In this episode of the Go Creative Show, cinematographer Alice Brooks discusses her work on the film Wicked, exploring its visual aesthetic, the return of practical effects in cinema, and the challenges of lighting large sets. She emphasizes the importance of collaboration and trust within her crew, the role of nature in storytelling, and the innovative use of Unreal Engine for pre-visualization. The conversation also touches on female representation in the film industry and the personal journeys of women in cinematography.

Takeaways

• Wicked is a friendship love story 
• Classic Hollywood inspired visuals
• Practical effects are making a comeback in cinema.
• How nature inspired the lighting choices.
• Collaboration and trust are crucial in filmmaking.
• Intimacy in cinematography enhances emotional connection.
• Pre-visualization with Unreal Engine was essential for planning.
• Alice Brooks emphasizes the importance of details in filmmaking.
• Female representation in cinematography is growing and inspiring.

• Go Creative Show
• BC Media Productions
• WICKED IMDb
• Alice Brooks IMDb

In this episode of the Go Creative Show, hosts Ben Consoli and Connor Crosby celebrate the recent rebranding of BC Media Productions and emphasizing the importance of organization in the filmmaking process. They share their top organizational tools, including Notion, for project management and staying organized amidst a busy production schedule. The conversation also touches on the significance of project codes for high-level organization.  They discuss early reactions to the Final Cut Pro 11 release, and their excitement for upcoming films like Nosferatu and Wicked. PLUS, Ben's reactions to his first viewing of Wizard of Oz. 

Takeaways

• BC Media Productions has undergone a significant rebranding.
• Staying organized is crucial in the filmmaking process.
• Notion is a valuable tool for project management.
• Using project codes can enhance organization.
• Final Cut Pro continues to evolve with new features.
• Practical effects are making a comeback in modern filmmaking.
• Early reactions to the new Nosferatu film
• Excitement for Wicked movie
• Ben's first time watching Wizard of Oz

Links:

https://bcmediaproductions.com https://www.facebook.com/gocreativeshow https://www.instagram.com/gocreativeshow Have a show idea? Leave a comment!

In this episode of the Go Creative Show, host Ben Consoli interviews Elie Smolkin, the director of photography for the series 'American Sports Story: Aaron Hernandez.' They discuss the unique storytelling approach of the series, focusing on the complexities of Aaron Hernandez's life beyond sports. Elie shares insights into the visual style, including the use of color to represent trauma and the innovative techniques used to depict CTE. The conversation also covers the challenges faced during filming, the importance of collaboration in filmmaking, and Elie's personal goals in the industry.

The Go Creative Show is produced by Ben Consoli and Connor Crosby, Creative Director and Producer at BC Media Productions 

Takeaways

• The story of Aaron Hernandez is an anti-sports story.
• Visual storytelling is crucial for engaging narratives.
• Color plays a significant role in conveying themes.
• CTE representation required innovative cinematography techniques.
• Camera movement enhances the emotional connection to characters.
• Collaboration and communication are key in filmmaking.
• Preparation is essential for managing complex shoots.
• Flexibility in creative decisions leads to better outcomes.
• Finding a compelling story is a filmmaker's challenge.
• Building a strong crew is vital for a successful production.

Chapters

00:00 Introduction to the Story of Aaron Hernandez 02:57 Visual Storytelling and Cinematic Techniques 05:31 Representing CTE Through Cinematography 11:45 Choosing the Right Camera Package 12:48 Using Camera Motion to Tell Visual Stories 17:45 Challenges in Filming Dramatic Episodes 19:34 The Challenges of Filming Episode 6 27:37 Maintaining Visual Consistency While Working with Multiple Directors 33:27 Joining the Ryan Murphy Family of Filmakers 33:57 Filmmaking Mistakes and How to Learn From Them 38:14 Goals and Aspirations in Filmmaking

Links:

https://eliesmolkin.com https://bcmediaproductions.com https://www.facebook.com/gocreativeshow https://www.instagram.com/gocreativeshow Have a show idea? Leave a comment!

In this episode of the Go Creative Show, host Ben Consoli welcomes back Jason McCormick, the director of photography for 'Monsters: The Lyle and Eric Menendez Story.' They discuss the pressures and expectations of following a successful series, the approach to adapting controversial real-life stories, and the unique lighting and visual style of the show. Jason shares insights into preparing for the gruesome murder scene and the impact of the one-take format in episode five, highlighting the importance of storytelling in filmmaking.

In this conversation, Jason McCormick discusses:

• His experiences and insights as a cinematographer
• Focusing on the creative process behind the series
• How he humanizing characters
• Using scattered light in cinematography
• The Importance of having a background in film
• Reflection on the future of immersive filmmaking and the communal experience of cinema.

LINKS

• Go Creative Show
• BC Media Productions
• Jason McCormick Official Website
• Lightbridge

Summary

In this episode of the Go Creative Show, Ben Consoli and Connor Crosby discuss the latest happenings in the film industry, including their thoughts on Apple's new immersive film 'Submerge' and the controversial musical 'Joker 2'. They also delve into the impact of AI on filmmaking, highlighting the advancements in video generation technology and its implications for the future of cinematography.

Takeaways

• Apple's Vision Pro enhances immersive film experiences.
• 'Submerge' showcases innovative storytelling techniques.
• Joker 2's musical format raises questions about its execution.
• AI is revolutionizing video production and editing.
• The importance of prompts in AI-generated content.
• Filmmakers are exploring new creative avenues with technology.
• The balance between risk and audience reception in filmmaking.
• Meta Movie Gen jumps into the AI video space
• The evolution of cinematography through technological advancements.
• Community engagement is vital for filmmakers and production companies.

Links

• Go Creative Show
• BC Media Productions
• Ben's band Three Second Chances
• Behind the Scenes of Apple's Immersive Film "Submerge"
• Meta Movie Gen
• Firefly AI Video Generator

In this episode of The Go Creative Show, Ben and Connor dive into the art of building production crews across different locations. They share fun and practical tips, from using Facebook groups and Production Hub to find local talent, to creating eye-catching specialized reels for cinematographers. Plus, they highlight why being a jack-of-all-trades is a filmmaker’s secret weapon. It’s all about staying flexible and thinking on your feet in the ever-changing world of production. Tune in for some great stories, pro tips, and a chance to share your own experiences with the hosts!

Takeaways

• Assembling crews in unfamiliar locations is a common challenge.
• Facebook groups remain a valuable resource for finding crews.
• Specialized reels are crucial for cinematographers to showcase relevant work.
• Producers should be clear and concise in their requests to potential hires.
• Honing skills in various roles enhances a producer's effectiveness.
• Understanding local laws and conditions is vital for safety on set.
• Networking through established relationships can streamline crew assembly.
• Budget constraints often require producers to wear multiple hats.
• Engaging with the audience can lead to valuable insights and discussions.
• Continuous learning and adaptation are key to success in filmmaking.

Links

• Go Creative Show
• BC Media Productions
• Ben's band Three Second Chances

In this episode of The Go Creative Show, host Ben Consoli and producer Connor Crosby discuss the recent hiatus of the podcast, their busy schedules, and the future direction of the show. They explore the impact of new technology, particularly the iPhone 16 camera capabilities, on the filmmaking industry. The conversation delves into whether iPhones can replace professional cameras, real-world applications of iPhone filmmaking, and the accessibility of filmmaking tools. They also reflect on the evolution of filmmaking equipment and the importance of skill in the industry.

Links:

Go Creative Show Website

BC Media Productions Website

Three Second Chances (Ben's New Band)

Cinematographer Krzysztof Trojnar discusses his work on the Netflix show Baby Reindeer, sharing insights into the visual approach, using the Alexa LF Mini camera package, lens choices, and creating a sense of claustrophobia in cinematography. He also delves into the challenges of depicting drug use and the impact of AI tools on the industry.

CONNECT WITH US

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WINNING TIME season 2 director and cinematographer Todd Banhazl joins cinematographers John Matysiak and Ricardo Diaz to discuss their use of mixed formats to create an authentic '80s aesthetic. They shed light on their collaboration in bringing the Celtics vs. Lakers rivalry to life on screen, their seamless blend of drama and humor, collaboration as cinematographers, and Todd's story of going from cinematographer to director.

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• WINNING TIME season 2
• WINNING TIME IMDb
• Our Winning Time season 1 interview with Todd Banhazl and Mihai Malaimare Jr.

• Ricardo Diaz’s IMDb
• Todd Banhazl’s IMDb
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• BC Media Productions
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Follow Connor Crosby (producer)

• Ignition Visuals' website

GRAN TURISMO director of photography Jacques Jouffret shares his adrenaline-inducing visual approach to creating this gripping and authentic racing film. We discuss his meticulous approach to capturing the racing world's intensity, blending realism and authenticity without relying on heavy VFX. Also find out about his meticulous approach to recreating the pivotal Nürburgring crash and much more.

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Go Creative Show is supported by:

Sony VENICE

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THE RIGHTEOUS GEMSTONES director of photography Paul Daley breaks down his visual approach to season 3. We discuss the various camera movement, lighting, and lensing tricks he used to advance the latest season. Find out how the lotus scene was shot practically, how Paul makes studio sets look real, and so much more.

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•  
• Shooting the Locust scene practically (02:26)
• Visual approach to season 3 (07:45)
• Using both Signature and Supreme lenses (16:35)
• Camera movement and lighting (20:35)
• Approach to night exteriors (25:33)
• Practical locations vs sets (29:12)
• Filming the racecar and monster truck scenes (36:43)
• Paul's favorite scene in season 3 (41:14)
• And more!

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• Ignition Visuals' website