Jason Magabo Perez, San Diego's Poet Laureate, engages with UC San Diego's Erik Mitchell in a revealing conversation about his poetic journey and its impact on community and self-awareness. Perez shares readings from his work, which weaves together narratives of grief, identity, and resilience. His ability to articulate complex emotions and historical contexts through poetry provides a window into the experiences of Filipino-American communities and broader societal issues. He also discusses his initiatives as Poet Laureate, emphasizing his commitment to making poetry accessible and relevant to a wide audience. His projects aim to foster a vibrant literary culture in San Diego, highlighting the power of poetry to build solidarity, empower youth, and give voice to marginalized communities. Series: "Writers" [Humanities] [Show ID: 39322]

Filmmaker Sam Kadi joins moderator Juan Campo, professor of religious studies at UC Santa Barbara, for a discussion of the film Lamya’s Poem. Together, they consider how the film employs magical realism to interweave scenes from the lives of contemporary Syrian refugees with the experiences of 13th century poet Rumi. Kadi discusses the uses of animation in crafting a fantastical world, and shares perspectives on the important role of music, a conversation that continued with input from composer Christopher Willis, who was in attendance for the screening. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39479]

An 800-foot-long stone path of words, KAHNOP • TO TELL A STORY is the 22nd public artwork commissioned by the Stuart Collection at UC San Diego. The text for the UC San Diego walkway draws from the writing of authors and scholars with ties to the University and its history. Organized by a spine of keywords composed by Ann Hamilton, this concordance of documents weaves together threads of thinking from many different disciplines. The piece was built line by line, rather than as a singular continuous narrative, and yet clear themes emerge and recur throughout the 1,300-line composition. A feminist narrative transcribed by two Kumeyaay scholars exists in bands situated at a regular interval throughout the entire length of the piece, creating its own cadence and rhythm within the larger whole. These juxtapositions form a field of text and an infinite number of paths to be composed and recomposed every time someone walks its surface. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 39374]

An 800-foot-long stone path of words, KAHNOP • TO TELL A STORY is the 22nd public artwork commissioned by the Stuart Collection at UC San Diego. The text for the UC San Diego walkway draws from the writing of authors and scholars with ties to the University and its history. Organized by a spine of keywords composed by Ann Hamilton, this concordance of documents weaves together threads of thinking from many different disciplines. The piece was built line by line, rather than as a singular continuous narrative, and yet clear themes emerge and recur throughout the 1,300-line composition. A feminist narrative transcribed by two Kumeyaay scholars exists in bands situated at a regular interval throughout the entire length of the piece, creating its own cadence and rhythm within the larger whole. These juxtapositions form a field of text and an infinite number of paths to be composed and recomposed every time someone walks its surface. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 38928]

Poet, novelist and Native American scholar N. Scott Momaday has spent decades bringing his culture and the landscape alive through his writing. He received a Pulitzer Prize for his first novel, "House Made of Dawn." His books include "The Way to Rainy Mountain," "In the Bear's House," "In the Presence of the Sun: Stories and Poems, 1961-1991," and "The Gourd Dancer." He is also the editor of various anthologies and collections centered on his Kiowa heritage. As part of the Writer's Symposium By the Sea, host Dean Nelson sat down with Momaday at his home in Santa Fe, New Mexico, to talk about his life in literature. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 38122]

Our series of artists and educators connecting arts and humanities to medicine continues continues with Thomas Dooley, poet-in-residence at the Center for Compassionate Communication at UC San Diego's Sanford Institute for Empathy and Compassion. Series: "Let's Jam: The Arts in Medicine" [Health and Medicine] [Humanities] [Arts and Music] [Show ID: 37987]

An internationally celebrated American novelist, short story writer, poet, and activist, Walker's work has been translated into more than two dozen languages, and her books have sold more than fifteen million copies. She wrote The Color Purple, for which she won the National Book Award for hardcover fiction, and the Pulitzer Prize for Fiction. Walker's collected work includes poetry, novels, short fiction, essays, critical essays, and children's stories. She was the recipient of a Rosenthal Foundation award and an American Academy and Institute of Arts and Letters award for In Love and Trouble. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 35143]

Should your art send you to prison? Rap lyrics are increasingly turning up as evidence in courtrooms across the country. The fictional characters portrayed in violent gansta rap songs are often a far cry from the true personalities of the artists behind them, yet uninitiated audiences easily conflate artist with character and fiction with fact. On a broader scale, using rap lyrics as evidence in criminal cases also raises questions about artistic freedom, freedom of speech and the rights of all citizens to receive a fair trial. UC Irvines Charis E. Kubrin, Ph.D and Adam Dunbar explore these issues. Series: "Zot Talks" [Humanities] [Arts and Music] [Show ID: 31368]

Emmanuel Jal, an internationally recognized hip-hop musician, former child soldier turned activist and entrepreneur, shares his story and music. Jal was born into the life of a child solider in the early 1980s in the war-torn region of Southern Sudan. He calls upon all of us to engage with our world and become global citizens through scholarship, leadership and service. [Humanities] [Arts and Music] [Show ID: 33490]

Yusef Komunyakaa, an internationally renowned poet who won the Pulitzer Prize for “Neon Vernacular: New and Selected Poems," reads and discusses his work while writer-in-residence at UC Santa Barbara. Series: "Voices" [Humanities] [Arts and Music] [Show ID: 32148]

Former Poet Laureate Robert Pinsky describes himself as a "composer" who considers poetry to be first and foremost a vocal art, and his work seeks to blur the distinctions between language and music by emphasizing the rhythms and innate physicality of recited verse in a jazz context. In this performance for the 22nd Writer's Symposium by the Sea at Point Loma Nazarene University, Pinsky's reading is accompanied by a talented trio of PLNU students. The music - a blend of rehearsed and improvised - employs a variety of jazz styles, sometimes sympathetic and sometimes in playful counterpoint, but always responsive to the poet's distinctive voice. Series: "Writer's Symposium By The Sea" [Humanities] [Arts and Music] [Show ID: 30820]