Part 1 of a series on playing percussion in a contemporary gospel feel. In the first couple sessions I will mainly be explaining playing on congas. After that we will go into shakers, chimes, rattlers, etc. The next series after this will be CCM Thanks for watching! Don't forget to subscribe and also check out williamjohnsonmusic.com and heartbeatforworship.com (ministry website). There you can watch my music videos and listen to my latest CD Flor de Vida

This is an excerpt from the Percussion Instruction DVD Volume 1; Learning Congas

Continuation of playing shakers & rattlers/ ambient percussion www.williamjohnsonmusic.com

In this episode we introduce ideas playing with shakers & rattlers

In this episode we go over doubles on the congas

In this episode we explore different ways to play the cajon. Please note that some cajons are built differently. On many cajons you can also play the sides to achieve the high pitch pop as well. This is the first part of the cajon series

Continuation in shakers and congas podcast with practice pads. Also check out podcast in itunes under "percussion instruction"

In this episode we will be explaining how to incorporate shakers into your playing (with congas). I am using three conga practice pads made of wood. This is a great way to practice when noise is an issue. We will be moving a little in reverse since the episode will actually be part 1. For now explore and study the exercises given in this episode. Quarter notes are primarily used in this episode however we will also discuss eight notes (on the conga) in the next episode of this series. I will explain in detail exactly what this means. There will be new episodes uploaded every Monday this summer and throughout the fall. Stay tuned as we explore such topics as independence, auxiliary percussion, and various hand drumming (such as tabla, darbuka, ghatam, udu drums, and even timbales). In the introduction there is an audio clip and photo from the new CD "Flor de Vida". It is a Latin, world, jazz, rock, and contemporary fusion project. This album is a great learning tool and resource for you to apply concepts taught in previous podcasts. It is also great for listening enjoyment and even better; meditation/worship. You can learn more at www.williamjohnsonmusic.com.

In this episode we will be explaining how to incorporate shakers into your playing (with congas). I am using three conga practice pads made of wood. This is a great way to practice when noise is an issue. We will be moving a little in reverse since the episode will actually be part 1. For now explore and study the exercises given in this episode. Quarter notes are primarily used in this episode however we will also discuss eight notes (on the conga) in the next episode of this series. I will explain in detail exactly what this means. There will be new episodes uploaded every Monday this summer and throughout the fall. Stay tuned as we explore such topics as independence, auxiliary percussion, and various hand drumming (such as tabla, darbuka, ghatam, udu drums, and even timbales). In the introduction there is an audio clip and photo from the new CD "Flor de Vida". It is a Latin, world, jazz, rock, and contemporary fusion project. This album is a great learning tool and resource for you to apply concepts taught in previous podcasts. It is also great for listening enjoyment and even better; meditation/worship. You can learn more at www.williamjohnsonmusic.com.

The KJ and Will show!... Just kidding everyone. ; Last week I had the privilege of rehearsing with KJ Scriven for a worship concert in Florence South Carolina. This is an original song KJ wrote that we only performed once together. We only rehearsed the song together once before we shot this video. KJ is one of those artists you have to pay close attention to because his style is often full of improvisation. Also KJ is a drummer so he knows what he likes and wants. That can be intimidating if you are not confident and the artist is not humble. KJ however is a very humble guy and I will say that we are of one heart and mind musically. While performing together we tend to speak the same language, spiritually, emotionally, and technically. I believe this is a good video to display improvisation, creativity, and technique upon the congas in an urban, jazz, pop, Gospel & R&B type setting (whew that is a mouthful). The tones and notes I am applying here are bass, slap, muff and some open notes. Focus mainly on the bass, slap, and muff and use open to accent the breaks and vocals of the song. I find that in many melodic soulful or pop settings it is very important to use a combination of bass and muff to deliver a full fat sound. The bass gives it the low end and the muff delivers a full softer open resonance of the drum. Below this paragraph is a rough notation of what I am actually playing. Remember L=Left hand R=Right hand B=Bass S=Slap M=Muff and T=Touch (although in this scenario the touches are not necessarily ghost notes but rather slightly softer than a regular open or muff tone. Listen to the sound and let that be your guide. It should blend well with the rythm.) The Bass is played on the 1 and downbeats while slaps are used for the accent. Notice artists like KJ will have a body language that will tell you when and where to play the downbeat or on the one. In this case when he rocks forward, dips his right shoulder and administers a harder sharper down stroke on the guitar that is him feeling the downbeat or bass as well as the accents. Also the intonation and inflection of his voice will change. There are improvisations of course and this is only a crude explanation however I hope it gives insight to what is going on in our minds as we play. A lot of it is in technique and development of such but the reliance upon following your heart after you have practiced (what "feels" right) and above all God's guidance during the song should be your strongest leading. God bless you guys and don't forget to subscribe to the podcast and give us feedback.

This is the first part of a new series where I will be uploading videos of playing with other instrumentation to show some ideas of how to apply the congas, cajon, djembe, shakers, etc. to modern styles and genres of music. Notice here towards the end that I use a "tumbao" shortly to show how Latin or other actual patterns can be applied to contemporary styles. The song is actually Revelation song and can be found by searching for Phillips Craig and Dean as well as Kari Jobe. ;The next video upload for this podcast will be a series to further explain practice methods as it pertains to the rudiments found in Lawrence Stone's famous