Ke Huy Quan’s remarkable Hollywood story continues to add more storybook chapters. From coming to America as a refugee to his global stardom as a child actor to leaving acting behind for several decades to a comeback that earned him an Oscar. Now he follows that up with his name above the title of a new action comedy, Love Hurts. Ke tells Marc how all of these memories play out for him and how the vivid recent ones illuminate older memories such as fleeing Vietnam, reuniting with his family in LA, and his dejection when he couldn’t see a way to get back into acting.

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Noah Wyle spent 11 seasons in a fictional medical environment on the show ER. So what made him want to return to a trauma ward setting for his new series The Pitt? Noah tells Marc the reason, which had a lot to do with what he heard from real doctors, as well as why it’s meaningful for him, as a third generation Los Angeleno, to shoot the show in LA. They also talk about Noah’s compulsion to amass memorabilia and arcane collections and whether it counts as hoarding.

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A lot of people know Erin Brockovich’s story thanks to the movie based on her legal work in a groundwater contamination case. But the story that really guided her life is one central to her Kansas roots: The Wizard of Oz. Recorded while the worst of the LA wildfires were still raging, Erin talked with Marc about the lessons she took not just from fantasy stories but from the reality of communities that turned hopelessness into action and from the clarity that can emerge in moments of crisis.

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Sophie Buddle is living in LA and doing comedy all around the United States, but since she spent most of her life in Canada, she’s in a unique vantage point to give Marc the lowdown about the country to the north that he might one day call home. Sophie and Marc also talk about go bags, crisis management, work visas, crowd work, monologue writing, and tall poppy syndrome.

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Bill Burr is trying to put things to bed. Whether it’s the anger he’s held onto throughout his life, or the sadness from he’s uncovered from his childhood, or even his old tensions with Marc, Bill’s been working to move on from the past. Bill and Marc talk about reaching the age where it’s time to put up or shut up, staying calm during chaotic moments, and taking stock of losing many of their peers. They also discuss Bill’s upcoming Hulu special and his Broadway debut in Glengarry Glen Ross.

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After evacuating her home and consoling family members who lost their house in the LA fires, comedian Mo Welch acknowledges that she’s visiting Marc’s garage while still somewhere on the trauma spectrum. But she’s not a stranger to that spectrum, nor to processing it, having just made a standup special that’s also a documentary about meeting her estranged father. Mo and Marc talk about her childhood instability and the comedy path that was her salvation.

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Richard Gadd created the Netflix series Baby Reindeer as a way to work through traumatic events in his life that were hard to process. But it became equally difficult to process the runaway success of the show and the impact it had on his life. Richard talks with Marc about how his early days doing standup in the UK and writing stage shows for himself were underscored by a lack of boundaries and a feeling that something was missing inside of him. He also explains why his follow-up to Baby Reindeer is a personal gamble.

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Mike Leigh’s films are known for their observant depictions of the working class, their tragicomic tones, and their improvisational construction. But there are some misconceptions about his work that Mike would like to clear up. He does so while talking with Marc about his life-changing introduction to foreign films, his method of collaboration with his actors, the difference between realism and naturalism, and some details about the making of Secrets and Lies, Vera Drake, Topsy-Turvy, Naked and his new film Hard Truths.

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Adrien Brody does a lot of research for his roles, but his performance in the new movie The Brutalist was shaped largely by his family’s immigrant experience and it aligned with his desire to play characters who are outsiders. Adrien also talks with Marc about becoming the youngest winner of the Best Actor Oscar for The Pianist and how it was a little too much to take. But on the flip side, he explains why he revels in the joy and camaraderie of making Wes Anderson’s films.

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Marc’s been answering listener questions on the Fulll Maron bonus feed for two and a half years. This is a collection of Marc’s answers from across the first 18 installments of the Ask Marc Anything bonus series. It’s like Marc is the guest and the listeners are interviewing him. He gets into questions about Adam Sandler, Taylor Swift, Jon Stewart, the lost David Fincher episode, other interview podcasts, Cheech & Chong, standup lingo, sandwiches, sobriety, relapsing, and more.

Click here to watch the video Marc mentions in the episode, featuring John Montagna creating the WTF theme song.

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Ron Livingston just came over to chat. While most people come to the garage with something to promote, Marc and Ron were happy to be two guys getting to know each other on the microphones with no other agenda. Although Marc already learned some things about Ron from his wife, Rosemarie Dewitt, Ron shared his own stories about growing up in Iowa, how the trajectory of his Swingers character was not far from the truth, how Office Space slowly became a beloved classic, and how Sex and the City burnished his wardrobe.

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