Director Jon M. Chu discusses his new film, Wicked: For Good, with fellow Director Rob Marshall in a Q&A at the DGA theater in New York. In the conversation, he discusses the process of assembling the sequel having filmed both installments at the same time, how he chose to favor great Actor performances over interesting setups when they clashed, and how he strove to make the films relevant to the times.

The sequel to 2024’s Wicked resumes the story of Elphaba, the misunderstood Wicked Witch of the West, and Glinda, the popular Good Witch of the North. As their unlikely friendship is tested by the Wizard’s regime, the arrival of a stranger from Kansas sparks a series of events that will change everyone’s lives for good.

See photos and a summary of this event below:

https://www.dga.org/events/2026/january2026/wicked4good_qna_1125

Director Richard Linklater discusses his new film, Nouvelle Vague, with fellow Director Jason Reitman in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses the challenges of making a French film without being fluent in the language, how he recreated the shooting of the original Breathless by researching the documentation left behind by the original production, and the clever and subtle use of visual effects to recreate the film’s time period.

The film tells the story of a young Jean-Luc Godard, who gives up writing for a French film magazine to make movies himself. With help from François Truffaut to write a treatment and assistance from Georges de Beauregard to fund the feature, Godard brings to life his vision for a film called Breathless.

See photos and a summary of this event below:

https://www.dga.org/events/2026/january2026/nouvellevague_qna_1125

Director Chloé Zhao discusses her new film, Hamnet, with fellow Director Barry Jenkins in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses working with Writer Maggie O’Farrell and their different experiences with Shakespeare, collaborating with Cinematographer Lukasz Zal and how they captured images invoking the void, and her process of working with Actors to channel their unconscious selves in their performances.

Based on the novel by Maggie O’Farrell, the film follows Agnes and William Shakespeare as they live a pastoral life with their family. When their young son Hamnet dies, they both deal with the loss in their own respective ways, sowing the seeds for the creation of the classic play Hamlet.

See photos and a summary of this event below:

https://www.dga.org/events/2026/january2026/hamnet_qna_1125

Director Edgar Wright discusses his new film, The Running Man, with fellow Director Daniel Scheinert in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses the vast number of locations where the film was shot, how he favored practical effects work and his attitudes on computer generated effects, and his vision for a dystopian future where technology simultaneously regresses as it advances.

The film tells the story of Ben Richards, a working-class man in a near future society who is convinced to enter the popular and deadly television show The Running Man as a last resort to escape poverty. But as the show hunts him down, Ben’s defiance, instincts, and grit turn him into a fan favorite and a threat to the entire system as he must outwit not just the game’s hunters, but a nation addicted to watching him fall.

See photos and a summary of this event below:

https://www.dga.org/events/2026/january2026/runningman_qna_1125

Director Sean McNamara discusses his new film, Soul on Fire, with fellow Director Dean Alioto in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses finding a balance in humor throughout the story as a reflection of the real John’s personality, how he works with his Actors and puts emphasis his rehearsal process, and incorporating the real John O’Leary with some creative filmmaking tactics.

The film tells the true story of John O’Leary, who survived a tragic accident as a young boy that left him severely burned all over his body. Recovering from his injury, he goes on to become a motivational speaker and inspire millions of people to make the world a better place.

See photos and a summary of this event below:

https://www.dga.org/events/2025/december2025/soulonfire_qna_1125

Director Ben Stiller discusses his new film, Stiller & Meara: Nothing is Lost, with fellow Director Ethan Hawke in a Q&A at the DGA theater in New York. In the conversation, he discusses how the project began as a reaction after his father passed, how the title originated from some of his mother’s personal philosophies, and how interviewing his family members and going through archives revealed much about his parents he did not know.

Screened as part of the DGA’s Documentary Series, the film tells the story of comedic duo Jerry Stiller and Anne Meara, exploring their impact both on popular culture and at home. In the process, Ben turns the camera on himself to examine the generational lessons we all can learn from those we love.

See photos and a summary of this event below:

https://www.dga.org/events/2025/december2025/docseries_stillerandmeara-1125

Director Noah Baumbach discusses his new film, Jay Kelly, with fellow Director Todd Field in a Q&A at the DGA theater in New York. In the conversation, he discusses finding inspiration in Fellini, Bergman and other self-reflective cinema, the technical process behind filming the flashback sequences, and how he tailored the lead roles to Actors George Clooney and Adam Sandler.

The film tells the story of movie star Jay Kelly and his devoted manager as they take a whirlwind trip through Europe. Along the way, their journey becomes unexpectedly profound as they are forced to confront their choices, relationships, and the legacies they'll leave behind.

See photos and a summary of this event below:

https://www.dga.org/events/2025/december2025/jaykelly_qna_1125

Director Nia DaCosta discusses her new film, Hedda, with fellow Director Daniel Scheinert in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses her philosophies on adaptations and how that played into making this film, the importance of party, drug and gun cultures to the making of this story, and how she visually tied the themes of the film into Hedda’s appearance.

This reimagining of Henrik Ibsen’s play Hedda Gabler follows the newlywed daughter of a general as she navigates a house she does not want, a marriage she feels trapped in, and an ex-lover who reappears in her life. Over the course of one charged night, long-repressed desires and hidden tensions erupt—pulling her and everyone around her into a spiral of manipulation, passion, and betrayal.

See photos and a summary of this event below:

https://www.dga.org/events/2025/december2025/hedda-1025

Director Ira Sachs discusses his new film, Peter Hujar’s Day, with fellow DirectorBette Gordon in a Q&A at the DGA theater in New York. In the conversation, he discusses discovering the story beats from the original 35-page writing, being inventive with blocking for a feature about a sit-down interview, and shooting in a style reminiscent of films of that era.

Based on the book by Linda Rosenkrantz, the film tells the story of a single day in 1974 when Rosenkrantz and groundbreaking queer photographer Peter Hujar engaged in a freewheeling, intimate conversation. Sharing vivid stories of his interactions with literary and cultural icons like William Burroughs, Susan Sontag and Allen Ginsberg, Hujar reflects on the rhythms of everyday life in 1970s New York.

See photos and a summary of this event below:

https://www.dga.org/events/2025/december2025/peterhujarsday_qna_1125

Director David Michôd discusses his new film, Christy, with fellow Director John Lee Hancock in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses making a sports movie with the shadowing story of an abusive relationship ever present, the process of helping Actor Sydney Sweeney get into shape for her fighting scenes, and working with Sweeney and Actor Ben Foster to capture the powder keg dynamic of their relationship scenes.

The film tells the true story of Christy Martin, who never imagined life beyond her small-town roots in West Virginia, until she discovered a talent in the boxing ring. But her toughest battles start to unfold outside of the ring as she confronts family, identity, and a relationship that just might become life-or-death.

See photos and a summary of this event below:

https://www.dga.org/events/2025/december2025/christy_qna_1125

Director Akinola Davies discusses his new film, My Father’s Shadow, with fellow Director Rachel Raimist in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses shooting on celluloid film to capture the beauty of Lagos, the exhaustive process behind casting the two young leading Actors, and finding ways to show the people of Nigeria in a dignified manner that he felt represented the place as he knew it.

Screened as part of the DGA’s Global Cinema Series, the film tells the story of Aki and Remi, who reconnect with the father who’s been absent for most of their lives. But the reunion quietly unravels into something deeper as they witness both the city’s magnitude and their father’s daily struggles during the political unrest of the 1993 Nigerian election crisis.

See photos and a summary of this event below:

https://www.dga.org/events/2025/december2025/myfathersshadow_1025