Tim Bowling is the award-winning author of the poetry collection In the Capital City of Autumn (Wolsak & Wynn, April 9, 2024). Tim is the author of twenty-four works of fiction, nonfiction, and poetry. He is the recipient of numerous honours, including two Edmonton Artists’ Trust Fund Awards, five Alberta Book Awards, a Queen Elizabeth II Platinum Jubilee Medal, two Writers’ Trust of Canada nominations, two Governor General’s Award nominations and a Guggenheim Fellowship in recognition of his entire body of work.

In the Capital City of Autumn is an absorbing collection of poems that show Bowling’s mastery of language and imagery. Now living in Edmonton, Tim spent the first thirty years of his life in the town of Ladner, BC, at the mouth of the Fraser River, where he worked in the salmon fishing industry. His love of the natural world, along with his love of language, and his experiences as a child and as a father of three children (now young adults) all reveal themselves in his unmistakably transcendent poems that trace universal themes of love, loss, and finding home.

Bowling has yet again proven himself to be one of the prominent voices in Canadian poetry with this new collection, and cemented himself further as a must-read author.

More About In the Capital City of Autumn:

Tim Bowling is in top form in his latest collection of poetry, In the Capital City of Autumn. Threading through autumnal themes such as the loss of his mother and the demolition of his childhood home, his children growing and the inevitable passage of time, Bowling writes with rich lyricism and imagery. Sweet William and loosely woven woollen mitts for his mother, the moon as “an egg in the pocket of a running thief” for time, salmon for eternity. In the Capital City of Autumn, the characters of The Great Gatsby come to life, and three a.m. brings wisdom. These are masterful poems, lightened with a touch of whimsy, poems to sink into on a quiet evening.

About Hollay Ghadery:

Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.

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Armand Garnet Ruffo's staggeringly powerful poetry collection, The Dialogues: The Song of Francis Pegahmagabow, was published in spring 2024 by Wolsak & Wynn. This collection of poems and lyric essays brings to life not only the story of the famed WWI Indigenous sniper, but also the complexities of telling Indigenous stories.

From Wasauksing (Parry Island) to the trenches of WWI to the stage, Ruffo moves seamlessly through time in these poems, taking the reader on a captivating journey through Pegahmagabow’s story and onto the creation of Sounding Thunder, the opera based on his life. Throughout, Ruffo uses the Ojibwe concept of two-eyed seeing, which combines the strengths of western and Indigenous ways of knowing, and invites the reader to do the same, particularly through the inclusion of the Anishinaabemowin language within the collection.

These are poems that challenge western conventions of thinking, that celebrate hope and that show us a new way to see the world. The collection also just won the Betsy Garland Award for hybrid genre books.

Armand Garnet Ruffo is an Anishinaabe writer from Treaty #9 territory in northern Ontario. A recipient of an Honourary Life Membership Award from the League of Canadian Poets and the Latner Griffin Writers’ Trust Poetry Prize, he is recognized as a major contributor to both Indigenous literature and Indigenous literary scholarship in Canada. His publications Norval Morrisseau: Man Changing into Thunderbird (2014) and Treaty # (2019) were finalists for Govenor General’s Literary Awards. He teaches at Queen’s University in Kingston, Ontario.

Hollay Ghadery is a multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, is scheduled for release with Gordon Hill Press in fall 2024. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.

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In the poetry collection Prayers of a Heretic (Plain View Press, 2015), Yermiyahu Ahron Taub explores the "crime" of heresy and the condition of existential displacement through the language of prayer and prayerful voice/s. In the first section, "Visits and Visitations," the poet imagines a variety of protagonists in situations of supplication. The second section, "In the Gleaning," examines the life, transgressions, and prayers of the title character and the primacy of books, libraries, and reading for refuge and reconfiguration. Eschewing a secular/religious divide, the book offers an expansive interpretation of the enduring power of prayer. Four poems also have a Yiddish version.

Interviewee: Yermiyahu Ahron Taub is a poet, writer, and translator of Yiddish literature. Taub earned a Master of Arts degree in history from Emory University and a Master of Library and Information Science degree from Queens College, City University of New York.

Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.

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Dr. Dennis Wuerthner’s Poems and Stories for Overcoming Idleness: P’ahan chip by Yi Illo (U Hawaii Press, 2024) is the first complete English translation of one of the oldest extant Korean source materials. The scholar, Yi Illo (1152–1220), filled this collection with poetry by himself and diverse writers, ranging from Chinese master poets and Koryŏ-era kings, to long-forgotten lower-level officials and rural scholars. The verse compositions are embedded in short narratives by Yi that provide context for the poems, a combination called sihwa.

The book contains a comprehensive introduction that explores the lives of Yi Illo and his contemporaries, and the political landscape at the time this collection came into being. The translation itself is richly annotated to provide context to the allusions and to explore possible meanings.

The publication is an excellent resource for readers interested in the political and social environment of the Koryŏ Dynasty (918–1392) and for anyone with a love for poetry and prose.

Dr. Dennis Wuerthner is assistant professor of East Asian literature in the Department of World Languages and Literatures, at Boston University. He holds a PhD from Ruhr University in Bochum and his main field of research is Korean literature, history and culture in a broader East Asian context.

Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo.

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Poetry is a commentary on life, on the human longing to find shelter in a space where the spiritual and the physical, the holy and the profane meet. For thousands of years, the exploration of text, of words, of what was not said between the lines has been a creative and meaning-making outlet for Jewish scholars and artists. With Tashlikh (Ben Yehuda Press, 2024), Tikva Hecht inscribes herself into this tradition, adding her distinct and honest voice, inquisitive, meditative, enchanting.

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Nicholas Molbert's Altars of Spine and Fraction (Curbstone Press/Northwestern UP, 2024) follows its protagonist through the joys and dangers of childhood on the rural Gulf Coast, through familial loss, and into adulthood. Refusing to romanticize what has been lost, Molbert instead interrogates how nostalgia is most often enjoyed by those with the privilege to reject or indulge it.

Violent hurricanes sweep across the landscapes of the poems, and Molbert probes the class inequalities that these climate crises lay bare. Moving from outdoor rural spaces in its first half to indoor domestic spaces in its second half, the collection explores family history, generational trauma, and the toxic masculinity that is shouldered by the boys raised in the Deep South.

Born and raised on Louisiana’s Gulf Coast, Nicholas lives in Los Angeles. He is the author of Altars of Spine and Fraction: Poems (Northwestern University Press / Curbstone Books, 2024) and two poetry chapbooks from Foundlings Press: Goodness Gracious (2019) and Cocodrie Elegy (2024). You can find his work in places like The Cincinnati Review, The Greensboro Review, Mississippi Review, and Missouri Review among others. He holds a PhD from the University of Cincinnati and an MFA from the University of Illinois at Urbana-Champaign. You can find him on Instagram @nicholasmolbert and online at nicholasmolbert.com.

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Lesbian poetry as a form of socio-political praxis in the Philippine context. This episode’s guest argues that lesbian writing – by lesbians and about lesbians – is a form of activism and decolonial praxis, as well as an important form of political identity.

Dr Naomi Cammayo’s academic/literary interests are within the fields of poetry, Philippine Studies, lesbian feminism and queer feminism. She is currently a tutor at the University of Sydney’s School of Art, Communication and English and the School of Languages and Cultures.

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Scholars, critics, and creators describe certain videogames as being “poetic,” yet what that means or why it matters is rarely discussed. In Game Poems: Videogame Design as Lyric Practice (Amherst College Press, 2023), independent game designer Jordan Magnuson explores the convergences between game making and lyric poetry and makes the surprising proposition that videogames can operate as a kind of poetry apart from any reliance on linguistic signs or symbols.

This rigorous and accessible short book first examines characteristics of lyric poetry and explores how certain videogames can be appreciated more fully when read in light of the lyric tradition—that is, when read as “game poems.” Magnuson then lays groundwork for those wishing to make game poems in practice, providing practical tips and pointers along with tools and resources. Rather than propose a monolithic framework or draw a sharp line between videogame poems and poets and their nonpoetic counterparts, Game Poems brings to light new insights for videogames and for poetry by promoting creative dialogue between disparate fields. The result is a lively account of poetic game-making praxis.

Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.

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Fierce and unflinching, Rochelle Potkar's poetry springs from the deeply personal and ripples out to the world, capturing lovers' whispers and reverberations of explosions with equal ease. Vividly depicting love, grief, anger, and defiance, these poems glimmer like coins beneath the water surface, tethered with the weight of wishes clinging to them. As sensuous as it is articulate, Coins in Rivers (Hachette India, 2024) is a deep meditation on womanhood, motherhood, and citizenship.

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In Christian Collier's debut poetry collection, Greater Ghost (Four Way Books, 2024), this extraordinary Black Southern poet precisely stitches the sutures of grief and gratitude together over our wounds. These pages move between elegies for private hauntings and public ones, the visceral bereavement of a miscarriage alongside the murder of a family member, and the specter of police brutality. With a profound awareness of literary tradition, Collier enters into the American canon and dialogues with Black Southern noir--a poem like "Beloved," whose title expresses not only a genuine tenderness in its term of endearment but invokes Morrison, contextualizes this book within the legacy of racial injustice in the U.S., presenting again the prolific losses and disproportionate Black mortality across time, and yet remembers the resilience of love and transformative possibility of self-actualization from inside tragedy.

Christian J. Collier is a Black, Southern writer, arts organizer, and teaching artist who resides in Chattanooga, TN. He is the author of Greater Ghost (Four Way Books, 2024), and the chapbook The Gleaming of the Blade, the 2021 Editors’ Selection from Bull City Press. His work has appeared or is forthcoming in The Atlantic, Poetry, December, and elsewhere. A 2015 Loft Spoken Word Immersion Fellow, he is also the winner of the 2022 Porch Prize in Poetry and the 2020 ProForma Contest from Grist Journal.

Instagram: @ichristian3030

Twitter: @ichristian3030

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Yanagawa Seigan (1789–1858) and his wife Kōran (1804–79) were two of the great poets of nineteenth-century Japan. They practiced the art of traditional Sinitic poetry—works written in literary Sinitic, or classical Chinese, a language of enduring importance far beyond China’s borders. Together, they led itinerant lives, traveling around Japan teaching poetry and selling calligraphy. Seigan established Edo-period Japan’s largest poetry society and attained nationwide renown as a literary figure, as well as taking part in stealthy political activities in the years before the Meiji Restoration. Kōran was one of the most accomplished female composers of Sinitic poetry in Japanese history. After her husband’s death, she was arrested and imprisoned for six months as part of a crackdown on political reform. Seigan and Kōran’s works at once display mastery of a poetic tradition and depict Japan on the brink of monumental change.

The Same Moon Shines on All: The Lives and Selected Poems of Yanagawa Seigan and Kōran (Columbia UP, 2024) explores the world of Seigan and Kōran, pairing an in-depth account of their lives and times with an inviting selection of their poetry. The book features eminent Sinologist Jonathan Chaves’s translations of more than 130 poems by Seigan and more than 50 by Kōran, each annotated and followed by the original Chinese text. An introduction by Matthew Fraleigh, a specialist in Japan’s Sinitic literature, offers insight into the historical and literary context as well as the poems themselves. Approachable and delightful, this book makes the riches of Japanese Sinitic poetry available to a range of readers.

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