Is it a dream? Is it about a dream? Is it a TV pilot? Is it the greatest film of the 21st century? In any case, Leslye Headland returns to the podcast to talk about David Lynch’s endlessly fascinating 2001 masterpiece MULHOLLAND DR. We may not have all the answers, but we do have a lot of thoughts about Hollywood, about Billy Ray Cyrus, about actors being shoved down audiences’ throats, about diners, about Patrick Fischler’s eyebrows, about the diner owned by Patrick Fischler’s dad, about Naomi Watts’ friendship with Nicole Kidman, about Corky Romano…the list goes on.

If you're in NYC starting November 20th, 2024, check out Leslye's new play Cult of Love

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We apologize in advance if you had a profound emotional experience with the new Robert Zemeckis joint - HERE felt like more of a “Here?? What???? Why?” to us. Dinosaurs, Benjamin Franklin’s cuck son, a man dying from laughter, a horny couple who invent the LA-Z Boy, airplane man (who does NOT die from airplane), and the double whammy of the Black Lives Matter movement and Covid all come together to create a strange boomer diorama that misses much of the quotidian beauty of Richard McGuire’s graphic novel. Will Bobby Z. ever make a good movie again? Griffin’s not feeling bullish on the prospects.

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Walt Disney Pictures Presents A Film By David Lynch. And what a beautiful, expectation-defying, G-rated, cold-glass-of-beer film it is. Dana Stevens joins us to talk about 1999’s The Straight Story, a film that showcases Lynch’s fascination with Americana and his deep empathy for characters on the margins. Join us on a journey through the Midwest (Griffin can’t drive, but he’s a great passenger), where we talk about braunschweiger, cheese castles, bundles of sticks, Chicago theater actors without photos on their IMDB pages, and the fascinating career of actor Richard Farnsworth. Dude was in Gone With the Wind!

Read Dana’s writing at Slate

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Go back and listen Flashback

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1997’s Lost Highway - is it (as David Sims wrote on Letterboxd), “a movie about headache”? Is it David Lynch’s most visually beautiful film? Is it a dry run for Mulholland Dr? A radical reimagining of Bill Pullman’s screen presence? A psychogenic fugue? Lynch’s commentary on the OJ Simpson trial? An excuse for David Sims to go off on the concept of “free jazz”?? Folks - we are pleased to tell you that it is all of the above and more. The great David Lowery joins us to talk about Lynch’s deeply haunted neo-noir nightmare - a film that dares to ask the question, “What if you woke up one morning as Balthazar Getty?”

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What if they made a sequel to the Joker movie that was pretty much the finale of Seinfeld but it’s also a half-assed jukebox musical, and EVERYONE hated it? What if Michael Keaton had a 35-year-old pregnant daughter, but he also had precocious 9-year-old twins and a Los Angeles art gallery on the verge of financial collapse? Both scenarios lay the groundwork for two of the most “they don’t make ‘em like this” films of the year, and BOTH conclude with the same Daniel Johnston song. You can’t make this stuff up, folks! Join the crew for a fever dream of an episode that features an all-timer of a Madame Web tangent, Griffin’s grand theory of Todd Phillips self-sabotage, and some earnest reflections on the past 499 episodes that have led us to this monumental achievement.

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One of the more harrowing films we’ve covered on the podcast (and the second film we’ve covered in 2024 with a memorable “gobble gobble” line), 1992’s TWIN PEAKS: FIRE WALK WITH ME was not the quirky, enjoyable plotline wrap-up fans of Twin Peaks wanted. David Lynch instead challenged the audience to identify with Laura Palmer’s humanity and pain, making her a real person - not just a girl wrapped in plastic. THE FIRST OMEN director Arkasha Stevenson joins us to talk about how this film (and WILD AT HEART) inspired her to become a filmmaker, the uncanny experience of watching it without any prior knowledge of the Twin Peaks series, and the directorial choices Lynch makes that create the film’s deeply unsettling atmosphere.

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If we told you this was the first time we’d covered a Nicolas Cage movie on the podcast - would you believe us? Well, baby - it’s true. And what a movie it is! The luminous Tatiana Maslany returns to talk about David Lynch’s smokin’ hot outlaw romance WILD AT HEART - a film that won the Palme d’Or and took Lynch away from the set of Twin Peaks. Get ready for lots of Cage career discussion (a favorite topic of Griffin Newman), a bunch of actor speak, and multiple “hey, did you know David Lynch was a fan of the Wizard of Oz?” asides.

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For a brief shining moment, Middle America went crazy for the surreal soap opera stylings of David Lynch and Mark Frost. We’re talking ABC, primetime, airing against “Cheers”-level mainstream. And then it all came crashing down. Listen as we take our first step into the intoxicating world of Twin Peaks - one of the most influential television series of all time and the project that would come to define Lynch for the rest of his career. Eva Anderson - who literally grew up in the town Twin Peaks was filmed in and can tell you for a fact that the diner cherry pie sucks - joins us to talk about how such a pop cultural oddity came to be, and why it has such staying power. Note - this episode covers Season 1 of Twin Peaks, but alludes to certain plotlines in Season 2 without directly spoiling them. 

Blank Check Theme (Cherry Pie Remix) composed by Alex Mitchell, vocals by "The ghost of Julee Cruise" aka Marie Bardi.

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Lend us your (severed) ears! This week, we’re jumping back into our Lynch series with a trip to Lumberton, USA, as our beloved Jamie Loftus joins us to chat about 1986’s BLUE VELVET. We’re going deep on the star persona of Kyle MacLachlan, David Sims’ obsession with Dean Stockwell, and David Lynch’s unironic obsession with Americana. How does a movie that deals with such deeply disturbing themes end up being so watchable? That’s that Lynchian magic, baby!

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We’re taking a break from David Lynch to answer one of the year’s biggest questions - Is Burton Back, Baby? Ummmm…kind of! Grab your “Handbook for the Recently Deceased” commemorative popcorn tin and join us as we attempt to untangle the very messy BEETLEJUICE BEETLEJUICE. Which sequences wowed us with their sparkling ingenuity? Which plotlines would we excise from the script? What song would you possess people to lipsync to and why is it Bloodhound Gang’s “The Bad Touch”? And - the most important question of all - why has David Sims not been publishing movie reviews lately, why wasn’t he at TIFF, and what the hell is going on at the Sims Swamp? 

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The sleeper must awaken. The filmography must contain a flop. We’ve arrived at the Planet Arrakis aka the Desert Planet aka DUNE (1984) - David Lynch’s attempt at wrangling Frank Herbert’s space epic into a single studio blockbuster. Did it work? Not really. Do we have fun talking about it? Hell yeah, we do! John Hodgman joins us to talk about all things “spice” - including the infamous glossary of Dune terms handed out in theaters, and a wild anecdote about Peter Berg reading Dune on an airplane. We talk about Lynch’s decision to turn down directing Return of the Jedi, the differences between Lynch’s take on Dune and Denis Villeneuve’s more critically successful version, and David finally gets the chance to let his Fremen freak flag fly by going FULL NERD.

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