF62 edition of our podcast, director Jesse Eisenberg, cast members Kieran Culkin and Jennifer Grey, and producers Emma Stone and Dave McCary discuss A Real Pain, a Spotlight selection of the 62nd New York Film Festival, with NYFF Artistic Director Dennis Lim. In A Real Pain, cousins David (Eisenberg) and Benji (Culkin), having drifted apart over the years, attempt to reconnect on a pilgrimage to the Polish hometown of their grandmother, a Holocaust survivor. Eisenberg’s work of compassion and maturity alternates nimbly between anxious comedy and meditative drama. Tickets to the New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis by visiting filmlinc.org/tix.

On today’s NYFF62 edition of our podcast, director David Cronenberg discusses The Shrouds with NYFF artistic director Dennis Lim at its U.S. Premiere. In David Cronenberg’s sly and thought-provoking latest, techno-entrepreneur Karsh (Vincent Cassel) has developed a new software that will allow the bereaved to bear witness to the gradual decay of loved ones dead and buried in the earth. While reeling from the loss of his wife (Diane Kruger), Karsh uncovers a potentially vast conspiracy. Tickets to the New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis by visiting filmlinc.org/tix.