We talk about the experience of “breaking out” in Hollywood a lot on Collider Ladies Night. There are many wonderful ways to have that moment in film and television, but Jessica Gunning has seen her star soar in an especially exciting way over the last month courtesy of the popularity of Netflix’s Baby Reindeer.

Based on his own personal experience which he adapted into an award-winning Edinburgh Fringe one-man play, the Richard Gadd-created series stars Gunning as Martha, Donny Dunn’s (Gadd) stalker. What Donny thinks is just a simple act of kindness, offering Martha a free cup of tea on a tough day, winds up being a life-changing exchange as she wedges her way into just about every part of his life. Not only does the relationship turn Donny’s day-to-day on its head, but the experience also challenges him to address some long-buried trauma.

Baby Reindeer isn’t some massive production with a significant monthslong promotional campaign behind it. It’s something that caught on in a big way, seemingly out of the blue, simply because it’s an exquisitely crafted and incredibly well-acted piece. While Gunning isn’t new to the industry by any means, the success of Baby Reindeer has instantly turned her into a highly recognizable name, one earning a good deal of Emmy buzz at the moment, and it’s inspiring many to check out her other credits, films like 2014’s Pride and the ongoing Prime Video series, The Outlaws.

In celebration of this extremely well-deserved game-changing moment, I welcomed Gunning to Collider Ladies Night to revisit her road to Baby Reindeer, to break down the nuances of Martha, and to discuss what it’s like becoming a bonafide Emmy contender.

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No role is easy, but at just 22-years-old, Freya Allan has already had to do a considerable amount of heavy lifting playing characters in dire situations with the weight of the world on their shoulders. After comparing the pressure The Witcher’s Ciri is under to the challenges her Kingdom of the Planet of the Apes character, Mae, faces in the film, Allan laughed and said, “Clearly they look at me and go, 'Yeah, she’s got a lot going on. She’ll do the job.’” Allan may have been humble about it, but roles like Ciri and Mae could never soar without an actor capable of capturing and giving an audience access to their complex internal worlds.

In Kingdom of the Planet of the Apes, Allan’s Mae finds herself forming an unexpected bond with Owen Teague’s ape character, Noa. It’s hundreds of years after the events of War for the Planet of the Apes. Apes are now the dominant species while humankind struggles to find safety. Given Noa’s grown up in the confines of his village and knows little of the outside world, he’s shocked when he encounters Mae and she isn’t some feral creature, but rather, a brave being of intelligence with wants and a drive that isn’t so different from his own.

With Kingdom of the Planet of the Apes arriving in theaters nationwide on May 10th, I got the chance to have a Collider Ladies Night conversation with Allan to recap her journey in the industry thus far, and to dig into her experience finding Mae and conveying her complicated contributions to paving the way to a brighter future for humankind.

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Welcome to a very special edition of Collider Ladies Night. Not only does this episode feature a personal favorite, but that favorite just became the first Ladies Night third-timer — Melissa Barrera. It was immediately evident that Barrera is an ideal Ladies Night guest during our first chat in January 2022 for Scream, one brimming with enthusiasm and passion for her craft, and for the art of filmmaking in general. That became even more undeniable after connecting at the 2022 Toronto International Film Festival for Carmen’s world premiere, and then again in March 2023 for a second Ladies Night in celebration of the release of Scream VI. 

One of the greatest joys of having two Ladies Night conversations a mere year apart with Barrera? Seeing how much she manages to accomplish in that short span, and hearing about how deeply she considers those experiences and how that impacts her goals and perspective on the industry going forward. At that point, making the independent feature, Your Monster, which just premiered at the 2024 Sundance Film Festival, heavily influenced her priorities for herself in filmmaking. In March 2023 she explained, “I had a mentality of like, I need to do something big to make a splash and to make a name for myself so that I can green light projects.” However, after working on Your Monster and also The Collaboration, that switched to, “I just want to do projects that speak to my soul and that stretch me.”

Perspective shifts happen often, and should. What good are our experiences if we don’t grow and learn from them? Barrera, however, powered through a rather seismic one since our last Collider Ladies Night interview after she was shockingly fired from Scream 7 due to social media posts regarding the humanitarian crisis in Gaza. During this new Ladies Night interview, Barrera detailed how that and other recent experiences in Hollywood have heavily impacted her understanding of what she’s here to do. From there we lean into yet another new release that solidifies Barrera as a horror genre powerhouse, and bonafide movie star, her latest collaboration with Radio Silence, Abigail.

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If you’re a frequent Collider Ladies Night viewer/reader/listener, you’re likely well aware of my Yellowjackets obsession. I’ve been lucky enough to welcome many Yellowjackets cast members to the show, including Christina Ricci and Jasmin Savoy Brown, but there’s a certain someone who I was extremely disappointed to have missed out on while she was on the show — Ella Purnell. However, the time has finally come. Not only did I get the opportunity to talk a little Yellowjackets with Purnell, but we also got to celebrate yet another exceptional show of hers, Prime Video’s Fallout.

Purnell plays Lucy in the series adaptation of the hugely popular Bethesda game. She’s a vault dweller living safe and sound in Vault 33. They’ve got food, water, and a kind community with a neighborly vibe. Above ground, however, it’s the exact opposite. 219 years since nuclear bombs decimated the surface, everyone else is just trying to survive in an apocalyptic wasteland with little to no rules or morals. In an effort to find her father (Kyle MacLachlan), Lucy opts to do the unthinkable, leave the comfort of sheltered vault life behind to venture out into the ruthless outside world.

In celebration of Fallout’s big debut on Prime Video, Purnell joined me for a Ladies Night conversation to recap her journey in film and television thus far, and discuss how her career priorities have changed over the years.

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After a hugely successful seven-season run, Riverdale came to an end in August 2023 with its 137th episode. Yes, being part of such a show is a blessing, but there’s a significant amount of pressure that comes with answering the question, “What’s next?” Camila Mendes is powering through that pressure right now in a big way — as a multi-hyphenate.

Mendes stars in and executive produced her latest feature, Música. Director Rudy Mancuso also stars in the film as a young street performer from Newark’s Ironbound neighborhood. He’s in a relationship with Francesca Reale’s Haley, but is coming to learn that they might not be on the same page about how and when to find success and stability as a young adult in this world. Could Mendes’ Isabella be the solution? Soon after meeting her, he becomes convinced she understands him better than anyone. But, is it ever that simple?

With Música celebrating its big debut on Prime Video this week, Mendes carved out some time to join me for a Collider Ladies Night conversation to discuss her experience finding her way after Riverdale, and coming to realize that producing is of great interest.

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Nell Tiger Free is proving to be quite the genre powerhouse. After starring in four seasons of the widely acclaimed Apple TV+ series, Servant, alongside Lauren Ambrose, Toby Kebbell, and Rupert Grint, she’s now headlining a brand new Omen movie, The First Omen, directed by yet another soaring force in the horror space, Arkasha Stevenson.

The film takes place before the events of Richard Donner’s 1976 classic and focuses on Free’s character, Margaret. Margaret grew up in an orphanage where she suffered horrific hallucinations and visions. As a result, she was abused by the nuns in the facility. As a young adult, Margaret is in the novitiate phase and heads off to Rome to become a nun. While there, the pain she carries from her tumultuous childhood collides with the discovery of a sinister agenda unfolding around her, a combination that causes her to question her faith, and everything she thought she knew.

In celebration of The First Omen’s big debut, Free joined me for a Collider Ladies Night conversation recapping her journey from first discovering her passion for acting to finding an ideal collaborator in Stevenson while making The First Omen.

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One of the greatest joys of Collider Ladies Night is welcoming a guest back to the show and celebrating how much they’ve accomplished in such a short period of time. That’s the case with DeWanda Wise. She was on Ladies Night for her very first franchise film, Jurassic World Dominion, in 2022 and now she’s back as the star and executive producer of a Blumhouse horror movie.

Wise headlines Imaginary as Jess, a woman who moves back into her childhood home with her husband Max (Tom Payne) and her stepdaughters, Alice (Pyper Braun) and Taylor (Taegen Burns). Soon after moving in, the youngest, Alice, develops an attachment to a stuffed bear named Chauncey. Jess and Max brush it off as a charming connection between a child and her imaginary friend, but when Chauncey’s scavenger hunt becomes increasingly sinister and dangerous, Jess is forced to accept the fact that Chauncey might be more than a stuffed toy, and he might also have a connection to her own long-forgotten past.

Check out this edition of Collider Ladies Night to hear all about Wise's experience starring in and executive producing Imaginary, where she thinks the Jurassic World franchise should go next, the nightmarish note she received while preparing for Captain Marvel, and loads more!

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There is no doubt that this will be the first of many Collider Ladies Night interviews for Millie Bobby Brown. Not only has her acting career been soaring ever since the debut of Stranger Things back in 2016, but Brown is also using her rising start to influence certain projects for the better as a producer. She kicked off the Enola Holmes film series at Netflix wearing both hats, and now she stars in and executive produces her latest ambitious release for the streamer, Damsel.

Brown headlines the film as Elodie, a young woman who agrees to marry a handsome prince (Nick Robinson) in hopes that his kingdom’s riches will help her family’s struggling people. However, nearly immediately after the two are wed, Elodie discovers the truth behind their union; his family is using her as a sacrifice to repay an ancient debt. She’s thrown into a cave with a dragon, kicking off a story that subverts the traditional damsel in distress narrative. There is no savior. It’s up to Elodie to save herself.

During our Collider Ladies Night conversation in celebration of Damsel’s March 8th release on Netflix, Brown took a moment to look back on Stranger Things’ big debut, tease her upcoming film The Electric State, reveal the Damsel scene she feared she couldn't do, and loads more. Hear about it all straight from Brown in this Collider Ladies Night interview!

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Collider Ladies Night was created to highlight how an artist’s experiences paved the way to their latest achievement. There are often loads of highs along the way, but there can also be some more challenging moments, ones that heavily contribute to how one views the industry and how they’ll strive to change it for the better. A shining example of one such force in Hollywood? The Way Home star and executive producer, Chyler Leigh.

The Way Home is a Hallmark series in its second season. Not a frequent Hallmark viewer? Hear me out. Hallmark has a large fanbase and serves it well, but The Way Home has the potential to broaden that viewership. It’s a sci-fi family drama with a fascinating mythology and hugely powerful beating heart. Leigh plays Kat Landry, a woman who’s estranged from her mother, Del (Andie MacDowell), but winds up moving back into her childhood home with her, along with her teenage daughter, Alice (Sadie Laflamme-Snow). While there, Alice discovers that there’s a pond on the propriety with the power to allow certain people to time travel. The thing is, you can’t control where it sends you. The pond decides. And in Alice and Kat’s case, it decides to bring them back to the time when that rift between Kat and Del first formed.

In celebration of The Way Home’s Season 2 run on Hallmark Channel, Leigh joined me for an episode of Collider Ladies Night, and she came to play. I truly love all Ladies Night conversations, but this one is especially packed with hugely insightful and forthright stories about the reality of powering through the pressures of Hollywood.

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Sadie Laflamme-Snow shot out the gate and into Hollywood in a big way. Just a couple of years after graduating from the National Theatre School of Canada, Laflamme-Snow scored a lead role in a Hallmark series opposite two industry heavyweights, Andie MacDowell and Chyler Leigh. 

Since premiering in January 2023, The Way Home has amassed an adoring fanbase that spans generations, and is credited with opening many minds to Hallmark content. Laflamme-Snow plays Alice, a teenager whose parents are on the cusp of divorce. Even though her mother, Kat (Leigh), is estranged from her mother, Del (MacDowell), they move back into her childhood home together, a house in a small farm town called Port Haven. While exploring the property, Alice makes a game-changing discovery. By jumping into a pond in the woods, Alice can time travel. But, Alice isn’t in control of where (when) she goes. That’s up to the pond, and it opts to send her back to 1999, the year that drastically changed Kat and Del’s lives and their connection to one another.

While celebrating The Way Home’s Season 2 run on Hallmark Channel, Laflamme-Snow took the time to join me for a Collider Ladies Night Pre-Party conversation to recap how she scored such a wonderful opportunity so soon after graduation, to dig into Alice’s evolution on the show thus far, and to tease some challenges the character could face in the second half of Season 2.

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As you’ll hear in this edition of Collider Ladies Night, Beanie Feldstein is a favorite. She’s a hugely talented individual, with a deep passion for the craft of acting who heavily values the opportunity to create with good people. There’s no doubt a good deal of that was in her from the start, but in revisiting her filmography in celebration of the release of her latest film, Drive-Away Dolls, it becomes abundantly clear that Feldstein is able to stand tall, deliver big and use her voice to change this industry for the better because she’s been well encouraged and supported by some of the best out there.

Feldstein plays Sukie Shankleman in Tricia Cooke and Ethan Cohen’s Drive-Away Dolls. Fresh out of a relationship with Margaret Qualley’s Jamie, Sukie is on the warpath. She’s a no-nonsense cop who isn’t about to let Jamie get away with breaking her heart. When Jamie and Geraldine Viswanathan’s Marian get mixed up with some criminals while road tripping to Tallahassee, Sukie has no problem giving the goons the information they need to put them hot on Jamie and Marian’s trail.

Collider Ladies Night interviews are meant to be career-spanning conversations touching on as many titles as possible. In Feldstein’s case, however, the interview often came back to one specific film, which is a beautiful thing. Feldstein told me, “Lady Bird changed my whole life and career.”

Check out what Feldstein told me about working with Greta Gerwig on her feature directorial debut, collaborating with "one of the single most brilliant people I've ever been around," Sarah Paulson, making Drive-Away Dolls with Margaret Qualley and Geraldine Viswanathan, and loads more on this edition of Collider Ladies Night!

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