After a week of devastating fires in Los Angeles, we’re revisiting John’s conversation with Anna Jane Joyner and Quinn Emmett from Good Energy Stories on how to talk about climate change on screen. They discuss opportunities for writers to inspire change, raise awareness, and capture the environmental concerns of our time.
We follow up on disability representation in Hollywood with the release of the Cost of Accommodations report from the Inevitable Foundation.
In our bonus segment for premium members, we talk about asking people for money, whether it’s to finance a movie or launch a campaign to save the planet.
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John and Craig look at three extraordinary news stories and ask, How Would this be a Movie? Stories include the United Healthcare CEO assassination, a small town’s process for licensing fortune tellers, and a harrowing I.V.F. mixup.
We also follow up on AI, Flightplan’s source material, Craig’s Belfast accent, and answer a listener question on the order of surnames for writing partners.
In our bonus segment for premium members: Hey Alexa, play John and Craig’s conversation about home automation. I don’t think she heard– HEY ALEXA, PLAY JOHN AND CRAIG’S CONVERSATION ABOUT HOME AUTOMATION.
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John welcomes Linda Woolverton (Beauty and the Beast, The Lion King, Homeward Bound) to talk about her experience writing animated features, from the parallel processes of writing and production to her paltry paycheck for Beauty and the Beast. They consider the blurring lines between live-action and hyperrealistic CGI, as well as the history of animation writers’ exclusion from the WGA.
We also answer listener questions about whether there is such a thing as a bad character want and how to manage story days within a screenplay, which prompts exploration of wardrobe changes, thinking in terms of color rather than time and Linda’s penchant for naked characters.
In our bonus segment for premium members, John and Drew look back on their goals for 2024 and discuss how to make New Year’s resolutions you’ll actually accomplish.
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Live from the Austin Film Festival, John joins panelists Jordan Mechner (Prince of Persia) and Erica Harrell & Desirée Proctor (The Walking Dead: Saints & Sinners) for an in-depth discussion on working across movies, tv, comics, plays, videogames and VR.
Moderated by Evan Narcisse (Rise of the Black Panther), they discuss what led them to new mediums, the storytelling strengths each medium offers, and building a career that moves between them.
In our bonus segment for premium members, the panelists answer some video game specific questions, including how to stand out as a writer to the major game developers.
Scriptnotes audio provided courtesy of ©Austin Film Festival
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Many of the biggest AI models have been trained on film and TV dialogue, and writers are furious. John and Craig explore the legal, ethical and philosophical implications of this revelation, our emotional reactions to it, and offer strategies for picking the right hills to die on.
But first, we follow up on the definition of horror vs. thriller, generational narcissism, and young people’s ambition. We also answer listener questions on when to bail on a script and how to approach your first contract.
In our bonus segment for premium members, we dig into the philosophical implications of Craig believing we live in a simulation, and whether that necessarily implies a creator. Woah, man.
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John and Craig welcome Brian Jordan Alvarez & Stephanie Koenig (English Teacher) and Jac Schaeffer (Agatha All Along, WandaVision) to join them for a live holiday benefit for Hollywood HEART. They discuss constructing Agatha All Along from blue sky to the Witches’ Road, “protagonizing” a villain, breaking in through YouTube and maintaining a working relationship with your best friend.
We also play a new game, the Christmas Song Three Word Challenge, with former Scriptnotes producers Megan McDonnell (Dark Matter, The Marvels) and Megana Rao (Unstable).
In our bonus segment for premium members, we answer an all-star round of audience questions in maybe the best Q&A we’ve ever had.
Thanks to our fantastic audience, everyone at Dynasty Typewriter, and Hollywood HEART for putting the event together.
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John welcomes playwright, novelist and screenwriter Justin Kuritzkes to discuss having his first two movies — Challengers and Queer — produced a single year.
After charting his journey from playwright to screenwriter, we compare two drafts of Challengers to look at how the story changed during a hasty development, including crafting that iconic three-way. We also explore adapting William S. Burroughs’ novel Queer, and the film’s approach to showing sex on screen.
In our bonus segment for premium members, Justin looks back on his time as a viral YouTube potion seller, and the value of that creative outlet early in his career.
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John and Craig take a deep dive with the Devil, exploring the unholy trinity of satanic films: Rosemary’s Baby, The Exorcist and The Omen. They look at how these three horror classics work, where our modern conception of Satan comes from, and the future of the Devil on screen.
We also answer listener questions on character arcs in horror, what separates horror movies from thrillers, and why the spooky stuff rarely gets awards attention.
In our bonus segment for premium members, John and Craig offer their nominations for the antichrist of our times.
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John and Craig analyze the iconic 1995 comedy Clueless, and why they’re majorly, totally, butt crazy in love with it.
A contemporary adaptation of Jane Austen’s Emma set in Beverly Hills, Clueless follows protagonist Cher as she tries to do ‘good’ through make-over montages and match-making attempts. We discuss how the movie sets up the characters in the first ten minutes, why Cher’s voiceover works so well, and how Clueless ushered in a new era of teen movies.
In our bonus segment for premium members, John and Craig share their own experiences learning to drive and how they’re preparing to teach their teenage daughters driving.
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John and Craig explore character agency in everything from scenes to entire series. They look at what agency looks like on the page, which characters should have agency, and what to do when you feel your characters sleepwalking through the plot.
We also strategize ways to move forward after the recent US election, and answer listener questions on writing sign language, screenwriting software for the blind, and how writing credits work when your TV series gets turned into a movie.
In our bonus segment for premium members, John and Craig escape to a world where where the story is always on rails — Disneyland!
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John and Craig look at how writers (and other humans) handle the anxiety of uncertainty, from election nights to green lights. We’ll talk through strategies for navigating situations where your circle of concern doesn’t match your circle of control.
Then we travel back to the 1980s and 90s, when many studios were run by ambitious strivers in their late 20s and early 30s. As the decades have passed, the players in these positions have held onto their posts, leaving the next generation stuck mid-ladder. We discuss what impact the aging of Hollywood has had on its output, and where the new guard might find an opening.
We also ask, is development wage theft? And answer listener questions on reusing material written for a different project, and the cost-plus model of production.
And in our bonus topic for premium members, what aspects of pandemic life have we incorporated into our daily routines?
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