After 400 episodes, we've reached the end. But before we go, Kevin and Sarah have a conversation about their ethos of faithful movie criticism, bringing the podcast full circle to a conversation Kevin and Wade had with Josh Larsen (Think Christian, Filmspotting, Fear Not!) in the earliest days of the podcast.

This is our final weekly podcast episode. Thank you for listening. We're not packing up our critical gear entirely: Seeing & Believing is now a newsletter. Keep the conversation going by giving us a follow on Substack or Letterboxd.

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Kevin and Sarah retire to the drawing room, where they'll be getting to the bottom of the mystery of both this week's movies. First up is Kenneth Branagh's A Haunting in Venice, Kenneth Branagh's third installment playing and directing a Hercule Poirot mystery. For the Watchlist, Kevin chooses Robert Altman's 2001 murder mystery of manners, Gosford Park.

Episode 400 will be our final weekly podcast episode before we transform Seeing & Believing into a Substack. If you have any thoughts about the show, we'd love to hear them. Send us an email at seeingandbelievingcapc at gmail dot com, or follow us on Letterboxd.

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This week, Sarah and Kevin review Bottoms, the latest from director Emma Seligman about a pair of high school seniors (Rachel Sennott and Ayo Edebiri) who start a fight club to try to impress girls. For the Watchlist, Sarah introduces Kevin to Howard Hawks's Gentlemen Prefer Blondes.

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Kevin and Sarah catch up with an indie movie they missed earlier this spring, Laurel Parmet's The Starling Girl. For the Watchlist, Kevin introduces Sarah to Guillermo Del Toro's 2001 ghost story The Devil's Backbone.

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Sarah and Kevin explore a dystopian sci-fi story in the form of Landscape with Invisible Hand, the latest movie from Cory Finley adapted from an M.T. Anderson novel of the same name, about a pair of teens who live under a vaguely benevolent alien occupation that's drained the planet of its jobs and resources. For the Watchlist, Sarah and Kevin talk about another story that has to do with finding love in a hopeless economy: Charlie Chaplin's 1936 film Modern Times.

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Sarah and Kevin vs. Dracula...on a boat. This week, they review The Last Voyage of the Demeter, an adaptation of a chapter from Bram Stoker's novel Dracula. For the Watchlist, Kevin continues the theme of "danger on a boat" with his choice of Wolfgang Petersen's 1981 film Das Boot.

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Kevin and Sarah dive into the sewers with the titular teens from the new animated Teenage Mutant Ninja Turtles: Mutant Mayhem. Then, Sarah and Kevin enter the magical world of Miyazaki's 2004 film Howl's Moving Castle.

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Mad science is afoot in this week's double feature. First up, Sarah and Kevin get to the bottom of the new Netflix mystery/comedy/science fiction thriller They Cloned Tyrone, starring John Boyega, Teyonah Parris, and Jamie Foxx as a trio investigating strange goings-on in their neighborhood. For the Watchlist, Kevin introduces Sarah to one of his favorite horror movies, Eyes Without a Face.

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The heat of summer is here. Kevin and Sarah brave forest fires as they review Christian Petzold's latest movie Afire, about a writer who can't seem to finish his latest manuscript while on vacation. Then, they take on a listener Patreon pick by reviewing the 2022 Irish Best International Feature Oscar nominee, The Quiet Girl.

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Barbenheimer is upon us. Sarah and Kevin review two new releases this week: Christopher Nolan's biopic about the father of the atomic bomb, Oppenheimer, followed by Greta Gerwig's romp about a Barbie having an existential crisis.

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Sarah and Kevin's mission, which they chose to accept, is to review the latest entry in the Mission: Impossible series. Will Tom Cruise and Christopher McQuarrie pull it off once again? For the Watchlist, Kevin and Sarah square off over differing interpretations of Satoshi Kon's dreamlike movie Paprika.

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