It’s hard to believe that Fitzcarraldo Editions has only existed for ten years; during that short time, they have published a remarkable selection of books (gathering four Nobel Prizes between them), and their iconic blue and white covers have become a mainstay of the bookshop. To celebrate their first decade, Fitzcarraldo are publishing some of their best-loved titles in hardback, limited edition form.

Brian Dillon and Kate Briggs will be at the shop to discuss their books in this series: Dillon’s Essayism (a gathering together of his loose trilogy on the intimate and abstract pleasures of reading and looking), and Briggs’ This Little Art, a fresh, fierce and timely meditation on literary translation. The conversation will be chaired by Helen Charman, whose political history of motherhood, Mother State, came out earlier this year from Penguin.

In You Can’t Please All (Verso), a sort of sequel to his seminal 1987 memoir Street-fighting Years, Tariq Ali continues the story of a life lived flamboyantly and magnificently on the Left. Pen portraits of friends and comrades such as Edward Said, Derek Jarman, Richard Ingrams, Benazir Bhutto, Mary-Kay Wilmers, E.P. Thompson, Perry Anderson and Robin Blackburn are combined with reflections on his work as a novelist, playwright and film-maker, and as an activist in the War on the War on Terror. Ali was in conversation about his life and work with Oliver Eagleton, associate editor of New Left Review and author of The Starmer Project.

From Jesus Christ to Krautrock via Julian of Norwich and T.S. Eliot, Simon Critchley’s On Mysticism (Profile) brilliantly displays the author’s playful, eclectic erudition in an evocation of the phenomenon he defines, after Evelyn Underhill, as ‘experience in its most intense form.’

Critchley was in conversation about mysticism East and West with the LRB’s James Butler.

Find more events at the Bookshop: https://lrb.me/eventspod

Campaigning journalist Claud Cockburn – defiantly anti-establishment and proudly Communist – had as his watchword ‘believe nothing until it is officially denied’, a saying borrowed by his son Patrick, himself a legendary foreign correspondent, for his biography of his maverick father. Described by schoolfriend Graham Greene as the greatest journalist of the twentieth century, Cockburn was born at the heart of the establishment it became his life’s work to satirise, lampoon and undermine, with reports from Berlin during the rise of Fascism and Spain during the Civil War, as well as New York, Washington and Chicago, where he once conducted an interview with Al Capone.

Patrick Cockburn spoke at the shop about Believe Nothing Until It Is Officially Denied (Verso), and its lessons for journalism then, now and in the future, with journalist Duncan Campbell.

Find more events at the Bookshop: https://lrb.me/eventspod

Listen to Neal Ascherson discuss Claud Cockburn: https://lrb.me/aschersonpod

Get the book: https://www.londonreviewbookshop.co.uk/stock/believe-nothing-until-it-is-officially-denied-claud-cockburn-and-the-invention-of-guerrilla-journalism-patrick-cockburn

Building on his seminal lecture ‘The Shoah After Gaza’ (LRB 21 March 2024) and his earlier books From the Ruins of Empire and The Age of Anger, novelist and essayist Pankaj Mishra’s latest work The World After Gaza (Fern Press) seeks to place the current crisis in Gaza and Palestine within the broader context of the troubled and tragic history of colonialism and anticolonialism. ‘A brilliant book,’ writes William Dalrymple, ‘as thoughtful, scholarly and subtle as it is brave and original. The World After Gaza does what great writing is meant to do: to remind us of what it is to be human, to help us feel another's pain, to reach out and make connections across the trenches of race, colour and religion.’

Mishra is in conversation with curator and producer Gareth Evans.

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Rebecca Solnit’s latest essay collection explores subjects as diverse as the climate crisis, toxic masculinity and the rise of the far right with her usual flair and capacity for radical hope: Merlin Sheldrake has described No Straight Road Takes You There as ‘a book of fierce and poetic thinking - and a guide for navigating a rapidly changing, non-linear, living world’.

Solnit was joined in conversation by investigative journalist and campaigner Carole Cadwalladr.

Find more events at the Bookshop: https://lrb.me/eventspod

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Before she became a well-known novelist, Margaret Atwood was an award-winning poet. She has been publishing poetry for more than 60 years, from the self-published, hand-set Double Persephone in 1961 to its follow up The Circle Game which won the Governor General’s Award, to her latest, critically-acclaimed collection Dearly in 2020. Paper Boat (Chatto & Windus) draws on that impressive body of work, and expands on it with poems previously uncollected, revealing an artist who has somehow always managed to be at the height of her powers, and to have her finger on every pulse.

Atwood appeared at Conway Hall to discuss her work with poet, editor and critic Sarah Howe. They were joined by poets Amy Key and Rachel Long who read poems from Paper Boat throughout the evening.

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‘Every morning, she wakes up to the 18th of November. She no longer expects to wake up to the 19th of November, and she no longer remembers the 17th of November as if it were yesterday.’

Solvej Balle’s septology On the Calculation of Volume (Faber), thirty years in the making, was published in Danish by the author’s own press to huge and universal acclaim: ‘Absolutely, absolutely incredible’ (Karl Ove Knausgaard); ‘Unforgettable’ (Hernan Díaz); ‘A total explosion’ (Nicole Krauss). Now Faber has brought the first two volumes of her masterpiece to an anglophone readership in a vibrant translation by Barbara J. Haveland, the first of which has been nominated for this year’s International Booker Prize.

Balle was joined in conversation by novelist and critic Chris Power.

Get the books: https://www.londonreviewbookshop.co.uk/stock/on-the-calculation-of-volume-i-absolutely-absolutely-incredible.-knausgard-solvej-balle

Find more events at the Bookshop: https://lrb.me/eventspod

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Gliff, the latest novel from Ali Smith, forms the first part of a duology; its title, the Scots word for a glimpse or shock, will be echoed but not replicated in next year’s Glyph. In a dystopian, Kafkaesque fictional lanscape, Smith explores how we make meaning and are made by it, and what it would actually mean for the next generation to sort out our increasingly toxic world.

Smith read from the novel and was in conversation with artist and filmmaker Sarah Wood.

Find more events at the Bookshop: https://lrb.me/eventspod

Get the book: https://www.londonreviewbookshop.co.uk/stock/gliff-ali-smith

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Josh Cohen’s new book, All the Rage (Granta), explores anger, in all its permutations - social media arguments, political divides, road rage, passive aggression – in the words of Deborah Levy, ‘brilliantly investigating what it is when we are enraged’. What should we make of our anger; to what use can we put it? 

Cohen’s previous books include Not Working and The Private Life. He was in conversation with the sociologist and political economist William Davies, whose most recent book is Nervous States: How Feeling Took Over the World.

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