Tuning In reaches its final episode as Mulder and Scully go on a “Field Trip”. We also talk about the series as a whole. But don’t despair about the end of Tuning In–head over to trekaboutshow.com for more of our podcasting. Thanks for listening!

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David Duchovny writes and directs his first episode of the show, and “The Unnatural” brings us maybe the strongest disagreement yet. Then in “Three of a Kind”, the Lone Gunmen try to rescue someone.

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“Trevor” is a complete mess of an episode that almost defeats us. Then in “Milagro”, a pretentious writer defeats himself.

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The X-Files goes all-in on the shipping in “Arcadia”, and then in “Alpha”, a ship brings trouble.

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Mulder and Scully head to Florida to meet with Arthur Dales and get stuck in a bad sitcom in “Agua Mala”, and then the agents get stuck in the same day in “Monday”.

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Somewhat bizarrely, The X-Files has decided to end the mythology storyline in the middle of the sixth season. The two-parter “Two Fathers” and “One Son” is somewhat successful but still leaves us wanting an actual explanation.

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We get another Skinner-centric episode with “S.R. 819” and a Scully-centric episode with “Tithonus”.

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Bruce Campbell appears on The X-Files in “Terms of Endearment”, and weather appears in “The Rain King”.

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On the Tuning In 100th episode spectacular, we wrap up the body-switch two-parter by dunking on “Dreamland II”, then The X-Files gets really, really weird in “How the Ghosts Stole Christmas”.

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Chris Carter must really be obsessed with The Wizard of Oz, as he gives us a riff on it in the remarkable “Triangle”. Then, the show decides to become terrible in “Dreamland”.

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The sixth season of The X-Files kind of ignores the movie as it makes the move to sunny, sunny California, in “The Beginning”. Vince Gilligan gives us a taut thriller with “Drive”.

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