Dunnnh dun. Dunnnh dun. Never before had two notes provoked such terror as they did in JAWS, the 1975 classic that invented the summer blockbuster, catapulted Steven Spielberg to Hollywood legend status, and inspired generational trauma about water. Actor and recognizable famous person Timothy Simons joins us to talk about this classic shark tale, and we go long on Scheider, Dreyfuss, Shaw, and the career of journeyman director Joseph Sargent (?). Which member of the Blank Check crew would be least likely to get attacked by a shark? Obviously Ben, because he respects water. What the hell did Chief Brody think he was gonna do when he apprehended the shark - arrest it? Why isn’t Griffin familiar with the concept of a ferry? We dare to ask these questions, just as the citizens of Amity dared to go into the water.

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Young whippersnapper Steven Spielberg continues his run of dusty, road-centric films with 1974’s THE SUGARLAND EXPRESS, and we’re along for the (surprisingly chill) ride. Writer Esther Zuckerman joins us to discuss the cinematic persona of Goldie Hawn, William Atherton’s strange period of leading-man roles, the harmonica stylings of Belgian jazz legend Toots Thielemans, and Spielberg’s brief but fruitful collaboration with cinematographer Vilmos Zsigmond. Note - we recorded this episode a few months in advance. We no longer endorse the whole Hawk Tuah thing.

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2025! Blank Check Year 10! Year of Miracles! In honor of our record 10th year of podcasting, we’re doing something we’ve never done before - going back to fill in the gaps on a filmography we’ve previously only partially covered. And what a filmography it is - folks, welcome to PODRASSIC CAST. We’re starting our exploration of the first half of Steven Spielberg’s career with his remarkable 1971 debut feature DUEL, a movie that was originally made for TV but later released with extra footage for a theatrical run. Driving is scary. Being this talented right off the bat is ALSO scary but in a different way. Beep beep, honk honk.

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What year is it? Well, it’s 2024 - but not for long. It’s our last episode of the year! Director of this year’s I SAW THE TV GLOW Jane Schoenbrun joins us to talk about the conclusion of Twin Peaks: The Return, and, by default, the conclusion of our David Lynch series. In a show that intentionally defies the very concept of resolution, how do we put a bow on things? Well, we try! Shout out to Freddie and his glove. Oh, and Merry Christmas. Trauma is originary and unending.

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Dougie gets it on (or, more accurately, Naomi Watts gets HER Dougie on), guest Fran Hoepfner pitches her artisanal slime for adults (don’t steal the idea), and we relitigate LOST for the hundredth time in this penultimate episode of our Twin Peaks: The Return coverage. Can adults get mono? Why is it so hard for Lucy and Andy to buy a chair? THAT is the Audrey Horne plot? Will someone please have sympathy for David Sims, who isn’t going gray yet and desperately wants a cool subway-themed videogame?

Listen to Slow Xmas 4 now on Bandcamp!

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This is the podcast. These are the (two) friends. Drink full, and descend. The famous “Atomic Bomb” episode of The Return stands as one of David Lynch’s most defining works, an “origin story” for Twin Peaks, and one of the most experimental hours ever to air on narrative television. In a rare moment of “double dipping,” Twin Peaks S2 guest Connor Ratliff joins us again to discuss this landmark episode, offering a David Lynch impression that is superior to Griffin’s, which you probably thought could not be topped. We’re offering theories and explanations this episode, but we’re also talking about when Charlie died on Two and a Half Men and how to dodge LIRR fares because, of course. Gotta light?

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Check out Connor’s one-person show “The Acting Class” 

The George Lucas Talk Show, Live and LIVESTREAMED! In NY 

The George Lucas Talk Show at SF Sketchfest

Try and find Connor’s cuts of Twin Peaks: The Return and Sully (Secret Videos) on the Blank Check Website, Sully knows the password.

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It is happening again - we’re covering TV! Or is it an 18-part movie? Much to ponder. We’re heading back to the Pacific Northwest (and Vegas…and New York…and the Red Room…and outer space?) in our first of four episodes covering Showtime’s 2017 series “Twin Peaks: The Return.” So far, we’ve got tulpas, Caleb Laundry Bag, three distinct versions of Dale Cooper, Dr. Jacobi’s gold shovels, Michael Cera doing a bad Marlon Brando impression, creamed corn barf, Matthew Lillard, a cryptic final message from the Log Lady, and a whole slew of David Lynch’s favorite contemporary indie bands. Suffice it to say - we’re hooked!

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Only on Blank Check would an episode about David Lynch’s deeply destabilizing INLAND EMPIRE turn into a heartfelt celebration of creativity and the human experience. David Rees joins us and brings receipts - including literal receipts for every movie ticket he purchased in 2007 and his high school newspaper review of Twin Peaks (a pan) - as we gush about David Lynch’s singular position in American culture. Plus, we delve into tons of Laura Dern context, discuss dreams where you inhabit a different person, and spend an inordinate amount of time talking about the Snuffy Smith comic strip.

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Is it a dream? Is it about a dream? Is it a TV pilot? Is it the greatest film of the 21st century? In any case, Leslye Headland returns to the podcast to talk about David Lynch’s endlessly fascinating 2001 masterpiece MULHOLLAND DR. We may not have all the answers, but we do have a lot of thoughts about Hollywood, about Billy Ray Cyrus, about actors being shoved down audiences’ throats, about diners, about Patrick Fischler’s eyebrows, about the diner owned by Patrick Fischler’s dad, about Naomi Watts’ friendship with Nicole Kidman, about Corky Romano…the list goes on.

If you're in NYC starting November 20th, 2024, check out Leslye's new play Cult of Love

Get Tickets Now

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We apologize in advance if you had a profound emotional experience with the new Robert Zemeckis joint - HERE felt like more of a “Here?? What???? Why?” to us. Dinosaurs, Benjamin Franklin’s cuck son, a man dying from laughter, a horny couple who invent the LA-Z Boy, airplane man (who does NOT die from airplane), and the double whammy of the Black Lives Matter movement and Covid all come together to create a strange boomer diorama that misses much of the quotidian beauty of Richard McGuire’s graphic novel. Will Bobby Z. ever make a good movie again? Griffin’s not feeling bullish on the prospects.

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Walt Disney Pictures Presents A Film By David Lynch. And what a beautiful, expectation-defying, G-rated, cold-glass-of-beer film it is. Dana Stevens joins us to talk about 1999’s The Straight Story, a film that showcases Lynch’s fascination with Americana and his deep empathy for characters on the margins. Join us on a journey through the Midwest (Griffin can’t drive, but he’s a great passenger), where we talk about braunschweiger, cheese castles, bundles of sticks, Chicago theater actors without photos on their IMDB pages, and the fascinating career of actor Richard Farnsworth. Dude was in Gone With the Wind!

Read Dana’s writing at Slate

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Go back and listen Flashback

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