On episode 231 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Dan Bayer to review the latest film from A24, I Saw The TV Glow, and give out their Top A24 films.

Since its premiere at the Sundance Film Festival, audience have been raving about Jane Schoenbrun’s psychological drama, I Saw the TV Glow, which is a fascinating examination of our consumption of media as well as a queer allegory about trying to find yourself within a small town that doesn’t accept you. The movie is considered by many to be the film of the year, with our own Savina Petkova calling it “fiercely beautiful” with her review out of the Berlin Film Festival. Ryan and Dan breakdown all the beautiful, complex aspects of this stellar second feature in a lengthy, spoiler free discussion.

In the back half of the episode, in honor of the latest film released by the famous yet young studio, the duo takes a trip down memory lane and talk about their favorite film released by A24. With films ranging from modern horror classics, heartwarming coming of age comedies, experimental genre films, and even two Best Picture winners, A24 has released a wide range of films that can be considered some of the most vital, celebrated cinema from any studio in the last two decades. Some of the films they talked about included The Green Knight, Hereditary, Eighth Grade, 20th Century Women, A Most Violent Year, Past Lives, Moonlight, The Zone of Interest, Lady Bird, and many more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h18m. On our next episode, we will be discussing the latest release from NEON, Babes, and talking about our favorite films about parenthood.  

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 45 of the Director Watch Podcast, the boys are joined by Oscar Wild co-host and film critic Nick Ruhrkraut to discuss the next film in their Sofia Coppola series, On the Rocks (2020).

We needed places to escape to during the COVID-19 lockdown of 2020, and leave it to Sofia Coppola to deliver an easy, breezy father-daughter hang out movie. On the Rocks not only feature fantastic chemistry between Rashida Jones and Bill Murray, but it has Coppola going back to the ideas she explored within the beginning of her career; the relationship she had with her father and where she is at currently in life as an artist as well as a parent and a spouse. What she delivers is a hilarious, insightful look at someone’s life who is seeking too much instead of appreciating the good things they have in front of them. Ryan, Jay, and Nick break down their reactions to the film, Bill Murray’s charm, Rashida Jones’s career, what it’s like to pal around in New York City, where this ranks in Coppola’s filmography, and if they’d like to see this story continue or not.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h45m. The guys will be back next week to conclude their series on the films of Sofia Coppola with a review of her most recent film, Priscilla. You can stream the film on MAX, as well as rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 230 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer, Josh Parham, and Karen Peterson to give their thoughts on The Fall Guy and discuss their favorite movies that are about making movies.

The summer movie season is in full swing as stars Ryan Gosling and Emily Blunt take to the big screen again, this time ditching their Barbie and Oppenheimer crews to come together for The Fall Guy, an action-adventure-romance spectacle about a stunt guy who is hired by a Hollywood producer to find the missing star (whom he used to double for) of a major studio film that is being directed by his ex-girlfriend. Lead by the chemistry between Gosling and Blunt, The Fall Guy is a kind of movie that “can remind you that going to the movies is a magical, highly entertaining experience.”, Ryan, Dan, Josh and Karen break down their reactions to the film, its underperformance at the box office, and why they think people should give it a shot and go see it before it leaves theaters.

In the second half of the show, the gang discuss their favorite movies about movies, which is a big part of the overall plot of The Fall Guy, speaking a ton about the film industry and the personalities that are at the center of it. But movies about movies can be a multitude of things, ranging from being a love letter to the art form to an examination of the dangerous, heartbreaking mirage that fame and filmmaker can be. This allowed the team to talk about a wide selection of films that included Sunset Boulevard, Get Shorty, Singin’ in the Rain, The Player, American Movie, Who Framed Roger Rabbit, Sullivan’s Travels, Ed Wood, Dolemite Is My Name, Pain and Glory, Mank, and many more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h47m. On our next episode, we will be discussing the latest release from A24, I Saw the TV Glow, and revealing our top five A24 films.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 44 of the Director Watch Podcast, the boys are joined by Lead News Editor for Collider Maggie Lovitt to discuss the next film in their Sofia Coppola series, The Beguiled (2017).

Four years after her most modern film to date, Sofia Coppola swerved back into a historical dramatic setting with The Beguiled, a remake of the 1971 Southern Gothic thriller set in Virginia during the American Civil War. When a young girl finds a wounded Union soldier right outside her all-girls school where she lives with several other women of various ages, the ladies nice, quiet way of life is turned upside down by the arrival of this sensual, seductive, ultimately menacing presence. Led by an all-star cast that includes Nicole Kidman, Kristen Dunst, Elle Fanning, and Colin Farrell, Coppola dives beautifully and patiently into the physiological nature of what it is like when a figure like this infuriates these women’s lives and how their nature and unnatural responses to this soldier’s inclusion in their life speaks to their basic human desires, and how temptation can overwhelm and get the best of them when it is all said and done. Ryan, Jay, and Maggie break down their reactions to the film, its connections to the original film, where it ranks in Coppola’s filmography, Farrell and Kidman’s career retrospective, how devilish Farrell’s character is in the film, and if her second attempt at a period piece is just as successful as Marie Antoinette.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h01m. The guys will be back next week to begin their new series covering the films of Sofia Coppola with a review of her next film, On the Rocks. You can stream the film on Apple TV+ rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 229 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and Associate Editor Sophia Ciminello to review Luca Guadagnino’s latest film Challengers, and then discuss their favorite sexiest/horniest films.

Releasing this past weekend was one of the best reviewed films of the year so far, Challengers, which was supposed to come out last year but was delayed because of the SAG/WGA strikes. In his follow-up to 2022’s Bones and All, Luca Guadagnino’s tennis love triangle became the number one film at the box office, and had the AW team talking about it all week long. Ryan, Erik, and Sophia break down their overall reactions to the film, its excellent performances from its all-star cast, the innovated editing, fist-pumping score from Reznor and Ross, and of course, the hot, sexual tension at the core of this incredible film. Listen to their spoilers be damned review as well as read Josh Parham’s written review of the film on the website.

After they are done talking about Challengers, the gang transition into a conversation about their favorite films that they find sexy and/or horny. In trying to go within the vein of Challengers tone, they talked about some great films that not only just had sex scenes, but the feeling of falling in love, longing for the person they want to be it, as well as repressing one’s love and how tragic that can feel. There are also just some obvious picks that are just straight up horny fun. Included into the conversation was Out of Sight, Don’t Look Now, Wet Hot American Summer, Brokeback Mountain, Y tu mamá también, In the Mood for Love, Moonlight, Bull Durham, The Age of Innocence, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h22m. On our next episode, we will be reviewing The Fall Guy and talking about our favorite movies about movies.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 43 of the Director Watch Podcast, the boys are joined by Nicole Ackman to discuss the next film in their Sofia Coppola series, The Bling Ring (2013).

Following her most subtle work to date, Sofia Coppola took a full swing the other way in tackling a larger than life, true story that is all about how we consume celebrity culture and consumerism. The Bling Ring follows a group of young, fame-obsessed teenagers in the late 2000s, that use the internet to track where their favorite movie and reality stars are so they can rob their homes while the stars are away. Led by Emma Watson, Taissa Farmiga, and a mostly unknown cast, Coppola examines the newest generations obsessions with the figures and institutions that she grew up around, how this mindset has gotten worse since the actions seen in the film, and how it all seems inconsequential in the grand scheme of things once all the dust settles on the robbers. Ryan, Jay, and Nicole break down their impressions on the film, if Coppola was the right choice to tackle this modern subject matter, Watson’s career path (a lively, respectful argument between Ryan and Jay), the minimalist approach to the screenplay, the sharp contrast in the cinematography between the day and night sequences, what is the best sandwich they’ve ever had, and is this the best social film commentary released in 2013.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h01m. The guys will be back next week to begin their new series covering the films of Sofia Coppola with a review of her next film, The Beguiled. You can stream the film on Netflix, as well as rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 228 of the AwardsWatch podcast, it's a full house as Editor-In-Chief Erik Anderson and Associate Editor Sophia Ciminello are joined by AwardsWatch contributors Jay Ledbetter, Josh Parham, Dan Bayer, Kevin Lee and new to the AW team, Karen Peterson, on her first pod with us. Executive Editor Ryan McQuade was unable to join today.

This episode we're tackling the 2024 Summer Box Office Draft and we noticed something right away. Not only is there nothing close to resembling a 'Barbenheimer' like last year, it feels like a soft summer for most of us. After COVID decimated theaters and theater attendance in 2020 and 2021, it started to bounce back in 2022, if slightly. Then double industry strikes - first writers then actors - over the summer of 2023 sent scrambling studios moving some of their high profile films around (like Amazon MGM's Challengers and Warner Bros' Dune) to spring and beyond.

But even without clear box office behemoths like Barbie and Oppenheimer, there still look to be a few juggernauts that could spell a win for either Team Ryan (with Sophia, Josh and Karen) or last summer's winner, Team Erik (with Kevin, Jay and Dan). Shuffling through sequels, prequels, franchises and a handful of original films, the teams built their drafts with Team Ryan going first, followed by Team Erik, picking five films we think will get us across the finish line and one bomb we think will ding the other team's chances. Animated films like Despicable Me 4, Inside Out 2 and The Garfield Movie making the list, as did the long-awaited teaming up of Deadpool & Wolverine. But smaller films found their way in to, with Trap and MaXXXine showing up. We close talking about some major titles that just the missed the cut, how this year's horror films have shaken out and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h56m. On our next episode, we will reviewing Luca Guadagnino's hot, love triangle tennis drama Challengers, starring Zendaya, Mike Faist and Josh O'Connor.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 42 of the Director Watch Podcast, the boys discuss the next film in their Sofia Coppola series, Somewhere (2010).

With the underwhelming commercial and critical reaction to Marie Antoinette, Sofia Coppola took a step back in terms of approach and returned to making a smaller, vibes based film set in modern day Los Angeles. By doing this, it was almost a reset for the director, and yet she delivered her most underrated film within her filmography, as she dives into making another personal, profound film about the anxiety of growing up as an adult, and the responsibility it takes to be a parent. Led by an incredible performance by Stephen Dorff and a breakout role for Elle Fanning, Ryan and Jay break down their reaction to the film, Coppola’s loose filmmaking for this project, the mundanity found in being a celebrity, how much of Coppola is found in both Dorff or Fanning’s character, the meaning behind the film’s ending and how it might tie into Lost in Translation, the Fanning Sister’s careers, and the appreciation of Chris Pontius as well as a look into the Jackass movies.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h42m. The guys will be back next week with a review of her next film, The Bling Ring. You can stream the film on MAX, as well as rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 227 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello and AwardsWatch contributor Josh Parham to discuss the latest film from director Alex Garland, Civil War, and discuss their favorite political and journalism thrillers.

Before they jumped into the review of Civil War, the 2024 Cannes Film Festival was announced this past week, with dozens of American and European films dominating the lineup. Films from Francis Ford Coppola, Paul Schrader, Andrea Arnold, Yorgos Lanthimos, Sean Baker, Jacques Audiard, Paolo Sorrentino, David Cronenberg and more will be having their world premiere next month at the prestigious festival. Not only is it one of the biggest film festivals in the world, but it has become an important stomping ground for International Features, especially the ones that make it into the Oscar categories later in the season. The gang break down what they can’t wait to see since Josh is going to the festival next month while Ryan, Erik, and Sophia will catch a lot of these titles at Telluride later in the year.

Moving onto the main event of the podcast, Civil War has become one of the most talked about films of 2024 so far, even before its premiere at SXSW. The trailer alone sparked discussion and anger from many thinking it is not the right time to be releasing a film like this as the United States is ramping up for another Presidential Election. But much to the surprise of all, early reactions indicated a much different movie than the trailer suggested. The gang break down their reaction to it the film, covering everything from the film’s political stance, the screenplay, the performances and so much more. After that, they dive into a fascinating, in-depth conversation over their favorite political and journalism thrillers, a topic that all of them love considering some of their favorite films of all time came out of the genres. Some of the films discussed in the extensive conversation include All the President’s Men, Nightcrawler, JFK, Zodiac, Munich, The Hunt for Red October, Blow Out, The Ghost Writer, Zero Dark Thirty and so many more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h17m. On our next episode, we will be doing the 2024 AwardsWatch Summer Movie Draft. You won’t want to miss it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 41 of the Director Watch Podcast, the boys are joined by AwardsWatch Associate Editor Sophia Ciminello to discuss the next film in their Sofia Coppola series, Marie Antoinette (2006).

Three years after Sofia Coppola was riding high off her Oscar winning, smash hit Lost in Translation, she cashed in her black check to create a stylized, personal account of the life of one of history’s most recognizable figures. With Marie Antoinette, she took a forty-million-dollar budget and made it feel like a hundred-million-dollar epic about a young women force into a social, political world she is not ready for, and must find a way to blend in before she is devoured from the inside out. Led by a magnificent ensemble, as well as luscious costumes, production design and a modern soundtrack, Marie Antoinette may have been criticized by audiences at the time of release for not being the movie they wanted after Coppola’s era defining masterpiece, but over time, it has become an essential piece of filmmaking within her celebrated career. Ryan, Jay and Sophia break down Dunst’s brilliant performance, the non-existing French accent work by the casts, Coppola’s confident scope and vision for the film, the idea of a ‘birds in a cage’ that the director loves to explore, the career of Jason Schwartzman, and what their favorite type of pie is (they aren’t that big on cake).

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h13m. The guys will be back next week to begin their new series covering the films of Sofia Coppola with a review of her next film, Somewhere. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Although the Emmy Awards were just earlier this year in January due to the SAG-AFTRA strike in summer and fall of 2023, we're back into the Emmy season once again as April and May find networks and streamers cramming content under the wire to hit the May 31 deadline. On episode 226 of The AwardsWatch Podcast, Editor-In-Chief Erik Anderson and TV Editor Tyler Doster break down the top categories for a preview of what this new Emmy race could look like.

We start with the most competitive section of this year's race, Limited or Anthology Series or Movie categories. While other top series categories have been expanded to eight nomination slots by the Television Academy, Limited or Anthology Series have just the classic five and as each year sees a meteoric rise in limited series content, it's going to be one of the toughest races in decades with Shōgun (FX), Fargo (FX), Lessons in Chemistry (AppleTV+), True Detective: Night Country (HBO/Max), Feud: Capote vs The Swans (FX), Masters of the Air (AppleTV+), The Regime (HBO/Max), Ripley (Netflix), Fellow Travelers (Showtime), The Sympathizer (HBO/Max) and more all vying for one of those previous five spots. That's before you even get into the acting categories, which could prove to be even more cutthroat with A-list Oscar winners like Jodie Foster, Kate Winslet, Brie Larson, Julianne Moore, Nicole Kidman and Michael Douglas in the mix.

In Comedy, we have several returning winners and previous nominees in the race (like Abbott Elementary (ABC), Hacks (HBO/Max) and reigning champ The Bear), shows waving farewell like Curb Your Enthusiasm (HBO/Max) and Reservation Dogs (FX), and new hopefuls like Palm Royale (AppleTV+) and The Gentlemen (Netflix).

But it's Drama that has proven to be the bleakest of the bunch, with so many non-returning shows that it's practically an easy coronation for The Crown (Netflix) in its final season. We'll see The Morning Show (AppleTV+) for its third season but after that it's a Wild West of programs never nominated like The Gilded Age (HBO/Max), Loki (Disney+) and Slow Horses (AppleTV+) going up against a flood of new programming, some of which has or could be strategically submitted here instead of Limited Series where they more likely belong (like Showtime's The Curse or Prime Video's Mr. and Mrs. Smith, neither of which have been renewed for a second season). Flooding the market with their first seasons include: 3 Body Problem (Netflix), Fallout (Prime Video), Sugar (AppleTV+), Hijack (AppleTV+) and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h15m. On our next episode, we will be latest film from director Alex Garland, Civil War, along with discussing our favorite political thrillers, and breaking down the 2024 Cannes Film Festival line-up.