What year is it? Well, it’s 2024 - but not for long. It’s our last episode of the year! Director of this year’s I SAW THE TV GLOW Jane Schoenbrun joins us to talk about the conclusion of Twin Peaks: The Return, and, by default, the conclusion of our David Lynch series. In a show that intentionally defies the very concept of resolution, how do we put a bow on things? Well, we try! Shout out to Freddie and his glove. Oh, and Merry Christmas. Trauma is originary and unending.

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Dougie gets it on (or, more accurately, Naomi Watts gets HER Dougie on), guest Fran Hoepfner pitches her artisanal slime for adults (don’t steal the idea), and we relitigate LOST for the hundredth time in this penultimate episode of our Twin Peaks: The Return coverage. Can adults get mono? Why is it so hard for Lucy and Andy to buy a chair? THAT is the Audrey Horne plot? Will someone please have sympathy for David Sims, who isn’t going gray yet and desperately wants a cool subway-themed videogame?

Listen to Slow Xmas 4 now on Bandcamp!

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This is the podcast. These are the (two) friends. Drink full, and descend. The famous “Atomic Bomb” episode of The Return stands as one of David Lynch’s most defining works, an “origin story” for Twin Peaks, and one of the most experimental hours ever to air on narrative television. In a rare moment of “double dipping,” Twin Peaks S2 guest Connor Ratliff joins us again to discuss this landmark episode, offering a David Lynch impression that is superior to Griffin’s, which you probably thought could not be topped. We’re offering theories and explanations this episode, but we’re also talking about when Charlie died on Two and a Half Men and how to dodge LIRR fares because, of course. Gotta light?

Listen to TinyDinos

Check out Connor’s one-person show “The Acting Class” 

The George Lucas Talk Show, Live and LIVESTREAMED! In NY 

The George Lucas Talk Show at SF Sketchfest

Try and find Connor’s cuts of Twin Peaks: The Return and Sully (Secret Videos) on the Blank Check Website, Sully knows the password.

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It is happening again - we’re covering TV! Or is it an 18-part movie? Much to ponder. We’re heading back to the Pacific Northwest (and Vegas…and New York…and the Red Room…and outer space?) in our first of four episodes covering Showtime’s 2017 series “Twin Peaks: The Return.” So far, we’ve got tulpas, Caleb Laundry Bag, three distinct versions of Dale Cooper, Dr. Jacobi’s gold shovels, Michael Cera doing a bad Marlon Brando impression, creamed corn barf, Matthew Lillard, a cryptic final message from the Log Lady, and a whole slew of David Lynch’s favorite contemporary indie bands. Suffice it to say - we’re hooked!

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Only on Blank Check would an episode about David Lynch’s deeply destabilizing INLAND EMPIRE turn into a heartfelt celebration of creativity and the human experience. David Rees joins us and brings receipts - including literal receipts for every movie ticket he purchased in 2007 and his high school newspaper review of Twin Peaks (a pan) - as we gush about David Lynch’s singular position in American culture. Plus, we delve into tons of Laura Dern context, discuss dreams where you inhabit a different person, and spend an inordinate amount of time talking about the Snuffy Smith comic strip.

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Is it a dream? Is it about a dream? Is it a TV pilot? Is it the greatest film of the 21st century? In any case, Leslye Headland returns to the podcast to talk about David Lynch’s endlessly fascinating 2001 masterpiece MULHOLLAND DR. We may not have all the answers, but we do have a lot of thoughts about Hollywood, about Billy Ray Cyrus, about actors being shoved down audiences’ throats, about diners, about Patrick Fischler’s eyebrows, about the diner owned by Patrick Fischler’s dad, about Naomi Watts’ friendship with Nicole Kidman, about Corky Romano…the list goes on.

If you're in NYC starting November 20th, 2024, check out Leslye's new play Cult of Love

Get Tickets Now

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We apologize in advance if you had a profound emotional experience with the new Robert Zemeckis joint - HERE felt like more of a “Here?? What???? Why?” to us. Dinosaurs, Benjamin Franklin’s cuck son, a man dying from laughter, a horny couple who invent the LA-Z Boy, airplane man (who does NOT die from airplane), and the double whammy of the Black Lives Matter movement and Covid all come together to create a strange boomer diorama that misses much of the quotidian beauty of Richard McGuire’s graphic novel. Will Bobby Z. ever make a good movie again? Griffin’s not feeling bullish on the prospects.

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Walt Disney Pictures Presents A Film By David Lynch. And what a beautiful, expectation-defying, G-rated, cold-glass-of-beer film it is. Dana Stevens joins us to talk about 1999’s The Straight Story, a film that showcases Lynch’s fascination with Americana and his deep empathy for characters on the margins. Join us on a journey through the Midwest (Griffin can’t drive, but he’s a great passenger), where we talk about braunschweiger, cheese castles, bundles of sticks, Chicago theater actors without photos on their IMDB pages, and the fascinating career of actor Richard Farnsworth. Dude was in Gone With the Wind!

Read Dana’s writing at Slate

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1997’s Lost Highway - is it (as David Sims wrote on Letterboxd), “a movie about headache”? Is it David Lynch’s most visually beautiful film? Is it a dry run for Mulholland Dr? A radical reimagining of Bill Pullman’s screen presence? A psychogenic fugue? Lynch’s commentary on the OJ Simpson trial? An excuse for David Sims to go off on the concept of “free jazz”?? Folks - we are pleased to tell you that it is all of the above and more. The great David Lowery joins us to talk about Lynch’s deeply haunted neo-noir nightmare - a film that dares to ask the question, “What if you woke up one morning as Balthazar Getty?”

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What if they made a sequel to the Joker movie that was pretty much the finale of Seinfeld but it’s also a half-assed jukebox musical, and EVERYONE hated it? What if Michael Keaton had a 35-year-old pregnant daughter, but he also had precocious 9-year-old twins and a Los Angeles art gallery on the verge of financial collapse? Both scenarios lay the groundwork for two of the most “they don’t make ‘em like this” films of the year, and BOTH conclude with the same Daniel Johnston song. You can’t make this stuff up, folks! Join the crew for a fever dream of an episode that features an all-timer of a Madame Web tangent, Griffin’s grand theory of Todd Phillips self-sabotage, and some earnest reflections on the past 499 episodes that have led us to this monumental achievement.

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One of the more harrowing films we’ve covered on the podcast (and the second film we’ve covered in 2024 with a memorable “gobble gobble” line), 1992’s TWIN PEAKS: FIRE WALK WITH ME was not the quirky, enjoyable plotline wrap-up fans of Twin Peaks wanted. David Lynch instead challenged the audience to identify with Laura Palmer’s humanity and pain, making her a real person - not just a girl wrapped in plastic. THE FIRST OMEN director Arkasha Stevenson joins us to talk about how this film (and WILD AT HEART) inspired her to become a filmmaker, the uncanny experience of watching it without any prior knowledge of the Twin Peaks series, and the directorial choices Lynch makes that create the film’s deeply unsettling atmosphere.

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