After mounting pressure, the Archbishop of Canterbury Justin Welby has resigned. His resignation comes days after a damning report into the child abuser John Smyth who was associated with the Church of England. Welby was apparently made aware of the allegations in 2013, yet Smyth died in 2018 before facing any justice. Since the report was published, Welby and the Church have faced questions about the failure to act and the lack of urgency. The Spectator’s editor Michael Gove joins Damian Thompson to discuss what Damian calls ‘not just a shocking moment in the history of the Church of England, but in the history of English Christianity’.  

Produced by Patrick Gibbons and Natasha Feroze. 

Since the election of an overwhelmingly secular Labour government, people who describe themselves as humanists have a spring in their step: for example, there's a prospect that humanist weddings will be legally recognised in England and Wales (they already are in Scotland).

But what exactly is a humanist? Definitions vary and there's a heated debate about to what extent the ethical but firmly atheist beliefs of the rather loosely organised modern humanist movement are descended from Christianity. In this episode of Holy Smoke we'll hear from Andrew Copson, CEO of Humanists UK since 2010 & President of Humanists International, and the theologian and Spectator contributor Theo Hobson, author of God created Humanism: the Christian Basis of Secular Values. Damian Thompson spoke to them earlier and, as you'll hear, it was a lively encounter.  

Produced by Patrick Gibbons.

In this week’s Spectator, William Finlater reveals that some of the Church of Scotland’s most precious architectural heritage is being flogged off quickly, cheaply and discreetly. Most western denominations are being forced to close churches, but the fire sale of hundreds of Scottish churches is unprecedented in British history. In this episode of Holy Smoke, Damian talks to William about the Kirk’s apparently panicky reaction to losing half its members since 2000, and asks new Spectator editor Michael Gove – once a Church of Scotland Sunday School teacher – why his former denomination is staring into the abyss.

Produced by Oscar Edmondson and Patrick Gibbons. 

This month Pope Francis announced that he’s creating 21 cardinals, and once again his list includes unexpected names that will baffle commentators who assume that he’s determined to stack the next conclave with liberals. 

For example, Australia now finally has a cardinal – but he’s a 44-year-old bishop from the Ukrainian Greek Catholic diaspora rather than the actual head of the Ukrainian Church in Kiev. There’s also a new English cardinal who isn’t even a bishop, the Dominican theologian Timothy Radcliffe. He’s nearly 80, so will soon have to step down as an elector – but, believe it or not, one of the new cardinals is 99 and therefore old enough to be his father.

In this episode of Holy Smoke, Vatican analyst Serre Verweij joins Damian Thompson to discuss the significance of this consistory. He suggests that this Pope, famously hostile to traditionalists, is nonetheless moving to the right at this late stage in his pontificate. But why? 

The US presidential election looks as if it’s coming down to the wire in a handful of battleground states. Neither Kamala Harris nor Donald Trump has established a clear lead, and that raises the question of whether, even in today’s increasingly secular America, evangelical Christians could give former president Trump a crucial advantage in the rust belt. On the other hand, could his role in the demise of Roe v Wade tilt the race towards Harris? 

In this episode of Holy Smoke, Damian Thompson talks to Dr Melissa Deckman, CEO of the Public Religion Research Institute, a specialist in the influence of religion on US politics, and Justin Webb, presenter of BBC Radio 4’s Today programme, widely respected as an impartial commentator on presidential campaigns. 

Produced by Patrick Gibbons.

In the winter of 1951 shots from a Colt revolver rang out in St Paul’s Cathedral in an experiment designed to solve the mystery of how architecture shapes sound. In this episode of Holy Smoke, Damian Thompson talks to Dr Fiona Smyth, author of a new book on the subject, and choral musician Philip Fryer, about the perfect acoustic – an increasingly important topic for churches, since many of them rely on the income from hiring themselves out as concert and recording venues. And it raises the question: should we think of a church as a musical instrument? 

In this week’s copy of The Spectator, Dan Hitchens argues that a lesser reported aspect of Labour’s decision to impose VAT on private schools is who it could hit hardest: faith schools. Hundreds of independent religious schools charge modest, means-tested fees. Could a hike in costs make these schools unviable? And, with uncertainty about how ideological a decision this is, does the government even care? Dan joins Damian on the podcast to discuss. 
Raisel Freedman from the Partnerships for Jewish Schools also joins later, to discuss how the measure could threaten Jewish independent schools, when they provide a haven for students from a climate of rising antisemitism.

Produced by Patrick Gibbons.

Writer Guy Stagg threw in his job to undertake a pilgrimage to Jerusalem via Rome - choosing a hazardous medieval route across the Alps. It nearly killed him: at one stage, trying to cross a broken bridge in Switzerland, he ended up partially submerged in the water, held up only by his rucksack. 

On this episode of Holy Smoke, from the archives, Guy explains why his journey was a pilgrimage, not just travels. And Damian Thompson talks to Harry Mount, editor of The Oldie, about why he’s irresistibly drawn to church buildings while remaining an unbeliever - albeit an agnostic rather than an atheist.

In this week's Holy Smoke episode Damian Thompson welcomes back Eduard Habsburg, Hungary's Ambassador to the Holy See and also, to give him his family title, Archduke Eduard of Austria. Last year he published The Habsburg Way: 7 Rules for Turbulent Times, which offered advice on how to live a good life based on the panoramic history of his dynasty. 

One reason it was such a success is that Eduard has a cult following on X, formerly Twitter, made up of people who initially followed him because he's a Habsburg but stayed to absorb his spiritual wisdom and good cheer. In this episode, with Damian speaking as someone who frequently gets drawn into (or starts) catfights on that platform (his words!), he asks if Eduard has any advice for struggling social media sociopaths. And he does.

Produced by Patrick Gibbons.

The other day I received a press release about an intriguing album of keyboard music by 16th- and early 17th-century composers, three Englishman and a Dutchman, played on the modern piano by Mishka Rushdie Momen, one of this country’s most gifted and intellectually curious young concert pianists. It’s called Reformation, and before I’d heard a note of the music – which is performed with thrilling exuberance and subtlety – I knew I wanted to interview Ms Rushdie Momen. 

That’s because Hyperion had included with the press release a strikingly perceptive essay by the pianist putting this ostensibly secular keyboard music in the context of what she rightly calls the ‘vandalism’ of the English Reformation, shockingly illustrated by the demolition of the great shrine of Walsingham. At the same time, she recognises the unnerving pressures facing both Catholic and Protestant composers in an era of bewildering and violent cultural upheaval – but also one in which we can glimpse  elements of toleration and compromise. 

Here’s my Holy Smoke interview with Mishka Rushdie Momen, which begins with a track from her album: a little galliard called La Volta, danced at Elizabeth I’s court even though the Queen knew that its composer, William Byrd, had remained faithful to the Catholic Church.

Here's an episode of Holy Smoke to mark the 200th anniversary of the birth of Anton Bruckner later this year. This embarrassingly eccentric genius was, perhaps, the most devoutly Catholic of all the major composers – but you don't have to be religious to appreciate the unique consolation offered by his gigantic symphonies. On the other hand, it's hard to appreciate the unique flavour of Bruckner without taking into account the influence of the liturgy on his sublime slow movements and what the (atheist) composer and Bruckner scholar Robert Simpson called the 'calm fire' of his blazing finales. If you make it through to the end of this episode, you'll hear exactly what he meant. 

Produced by Patrick Gibbons