It's time to jack in and try to decode one of the ur-texts of cyberpunk: William Gibson's Neuromancer. It's got everything you'd expect from a cyberpunk story (hackers, cybernetic enhancements, malevolent AI constructs) while also being the one of the reasons you have those expectations in the first place!

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Ironically this week we are succumbing to gravity, reading the book that is the source material for a musical that is the source material for a pair of major motion pictures. But if the musical or movie Wicked led you to the book Wicked, we are here to tell you: these things are not the same!

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What if a play didn't need a "plot" to move you? What if all it needed was a gun on a wall and a bunch of artists besot with unrequired love? That is what Chekhov's The Seagull accomplishes.

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It's the conclusion of our show-within-a-show dedicated to Emily Wilson's new translation of Homer's The Iliad. We read it a few books at a time and had a more in-depth chat about it than we do about most books. This episode covers Books 20-24.

Episode 09: Everybody's "favorite" guy Achillies is finally back on the battlefield! The gods want this to go smoothly, so they step into the fray themselves. But Achilles isn't sparing ANYONE. Even a nearby river is getting messed up! Then we are finally given the main event: Achilles v. Hector. And wouldn't you know, another hero bites the dust.

Episode 10: The grand finale of Stop! Homer Time and of the Iliad itself. First, some big boys play some small games, and then two sworn enemies briefly share a moment of grief and admiration, even as their eventual doom hangs over them both.

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Sing, goddess, of the creativity of Madeline Miller, author of The Song of Achilles. This romance/war history deftly combines the existing canon of Greek epic and myth with a moving story about young Patroclus and his love Achilles. We read a lot of myth this year (including The Iliad) so we have a lot of feelings!

This episode is sponsored by Aura Frames and Brew Book Candle.

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Misanthropy, anxiety, and societal alienation? In this economy?? This week's book and author aren't the most uplifting podcast subjects we've ever covered, but our discussion ended up being an oddly cathartic way to help process election results and the feelings downstream from election results.

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The Wind in the Willows is a classic novel for young readers. But, uh, why? Is it the animals that are basically just Edwardian gentlemen? Is it the deep longing for a nostalgic pastoral past? Is it the friend who is addicted to cars?! Surely, these are all universal childhood experiences.

This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/overdue and get on your way to being your best self.

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It's election season here in the US (please go vote if you're reading this on November 4th or 5th)! And to uh "celebrate" we have chosen to put together a one-hour-and-forty-five-minute episode on Dan Gutman's 1996 book The Kid Who Ran For President, a book that is pretty wild and only made wilder by Scholastic's characteristic late-00s-early-10s stealth updates that "modernize" the text while leaving everything about the story's context totally unchanged.

Our theme music was composed by Nick Lerangis.

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An FBI agent seeks counsel from an imprisoned serial killer on how to apprehend an active serial killer. That's the elevator pitch for the *delicious* thriller Silence of the Lambs, which (along with its hugely successful film adaptation) helped to establish a lot of tropes currently *baked* in to how we tell stories about terrible crimes (whether True Crime or fiction). Scrumptious!

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I Am Legend is a foundational block for a lot of modern zombie fiction (even though its monsters are technically vampires). But it's much less interested in the dog than the 2007 Will Smith adaptation.

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Do you need a ghost story to tell? Maybe one about a bunch of friends who probably shouldn’t be friends anymore? Then Cassandra Khaw has you covered with this flashy little novella about yokai, spooky weddings, and releasing one’s inhibitions.

This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/overdue and get on your way to being your best self.

Our theme music was composed by Nick Lerangis.

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