A podcast about great books and the people who wrote them
It's a Literary Feast Day at the History of Literature Podcast! First, Jacke talks to old friend Mike Palindrome about his love for A Moveable Feast, Hemingway's late-in-life recollection of his salad days (Pernod days?) in Paris. Then Collin Jennings (Enlightenment Links: Theories of Mind and Media in Eighteenth-Century Britain) explains how his application of computational methods to eighteenth-century fiction, history, and poetry shed new light on the Enlightenment - and what it means for readers in a digital age. And finally, David L. Cooper (The Czech Manuscripts: Forgery, Translation, and National Myth) discusses his choice for the last book he will ever read.
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The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com.
Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature.
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Throughout the 1930s, Ernest Hemingway was in the public eye as a journalist, short story writer, activist, and one of the most famous writers on the planet. But his 1937 novel To Have and Have Not fell flat, and critics wondered if the Hemingway who could write a novel on the level of The Sun Also Rises (1926) or A Farewell to Arms (1929) still existed.
All that changed with the publication in 1940 of For Whom the Bell Tolls. Widely read and widely acclaimed, the story of the idealist Robert Jordan in the Spanish Civil War has long been admired (and at times ridiculed) for its depiction of military heroism and wartime romance. But in spite of the criticism that continues to swirl around the novel, its prominence as one of the indispensable masterpieces of war literature has never been in doubt.
In this episode, Jacke talks to editor Alex Vernon about his line-by-line analysis of For Whom the Bell Tolls for the Reading Hemingway series. PLUS Sandra Spanier (series editor of the Letters of Ernest Hemingway project) stops by to discuss her choice for the last book she will ever read.
Additional listening:
The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com.
Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature.
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Although their lives were filled with darkness and death, their love for stories and ideas led them into the bright realms of creative genius. They were the Brontes - Charlotte, Emily, and Anne - who lived with their brother Branwell in an unassuming 19th-century Yorkshire town called Haworth. Their house, a parsonage, sat on a hill, with the enticing but sometimes dangerous moors above and a cemetery, their father’s church, and the industrializing town below. It was a dark little home, with little more than a roof to keep out the rain, a fire to keep things warm at night, and books and periodicals arriving from Edinburgh and London to excite their imagination. And from this humble little town, these three sisters and their active, searching minds exerted an influence on English literature that can still be felt nearly two hundred years later.
[This is an ENCORE presentation of an episode from our archives. The episode originally ran on September 9, 2019.]
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Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature.
Music Credits:
“Ashton Manor" and "Piano Between" by Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/
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When he undertook his research on Harriet Jacobs and her brother John Swanson Jacobs, scholar Jonathan D.S. Schroeder wasn't expecting to find John's long lost autobiography. But there it was, buried in the archives of an Australian newspaper. Unknown for one hundred and sixty-nine years, the narrative bursts with fire and fury, filled with the energy (and intellectual freedom) of an ex-slave and ex-American writing from outside the United States. In this episode, Jacke talks to Jonathan about what it was like to make this incredible discovery - and what the narrative teaches us about the world of nineteenth-century literature and life.
Book link:
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The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com.
Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature.
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"Wright was one of those people," said poet Amiri Baraka, "who made me conscious of the need to struggle."
In this episode, Jacke takes a look at the life and works of Black American novelist and poet Richard Wright (1908-1960), author of Uncle Tom's Children, Native Son, Black Boy, and thousands of haiku. Born in Mississippi in desperate poverty to a schoolteacher mother and a sharecropper father (who were themselves the free children of formerly enslaved peoples), Wright had little formal education until he was 12, when he quickly demonstrated his intelligence and passion for reading. After high school, Wright traveled north to Chicago, where he set his most famous work, the fiery Dostoevskyan novel Native Son. Quickly achieving celebrity as one of America's most famous and successful Black writers, Wright moved to Paris, where he lived the rest of his life - and where he met a young James Baldwin, who accepted Wright's help before writing a pair of essays that strongly criticized Wright's fiction.
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The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com.
Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature.
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Critics didn't know quite what to make of twentieth-century American novelist and poet Jack Kerouac (1922-1969), but readers had less difficulty. In spite of mixed reviews, On the Road (1957) quickly became a kind of bible for anyone hoping to squeeze more out of life. In this episode, Jacke talks to Steven Belletto, editor of The Cambridge Companion to Jack Kerouac, about the continuing fascination with the Beat Generation and its most famous avatar.
Additional listening:
The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com.
Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature.
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Aesop's fables - including such classics as "The Tortoise and the Hare," "The Fox and the Grapes," and "The Ant and the Grasshopper" - are among the most familiar and best-loved stories in the world. But who was Aesop? Why was he writing these stories - and what about the ones that weren't written for children? Renowned scholar Robin Waterfield, translator of Aesop's Fables: A New Translation, joins Jacke for a discussion of the legendary Aesop and his legendary tales. PLUS Tove Jansson biographer Boel Westin (Tove Jansson: Life, Art, Words) stops by to discuss her choice for the last book she will ever read.
Additional listening suggestions:
The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com.
Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature.
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It's hard to imagine now, but the United States government wasn't always hostile or indifferent to the arts. In fact, from 1935 to 1939, President Franklin Delano Roosevelt's New Deal Government responded to the Great Depression by staging over a thousand theatrical productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. How did Roosevelt's administration come to hire over twelve thousand struggling artists, including Orson Welles and Arthur Miller? How successful were the plays? And what ultimately shut them down? James Shapiro (The Playbook: A Story of Theater, Democracy, and the Making of a Culture War) joins Jacke for a discussion of the Federal Theatre Project and its legacy.
Additional listening suggestions:
The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com.
Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature.
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Medieval manuscripts are so wondrously beautiful they deserve comparison with the world's finest works of art. But what was behind the production of these books? We might think of rows of monks, patiently toiling away in a hushed chamber - but that would be to ignore the actual conditions of book production. In this episode, Sara Charles (The Medieval Scriptorium: Making Books in the Middle Ages) takes Jacke into the dirty, smelly, boring, and back-breaking world of an actual medieval scriptorium. PLUS Dante scholar Elizabeth Coggeshall (On Amistà: Negotiating Friendship in Dante's Italy) stops by to discuss her choice for the last book she will ever read.
Additional listening suggestions:
The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com.
Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature.
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Yes, he's the father of English poetry, and yes, he's perhaps best known today for bawdy tales like the Wife of Bath. But who was Geoffrey Chaucer? How did he navigate life during one of the most turbulent periods of English history? And how did he become known as "the merry bard"? In this episode, Jacke talks to biographer Mary Flannery about her new book, Geoffrey Chaucer: Unveiling the Merry Bard.
Additional listening suggestions:
The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com.
Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature.
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Bibliophiles everywhere know the sweet feeling of getting lost in a book. And like all good literary snobs, we tend to think that full immersion requires a distraction-free relationship between reader and text. But was it always so? After examining early modern French literature, Geoffrey Turnovsky (Reading Typographically: Immersed in Print in Early Modern France) thinks that the answer might not be so simple. In this episode, Jacke and Geoffrey discuss the stereotypes and myths centering around the act of reading a print-based book - and what insights they might deliver to readers in an age of digitization. PLUS Liz Rosenberg (A Strange Life: Selected Essays of Louisa May Alcott) stops by to discuss her choice for the last book she will ever read.
Enjoy this episode? Looking for something else? Try these from our archives:
The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com.
Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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