This week Write-minded is exploring listening—as a practice, as an experience, as something that interacts with our writing. Guest Elizabeth Rosner’s new book is Third Ear, a book that she describes as a hybrid memoir. Listen in to find out why, to consider your own relationship with listening, and to consider all the ways that listening drives and inspires our writing. On Substackin’ this week, we revisit Grant’s post about being patient with impatience, with themes resonant to the episode.

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This week’s episode is inspired by guest Barbara Ridley’s new novel, Unswerving, whose central protagonist is gay and disabled. We explore the dearth of disabled characters in fiction, and hear from Barbara how choosing to write about a character who was doubly “othered” drew critiques that she was perhaps going a bridge too far. This episode examines sensitivities to consider when writing “the other” in fiction, and also why it’s important to write characters who don’t often get an opportunity to be centered—as it creates empathy and opens our eyes to the broad range of human experience.

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It could be said of this week’s guest that she, like the title of this week’s show, is fascinating and daunting. And that this is a pull toward the things we’re interested in, that we want to dive more deeply into, is the subject of this week’s show. Edwidge Danticat is a powerhouse in the literary world who’s written about immigration and poverty, exile and political upheaval, and so much more. There’s much to learn from the wisdom of a writer like Danticat who has been well and widely published for three decades, and who offers up insights across form—from memoir, to fiction, to essay. Tune in to hear from a literary force of nature.

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As Write-minded is wont to do, we bring you another tell-it-like-it-is reality bites episode about book publishing. And while the news isn’t all good, it’s also not all bad—and guest Michael Castleman is living, breathing proof that it’s worth it, as long as you’re ready to do the work and understand what you’re getting yourself into. Join us on this journey from the Gutenberg Press to modern-day publishing. Whether you’re a reader, writer, author, or industry person, you’re bound to learn something new from this week’s show. 

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This week’s Write-minded is a thoughtful conversation about where writers’ values meet public persona and the writing life. Guest Maggie Tokuda-Hall treats us to her thinking about career, ambition, and why she writes what subjects and characters she writes, and why she doesn’t write for adults. We get into the important topic of what’s at stake when writers speak up and out—touching upon the tensions that exist between standing up for what you believe in and a literary world that doesn’t always make those choices easy. Substackin’ this week takes a look at Brooke’s post about genre and category, “Your Story Is More Important Than Your Category.”

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A rocking ride through punk influence on prose and story, this interview with guest Joshua Mohr is, more than anything, about pushing your limits and getting out of your comfort zone. In his new book, Saint the Terrifying, Josh does a few things he’s never tried—and he walks us through why that’s been so invigorating, and how it’s pushed his limits as a writer. We delve into not outlining and the power of alternative histories, and get to hear about why Josh wrote this book wanting it to feel like it might fall apart at any moment.

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Anne Lamott joins Write-minded this week to talk about so many things—what she writes about; how she kills her darlings; her process with her early readers and editors; and more. On the question of being compulsively readable, she shares with us some of the ideas from Bird by Bird that have stood the test of time, why to cut your darlings, and how she thinks about those early first shitty drafts. Write-minded and Anne Lamott also invite you to join us the last weekend in October for a special writing retreat in Los Angeles. Visit WritersRising.com and enter code writeminded10 to get 10% off. And this week’s Substackin’ is drawn from Brooke’s Substack, Why You Maybe Should Write a Memoir.

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This week, to draw attention to Banned Books Week and to stand in solidarity with publishers, authors, and all industry professionals who fight to keep diverse voices on library shelves, Write-minded features guest Amanda Jones, an educator and librarian whose book, That Librarian, is necessary reading. Amanda shares her more than two-year journey of being bullied, harassed, and smeared because she dared to stand up for diverse books and diverse voices. The phenomenon of canceling librarians or get them fired is not singular, and Amanda Jones’s story serves as a stark reminder about what’s at stake in our country right now. She draws attention to efforts to defund libraries and shares why representation in literature matters so much. Listen and take action. And check out Grant’s Substack about another kind of banning—banning the story we want to tell—in this week’s Substackin’.  

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This week’s episode is inspired by Grant’s recent rejection journey. Yes, listeners, Grant’s book about rejection has been roundly rejected—so we’re taking an excursion into the world of rejection, how we deal with it, and what some options might be for a book that doesn’t get picked up by a publisher. Grant and Brooke explore their relationship with and to rejection—and unpack all the ways in which rejection is interconnected to the publishing journey—and not just for authors. This goes for publishers, agents, editors, and other publishing-adjacent folks too. This week’s Substackin’ gets into self-pity, which we might take straight up, or neat, or on the rocks with our rejection. Grant and Brooke are drawing from their own Substacks and others for these features, and we invite you to find us at https://grantfaulkner.substack.com and https://brookewarner.substack.com.

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This week’s guest, Brontez Purnell, is the kind of writer who’s either hard to pin down, or just won’t be. As such, he’s inspired an episode about who gets to draw outside the lines and why in the realm of book publishing. Whether you love your lane, feel confined by your lane, or insist on busting out of your lane, we invite you to consider what it means to be classifiable and contained, and whether or not it suits you to be so—or to refuse the categories and labels publishing loves to put on authors. An existential episode inspired by an author who’s blowing up the boxes and having fun doing it.

This week’s Substackin’ is based on Brooke’s post, “Why You Can't Equate Your Substack Posts to a Book: On the Staying Power of the Book.” Grant and Brooke are drawing from their own Substacks and others for these features, and we invite you to find us at https://grantfaulkner.substack.com and https://brookewarner.substack.com.

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We kick off a new season with the brilliant Jane Alison and a wide-ranging conversation about form and structure in fiction and memoir. Brooke and Grant were so inspired by Meander, Spiral, Explode, Jane’s her book about craft and the theory of writing, that this episode is dedicated to the ideas around structure and form that are at the heart of that book. This is a nerdy, writerly deep dive to welcome listeners to a new season. Also of note is a new feature, Substackin’, which will be rounding out each episode this season. This week’s Substackin’ is inspired by Brooke’s post.

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