Interviews with Scholars of Journalism about their New Books
Beverly Hills Noir: Crime, Sin, & Scandal in 90210 (Post Hill Press, 2024) explores the city’s true crime history, delving deep inside cases that made headlines, scandals that engulfed Hollywood legends, and more strange-but-true tales that could only happen in the 90210. Beverly Hills Noir chronicles an assortment of jaw-dropping true crime stories spanning the legendary city’s history, each with oh-so-90210 twists—including a high-profile murder mystery in the city’s most extravagant mansion, the daring exploits of a handsome cat burglar with movie star looks, a toxic Tinseltown love triangle that ended in gunplay, a brazen Rodeo Drive jewelry store holdup with tragically stunning finale, an Oscar nominated actress on shoplifting spree and more—complete with major roles and countless cameos by Hollywood idols and cultural icons. A gripping, century-long tour of the glamorous city’s shadowy underbelly through crimes and misdemeanors as over-the-top as the city itself, Beverly Hills Noir collects the kinds of stories you’d expect to be swapped if James Ellroy and Dominick Dunne had met Jackie Collins and Ryan Murphy for cocktails at the Polo Lounge. It’s Sunset Boulevard and Once Upon a Time… in Hollywood turned sordid, face-down-in-the-pool reality.
Scott Huver has covered the inner workings of Beverly Hills, the entertainment industry, and the Los Angeles-area elite for three decades.
Caleb Zakarin is editor at the New Books Network.
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Rhetorical Democracy: How Communication Shapes Political Culture (Rowman and Littlefield, 2024) offers an explanation and diagnosis of the current state of American democracy rooted in the American pragmatist tradition. Robert Danisch analyzes the characteristics of communication systems and communication practices that inhibit or enhance democratic life. In doing so, this book provides a detailed explanation of the ways in which the communication systems and practices that constitute democratic life are currently fostering polarization and how they might be made to foster cooperation. Scholars of communication, rhetorical studies, political science, and media studies will find this book of particular interest.
Robert Danisch is Professor of Communication Arts at the University of Waterloo whose research interests include rhetorical theory, persuasion, and public communication in democratic societies. He is the author of Pragmatism, Democracy and the Necessity of Rhetoric, Building a Rhetorical Democracy: The Promise of Rhetorical Pragmatism as well as journal articles and several co-authored books. He is also the host of the podcast Now We’re Talking that focuses on communication skills.
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In this episode, I sat down with Alex Keller, then a Digital Content Producer at CBS News Texas, to talk about his unconventional career path. From studying biology and neuroscience to earning an MA in history, Alex’s journey is a testament to the unexpected ways history skills can shape careers. We dove into how his history background prepared him for his role at CBS, where he uses storytelling to help audiences make sense of important community issues. Alex explained how skills like analyzing sources, breaking down complex ideas, providing context, and writing have been invaluable. He also shared his thoughts on journalism’s deeper purpose—not just reporting the facts but helping people understand why they matter. If you’re a history grad—or just curious about how to turn history skills into real-world impact—this episode is for you!
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This week on Madison’s Notes, we welcome Ramesh Ponnuru, renowned journalist and Editor of National Review. In this episode, we dive into his journey, starting with his formative years at Princeton University, where he began shaping his intellectual perspective as an undergraduate. We explore the highlights of his career in journalism, the principles that guide his writing, and his unique insights into the evolution of political magazines in today’s media landscape. Join us for an engaging and thought-provoking conversation with one of the leading voices in American political commentary.
Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions.
Contributions to and/or sponsorship of any speaker does not constitute departmental or institutional endorsement of the specific program, speakers or views presented.
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Today I talked to David Tereshchuk about his memoir A Question of Paternity: My Life As an Unaffiliated Reporter (Envelope Books, 2024)
Tereshchuk leapt from a bleak childhood in a small town on the English-Scottish borders to a precocious high-flying career as a TV reporter, first in London, then in New York.
During his years as a journalist, he managed to elicit revealing statements from tyrants and the oppressed, but there was one person he never persuaded to open up to him—his mother.
He wanted to know just one thing: who his father was. It wasn't until he was in his 50s that she confided to having been raped, aged 15, by a priest – and even then, not all her information was reliable.
Alongside his career, the search for his mother’s abuser has haunted him, adding further layers of stress to a life already marked by alcoholism and insecurity.
This is his astonishing story, one that deserves to sit alongside those of Tom Brokaw, Peter Jennings and David Brinkley, and another revelatory title from EnvelopeBooks.
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Join us as we discuss Yaroslav Trofimov’s recent publication, Our Enemies Will Vanish: The Russian Invasion and Ukraine's War of Independence (Penguin, 2024). We dive into the history of his journalism, the personal account of his reporting, and the ongoing war on Ukraine.
Since Russia invaded Ukraine in February 2022, Yaroslav Trofimov has spent months on end at the heart of the conflict, very often on its front lines. In this authoritative account, he traces the war’s decisive moments—from the battle for Kyiv to more recently the grueling and bloody arm wrestle involving the Wagner group over Bakhmut—to show how Ukraine and its allies have turned the tide against Russia, one of the world’s great military powers, in a modern-day battle of David and Goliath.
For Trofimov, this war is deeply personal. He grew up in Kyiv and his family has lived there for generations. In his book, with deep empathy and local understanding, Trofimov tells the story of how everyday Ukrainian citizens—doctors, computer programmers, businesspeople, and schoolteachers—risked their lives and lost loved ones. He blends their brave and tragic stories with expert military analysis, providing unique insight into the thinking of Ukrainian leadership and mapping out the decisive stages of what has become a perilous war for Ukraine, the Putin regime, and indeed, the world.
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Elia Powers' book Performing the News: Identity, Authority, and the Myth of Neutrality (Rutgers UP, 2024) explores how journalists from historically marginalized groups have long felt pressure to conform when performing for audiences. Many speak with a flat, “neutral” accent, modify their delivery to hide distinctive vocal attributes, dress conventionally to appeal to the “average” viewer, and maintain a consistent appearance to avoid unwanted attention. Their aim is what author Elia Powers refers to as performance neutrality—presentation that is deemed unobjectionable, reveals little about journalists’ social identity, and supposedly does not detract from their message. Increasingly, journalists are challenging restrictive, purportedly neutral forms of self-presentation. This book argues that performance neutrality is a myth that reinforces the status quo, limits on-air diversity, and hinders efforts to make newsrooms more inclusive. Through in-depth interviews with journalists in broadcasting and podcasting, and those who shape their performance, the author suggests ways to make journalism more inclusive and representative of diverse audiences.
Cory Barker is a faculty member in the Donald P. Bellisario College of Communications at Penn State University, where he teaches courses on film, television, and digital culture. Twitter. Newsletter.
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In 2005, Brad Balukjian left his position as a magazine fact-checker to pursue a dream job: partner with his childhood hero, The Iron Sheik (whose real name was Khosrow Vaziri), to write his biography. Things quickly went south, culminating in the Sheik threatening Balukjian’s life. Now seventeen years later, Balukjian returns to the road in search of not only a reunion with the Sheik, but something much bigger: truth in a world built on illusion.
Balukjian seeks out six of the Sheik’s contemporaries, fellow witnesses to the World Wrestling Federation’s (WWF) explosion in the mid-‘80s, to unearth their true identities. As Balukjian drives 12,525 miles around the country, we revisit the heady days when these avatars of strength, villainy, and heroism first found fame and see where their journeys took them. From working out with Tony Atlas (Tony White) to visiting Hulk Hogan’s (Terry Bollea) karaoke bar, we see where these men are now and how they have navigated the cliffs of fame.
The Six Pack: On the Open Road in Search of Wrestlemania (Hachette, 2024) combines the spirit of a fan with the rigor of an investigative reporter, tracking down former WWF employees, childhood friends, and mutually curious archivists. Wrestling is perceived as a subculture without a cultural home, somewhere between sport and theater—often dismissed as silly and low‑brow. But what makes this book so compelling is the humanity beneath each wrestler. The Iron Sheik, Hulk Hogan, and the rest of the cast were not characters in a comic book movie. They were real people, with families and feelings and bodies that could break. Most of them did, in fact, break; some have been repaired, but none of them will ever be the same.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won. His next book, a biography of Moses Malone will be published in 2025. You can reach Paul at [email protected] and follow him on Twitter @paulieknep.
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In the summer of 1925, Katharine Sergeant Angell White walked into The New Yorker's midtown office and left with a job as an editor. The magazine was only a few months old. Over the next thirty-six years, White would transform the publication into a literary powerhouse.
The World She Edited: Katharine S. White at The New Yorker (Mariner Books, 2024) brings to life the remarkable relationships White fostered with her writers and how these relationships nurtured an astonishing array of literary talent. She edited a young John Updike, to whom she sent seventeen rejections before a single acceptance, as well as Vladimir Nabokov, with whom she fought incessantly, urging that he drop needlessly obscure, confusing words.
White's biggest contribution, however, was her cultivation of women writers whose careers were made at The New Yorker--Janet Flanner, Mary McCarthy, Elizabeth Bishop, Jean Stafford, Nadine Gordimer, Elizabeth Taylor, Emily Hahn, Kay Boyle, and more. She cleared their mental and financial obstacles, introduced them to each other, and helped them create now classic stories and essays. She propelled these women to great literary heights and, in the process, reinvented the role of the editor, transforming the relationship to be not just a way to improve a writer's work but also their life.
Based on years of scrupulous research, acclaimed author Amy Reading creates a rare and deeply intimate portrait of a prolific editor--through both her incredible tenure at The New Yorker, and her famous marriage to E.B. White--and reveals how she transformed our understanding of literary culture and community.
Amy Reading is the recipient of fellowships from the National Endowment of the Humanities and the New York Public Library. She is the author of The Mark Inside: A Perfect Swindle, A Cunning Revenge, and A Small History of the Big Con. She lives in upstate New York, where she has served on the executive board of Buffalo Street Books, an indie cooperative bookstore, since 2018.
Recommended Books:
Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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How is popular knowledge of war shaped by the stories we consume, what are the boundaries of this knowledge, and how are these boundaries policed or contested by journalists producing knowledge from war zones?
Based on years of fieldwork in Iraq, Syria, Lebanon, Afghanistan, and Ukraine, Conflicted: Making News from Global War (Stanford University Press, 2024) by Dr. Isaac Blacksin challenges normative conceptions of war by revealing how representational authority comes to be. Turning the lens on journalists from The New York Times, The Washington Post, The Wall Street Journal, and other prominent publications, Dr. Blacksin shows why news coverage of contemporary conflict, widely presumed to function as a critique of excessive violence, instead serves to sanction official rationales for war.
Dr. Blacksin argues that journalism's humanitarian frame—now hegemonic in conflict coverage—serves to depoliticize and remoralize war, transforming war from an effect of policy on populations to a matter of violence against the innocent. Exploring the tension between experience and expression in conditions of violence, and tracking how journalists respond to dominant expectations of reality, Conflicted tells the story of war, reporters, and the consequences of their convergence. As new wars, and new reportage, continue to shape our understanding of armed conflict, this book makes visible both the power and the particularity of war reportage.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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As soon as the Russian invasion of Ukraine began, prominent independent Russian journalist Mikhail Zygar circulated a Facebook petition signed first by hundreds of his cultural and journalistic contacts and then by thousands of others. That act led to a new law in Russia criminalizing criticism of the war, and Zygar fled Russia. In his time as a journalist, Zygar has interviewed President Zelensky and had access to many of the major players--from politicians to oligarchs. As an expert on Putin's moods and behavior, he has spent years studying the Kremlin's plan regarding Ukraine, and here, in clear, chronological order he explains how we got here.
In 1996 to 2004, Ukraine became an independent post-Soviet country where everyone was connected to the former empire at all levels, financially, culturally, psychologically. However, the elite anticipated that the empire would be back and punish them. From 2004 to 2018, there were many states inside one state, each with its own rulers/oligarchs and its own interests--some of them directly connected with Russia. In 2018, a new generation of Ukrainians arrive, and having grown in an independent country, they do not consider themselves to be part of Russia--and that was the moment when the war began, as Putin could not tolerate losing Ukraine forever.
Authoritative, timely, and vitally important, War and Punishment: Putin, Zelensky, and the Path to Russia's Invasion of Ukraine (Scribner, 2023) is an unique overview of the war that continues to threaten the future of the entire world as we know it.
Mikhail Zygar, a journalist, filmmaker, and public historian, was founding editor-in-chief in 2010 of Russia’s only independent news TV channel, Dozhd (TVRain), which provided an alternative to Kremlin-controlled state television and gave a platform to opposition voices. He was also the founder and editor-in-chief of Project 1917, a website revisiting the Russian Revolution through myriad eye-witness perspectives. The New York Times has described Zygar as “one of Russia’s smartest and best-sourced young journalists.” Winner of the International Press Freedom Award in 2014, Zygar is the author of All the Kremlin’s Men (2016), the #1 bestseller in Russia that has been translated into over twenty languages, and The Empire Must Die (2017), a Kirkus Reviews Best Nonfiction Book of the Year.
Zygar openly protested against the full-scale Russian invasion of Ukraine and then left Russia. He reported on the atrocities committed by Russian armed forces against Ukrainian civilians in the town of Bucha in 2022 and was charged with “distributing false information about Russia’s military.” In 2023 he was convicted in absentia and sentenced to 8.5 years in prison. He has written for based Der Spiegel in Germany and The New York Times in the USA and writes a substack newsletter, “The Last Pioneer.”
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