When the Times reporter Ellen Barry’s father developed dementia after a fall, her family spent years trying to manage his erratic behavior and confusion. They struggled to convince him that he was home, he was safe, and he shouldn’t try to leave. The experience was exasperating and impossible to understand.

Today, Ellen tells the story of those years, and of how she discovered scientific research that helped explain everything her family had lived through — research that could potentially help to save precious memories from being lost forever.

On Today’s Episode

Ellen Barry, a mental health reporter for The New York Times

Background Reading

When My Father’s Canary Flew Away

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New York’s star center on playing for his mom, Patrick Ewing. generations of emotional fans — and himself.

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This month, President Trump announced the start of “Trump accounts,” an investment device that could eventually help address the nation’s wealth gap.

Claire Cain Miller, who covers families and education for The New York Times, explains how these accounts work and why so many Americans have yet to sign up.

Guest: Claire Cain Miller writes for The Upshot, which uses data and visuals to help explain the world.

Background reading: 

• Many children don’t have Trump accounts. Some are missing out on $1,000.

Photo: Allison Robbert for The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

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The United States signed a landmark deal on Wednesday that allows Saudi Arabia to develop a nuclear program. At the same time, President Trump is escalating the war in Iran, a conflict that the White House says aims to destroy the country’s nuclear capabilities.

David E. Sanger, a national security correspondent for The New York Times, explains what Saudi Arabia and the United States are getting out of the deal.

Guest: David E. Sanger, the White House and national security correspondent for The New York Times.

Background reading: 

• The United States signed a deal to help Saudi Arabia obtain nuclear power.
• With his latest threats, Mr. Trump has signaled to Iran that he is willing to escalate.

Photo: Kenny Holston/The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

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To address the United States’ acute housing shortage, Congress recently passed a landmark piece of legislation designed to encourage the construction of new homes.

The problem is that President Trump’s crackdown on immigration has taken aim at the work force required to build those homes.

Ronda Kaysen, who covers housing for The New York Times, explains how the U.S. housing industry became so dependent on immigrant labor.

Guest: Ronda Kaysen, a real estate reporter for The New York Times who covers the intersection of housing and society.

Background reading: 

• Where did all the American-born roofers go?
• Here’s what is in the housing bill that just became law.

Photo: Philip Cheung for The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

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After a month of competition across North America and 103 matches, the 2026 World Cup is down to its final game. Spain and Argentina will meet this afternoon in a match expected to draw over one billion viewers around the world. 

Spain is hoping its well-oiled machine and young star can bring it its second World Cup win. Argentina is looking to Lionel Messi, its longtime star, to secure victory in what could be his last game at the World Cup.

On today’s episode, Tariq Panja traces the road to this historic final and explains what to know before kickoff.

Tariq Panja, a global sports correspondent for The New York Times.

Background Reading

Why Everyone Cares About This World Cup

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Lulu Garcia-Navarro sits down for an interview with the mayor of New York City.

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This Friday, “The Odyssey,” directed by Christopher Nolan, hits theaters. Even before the movie’s release, though, it’s proving to be a cultural event. Spirited discussions of Nolan’s cinematic interpretation of the epic poem already abound online, and they are likely to intensify after the public sees the film.

Why does a 12,000-line poem that is nearly 3,000 years old still feel resonant today? In this episode of “The Sunday Daily,” Natalie Kitroeff talks about the “Odyssey” with two writers who have produced some critically acclaimed and widely read modern interpretations of Greek classics: Emily Wilson, the first woman to translate the “Odyssey” from ancient Greek, and Madeline Miller, the author of the best-selling novels “Circe” and “Song of Achilles.”

On Today’s Episode:

Emily Wilson, a professor, classicist, author and translator of the “Odyssey”

Madeline Miller, the author of “Circe,” “Song of Achilles” and other books

Background Reading:

We’ll Help You Find Your Next Great Book. (Spoiler: It’s the ‘Odyssey.’)

The First Woman to Translate the ‘Odyssey’ Into English

Book Review: Turning Circe Into a Good Witch

Photo: Melinda Sue Gordon/Universal Pictures

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In celebration of the United States of America’s 250th birthday, we posed a simple question to some of our favorite critics, columnists and editors across the New York Times newsroom, people who write about books, movies, TV shows, science, sports, wellness and food. We asked: What’s the most American thing on your beat?

On today’s episode, we present their answers. Happy Birthday, America!
 

On Today’s Episode

Joshua Barone, culture editor, on “Rodeo,” composed by Aaron Copland

Vanessa Friedman, chief fashion critic, on workout gear

Erik Piepenburg, culture writer, on the movie “Get Out”

Kevin Roose, technology columnist, on Amazon Prime

Mekado Murphy, culture editor, on the roller coaster The Beast

James Poniewozik, chief television critic, on “Survivor”

Jancee Dunn, wellness writer, on productivity and sleep

Elena Bergeron, culture editor, on U.S. hockey

Jennifer Szalai, nonfiction book critic at the Book Review, on “Paved Paradise: How Parking Explains the World” by Henry Grabar

Bill Wasik, science editor, on liquid rocket fuel

Madison Malone Kircher, internet culture reporter, on Bama Rush

Kim Severson, food reporter, on M&M’s

MJ Franklin, editor at the Book Review, on “The Love Songs of W.E.B. Du Bois” by Honorée Fanonne Jeffers

Helen Shaw, chief theater critic, on “The Century Cycle” by August Wilson

Alissa Wilkinson, film critic, on the movie “There Will Be Blood”

Zachary Small, culture reporter, on Grand Theft Auto

Elisabeth Vincentelli, culture reporter, on demolition derbies

Jason Zinoman, critic at large, on the song “Political Science” by Randy Newman

Jason Farago, critic at large, on the Statue of Liberty

A.O. Scott, critic at large, on “Crossing Brooklyn Ferry” by Walt Whitman (featuring a reading by Jeffrey Wright)

Gia Kourlas, dance critic, on “Stars and Stripes” by George Balanchine and “Appalachian Spring” by Martha Graham

Jon Caramanica, pop music critic, on “Trump Trump Baby” by Forgiato Blow

 Photo credit: The New York Times

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In 1992, David Wood became El Paso’s most notorious convicted serial killer. He has been on death row ever since. More than 30 years later, his lawyers have just a few months to argue his innocence and stop his execution.

This is the first episode of a new five-part series from Serial Productions called “The Last 12 Weeks.” You can find the rest of the series by searching for “The Last 12 Weeks” on your favorite podcast player.

To find out about new shows from Serial Productions, and get a look behind the scenes, sign up for our newsletter at: https://www.nytimes.com/newsletters/serial

Have a story pitch, a tip, or feedback on our shows? Email us at [email protected]

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The writer Tom Junod has spent a career crafting profiles for men’s magazines like GQ and Esquire, often of famously complicated men like Norman Mailer, Kevin Spacey and Tony Curtis.

But another man loomed behind Junod’s interest in these figures, informing his own sense of masculinity and manhood: his father, Lou.

Lou Junod was handsome, charismatic — a man who seemed like a celebrity, even though he wasn’t famous. He was also mysterious, a keeper of secrets that have continued to reverberate through his son’s life.

On today’s episode, Michael Barbaro talks with Junod about his new book, “In the Days of My Youth I Was Told What It Means to Be a Man,” which is part memoir and part detective story, as well as a powerful meditation on fatherhood.

On Today’s Episode:

Tom Junod is the author of “In the Days of My Youth I Was Told What It Means to Be a Man.”

Background Reading:

Tom Junod Would Like to Tell You About His Father

Art: Lou Junod with baby Tom in 1958.

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