Today I talked to Benjamin Resnick about his novel Next Stop (Simon and Schuster, 2024)

A hole opens in the universe and suddenly consumes a building, then a neighborhood, and then the entire country of Israel. Conspiracies and antisemitic paranoia simmer, violence erupts, and life for Jews around the globe becomes even more hate filled. But Ethan and Ella, both Jewish, meet and fall in love in an unnamed American city. Their relationship has its challenges, including those involving Ella’s seven-year-old son, but their biggest struggle is trying to survive. Then thousands of airplanes disappear, borders close, and the world unravels more. Drones and robotic dogs patrol the streets and Jews are forced to live in a single neighborhood, slyly named after the historical Pale of Settlement. Some Jews escape to underground cities and others are join militias and resistance efforts, but Ella and Ethan are trying to find things to smile about in this thought-provoking, dystopian novel about cultural memory, societal crisis, and living in an upside-down world. 

Benjamin Resnick is a writer and the rabbi of the Pelham Jewish Center. Before joining the PJC in 2021, he served as Rav Beit HaSefer at Solomon Schechter Day School of Metropolitan Chicago and as Rabbi and Education Director at Congregation Ahavas Achim in Newburyport, Massachusetts. Resinick majored in Literary Arts at Brown University in 006 and was ordained at the Jewish Theological Seminary in 2014. He has written nonfiction for multiple publications, including the Washington Post, The Forward, Tablet, Modern Judaism and My Jewish Learning. Benjamin is married to journalist Philissa Cramer, who is currently editor-in-chief of the Jewish Telegraphic Agency. They have two boys, Jonah and Gabriel. In his free time, he enjoys gardening, playing squash, and the Chicago Cubs.

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It's been almost five years since a wrathful extraterrestrial called Rex perpetrated a mass shooting that caused hundreds of millions of people to take their own lives. The world has mourned its losses and moved on, trying to adhere to The Pledge to save themselves from more violence. But when a solar storm conceals the dangerous activities being done at the hotel, Tia must figure out who these strangers are and what they are doing before the shooting's anniversary.

Are these strange and beautiful people adhering to The Pledge? Or are they creating their own violent and nefarious rules in order to change the world? Tia has only days to determine whose side they are on-not to mention, whose side she is on-but first, she must stay alive.

CK Westbrook’s books are spellbinding and most enchanting. Just when you think you are reading a sci fi book filled with fantastical stories about extra-terrestrial characters who can control all things earthly, it dawns on you that the author is trying to convey something very important about our planet.

A woman of many talents—a mystery writer, an environment expert on space and space debris and someone with a superb imagination—CK Westbrook knows how to tell a story which is what makes her books come to life.

As she begins introducing new characters in The Aftermath (4 Horsemen, 2024) who were not known to readers previously, I felt as though I knew what Tia was experiencing as she walked down the street with row-houses in a neighborhood that was reminiscent of her childhood, or was it? Where did she grow up and what does growing up mean in Tia’s world? As the story unfolds these questions become very relevant.

Will there be a fifth book? Will readers have an opportunity to learn more about Rex, Kate, Sinclair, Tia and Ian? I hope with great anticipation that there will be other “teachers” CK Westbrook introduces us to so we can learn more about ourselves, space and her fantasy world that is peppered with truth and fiction. Westbrook crafted a world that feels both post-apocalyptic and very real to the present. And oh man, when that big reveal hits... watch out. - P.C. Nottingham, sci-fi author of the Earthquake War series

Westbrook has created an imaginative and surprising post-shooting world with suspenseful twists, while providing fascinating commentary on society through the revelations and choices Tia, the main character, confronts. - Chelsea Henderson, author of Glacial, The Inside Story of Climate Politics

Westbrook’s books are spellbinding and enchanting. - Karyne Messina, Ed.D. author, psychoanalyst, and podcast host for The New Books Network.

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When three people in Philadelphia inhale dust developed by a scientist who has discovered parallel universes, they are transported into an interdimensional no-man's-land that is populated by supernatural beings. From there, they go on to an alternate-future version of Philadelphia—a frightening dystopian nation-state in which citizens are numbered, not named. How will they escape? In The Heads of Cerberus and Other Stories (MIT Press, 2024), introduced by Dr. Lisa Yaszek, you will find this world-bending story as well as five others written by Francis Stevens, the pseudonym of Gertrude Barrows Bennett, a pioneering science fiction and fantasy adventure writer from Minneapolis who made her literary debut at the precocious age of 17.

Often celebrated as “the woman who invented dark fantasy,” Bennett possessed incredible range; her groundbreaking stories—produced largely between 1904 and 1919—suggest that she is better understood as the mother of modern genre fiction writ large. Bennett's work has anticipated everything from the work of Philip K. Dick to Superman comics to The Hunger Games, making it as relevant now as it ever was.

Francis Stevens (Gertrude Barrows Bennett, 1884-1948) was the first American woman to publish widely in fantasy and science fiction. Her five short stories and seven longer works of fiction, all of which appeared in pulp magazines such as Argosy, All-Story Weekly, and Weird Tales, would influence everyone from H.P Lovecraft to C.L. Moore.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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A different kind of Star Trek television series debuted in 1993. Deep Space Nine was set not on a starship but a space station near a postcolonial planet still reeling from a genocidal occupation. The crew was led by a reluctant Black American commander and an extraterrestrial first officer who had until recently been an anticolonial revolutionary. DS9 extended Star Trek’s tradition of critical social commentary but did so by transgressing many of Star Trek’s previous taboos, including religion, money, eugenics, and interpersonal conflict. DS9 imagined a twenty-fourth century that was less a glitzy utopia than a critical mirror of contemporary U.S. racism, capitalism, imperialism, and heteropatriarchy.

Thirty years after its premiere, DS9 is beloved by critics and fans but remains marginalised in scholarly studies of science fiction. Drawing on cultural geography, Black studies, and feminist and queer studies, A Different Trek: Radical Geographies of Deep Space Nine (University of Nebraska Press, 2023) by Dr. David Seitz is the first scholarly monograph dedicated to a critical interpretation of DS9’s allegorical world-building. If DS9 has been vindicated aesthetically, this book argues that its prophetic, place-based critiques of 1990s U.S. politics, which deepened the foundations of many of our current crises, have been vindicated politically, to a degree most scholars and even many fans have yet to fully appreciate.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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n this special Star Trek Day episode on the New Books Network, hosted by Dessy Vassileva from Vernon Press, we celebrate over 55 years of Star Trek with a deep dive into the book Star Trek: Essays Exploring the Final Frontier (Vernon Press, 2023). Co-editors Emily Strand and Amy H. Sturgis join the discussion to explore how Star Trek has shaped science fiction and contributed to broader academic and cultural conversations around speculative fiction.

The anthology, unlike many works that focus on specific parts of the franchise or narrow perspectives, offers a multidisciplinary look at Star Trek, with contributions from scholars across disciplines. From the franchise’s 1966 debut to its latest incarnations, the book covers its influence on fandom, its philosophical and societal implications, and its exploration of contemporary issues such as post-humanism and conspiracy theories in Voyager. The co-editors emphasize Star Trek’s unique ability to address diverse topics and inspire action, both in academic circles and fan communities.

The origins of the book trace back to an invitation from Vernon Press, when Emily approached Amy for a collaboration that eventually resulted in two separate volumes—one on Star Wars and one on Star Trek. Both books have garnered significant academic interest, and the co-editors aimed to create works accessible to scholars, students, and fans alike.

In this episode, Amy and Emily also reflect on their personal journeys into science fiction, from Amy’s early exposure to Star Trek through her family, to Emily’s adult discovery of the franchise after a passion for speculative fiction ignited by Harry Potter. Their conversation highlights Star Trek’s ability to continue resonating with global audiences, addressing issues of diversity, social justice, and human potential in an ever-evolving narrative universe.

Listeners interested in the sister volume on Star Wars can check out the related podcast episode here: Star Wars: Essays Exploring a Galaxy Far, Far Away.

Vernon Press – Bridging Scholarly Ideas and Global Readership

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In The People of the Ruins (originally published in 1920), Edward Shanks imagines England in the not-so-distant future as a neo mediaeval society whose inhabitants have forgotten how to build or operate machinery. Jeremy Tuft is a physics instructor and former artillery officer who is cryogenically frozen in his laboratory only to emerge after a century and a half to a disquieting new era. Though at first Tuft is disconcerted by the failure of his own era's smug doctrine of Progress, he eventually decides that he prefers the post civilised life. But, when the northern English and Welsh tribes invade, Tuft must set about reinventing weapons of mass destruction.

One of the most critically acclaimed and popular postwar stories of its day, The People of the Ruins captured a feeling that was common among those who had fought and survived the Great War: haunted by trauma and guilt, its protagonist feels out of time and out of place, unsure of what is real or unreal. Shanks implies in this seminal work, as Dr. Paul March-Russell explains in the book's introduction, that the political system was already corrupt before the story began, and that Bolshevism and anarchism—and the resulting civil wars—merely accelerated the world's inevitable decline.

A satire of Wellsian techno-utopian novels, The People of the Ruins is a bold, entertaining, and moving postapocalyptic novel contemporary readers won't soon forget.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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For years, fans have been clamoring for novels about the Horus Heresy - the bloody civil war that set Space Marine against Space Marine and nearly spelled the end of mankind at the hands of the traitor Horus. False Gods takes the epic story onwards as Horus struggles to keep his armies in line and the seeds of his downfall are sown.

Join us as we speak with Graham McNeill about one of his several contributions to the Horus Heresy series, False Gods!

Graham McNeill, currently a freelance writer, has written for Games Workshop and for Riot Games in Los Angeles. His Horus Heresy novel, A Thousand Sons, was a New York Times bestseller, and Empire, the second novel in the Sigmar trilogy, won the 2010 David Gemmell Legend Award for best fantasy novel. You can visit Graham’s website here: https://graham-mcneill.com/

Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus, and Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus, and Exodus Old and New: A Biblical Theology of Redemption, and Numbers 1-19, Numbers 20-36. He can be reached at [email protected]

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'Star Wars' is a global phenomenon that in 2022 celebrated its 45th year of transmedia storytelling, and it has never been more successful than it is today. More 'Star Wars' works than ever are currently available or in simultaneous development, including live-action and animated series, novels, comics, and merchandise, as well as the feature films for which the franchise is best known. 'Star Wars' fandom is worldwide, time-tested, and growing; academic interest in the franchise, both inside and outside of the classroom, is high. This accessible and multidisciplinary anthology covers topics across the full history of the franchise.

With a range of essays by authors whose disciplines run from culture and religious studies to film, feminism, and philology, Star Wars: Essays Exploring a Galaxy Far, Far Away (Vernon Press, 2023) speaks to academics in the field, students in the classroom, and anyone looking to broaden their understanding and deepen their appreciation for 'Star Wars'.

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In his new story collection Convergence Problems (DAW Books, 2024), Wole Talabi investigates the rapidly changing role of technology and belief in our lives as we search for meaning, for knowledge, for justice; constantly converging on our future selves. In “An Arc of Electric Skin,” a roadside mechanic seeking justice volunteers to undergo a procedure that will increase the electrical conductivity of his skin by orders of magnitude. In “Blowout,” a woman races against time and a previously undocumented geological phenomenon to save her brother on the surface of Mars. In “Ganger,” a young woman trapped in a city run by machines must transfer her consciousness into an artificial body and find a way to give her life purpose. In “Debut,” Nairobi-based technical support engineer tries to understand what is happening when an AI art system begins malfunctioning in ways that could change the world. The sixteen stories of Convergence Problems, which include work published for the first time in this collection, rare stories, and recently acclaimed work, showcase Talabi at his creative best: playful and profound, exciting and experimental, always interesting.

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It’s the UConn Popcast, and today we discuss Netflix’s new screen adaptation of Chinese science fiction author Liu Cixin’s Three Body trilogy. We discuss the battle between the eye and the idea in film and television science fiction, and whether the new show strikes a successful balance. We consider some of the challenges involved in adapting this distinctively Chinese literary work for a non-Chinese audience, and what might have been lost in doing so. And we think more broadly about the genre of hard science fiction: to whom does it appeal and what is it trying to accomplish?

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Sixteen-year-old Odile is an awkward, quiet girl vying for a coveted seat on the Conseil. If she earns the position, she'll decide who may cross her town's heavily guarded borders. On the other side, it's the same valley, the same town. Except to the east, the town is twenty years ahead in time. To the west, it's twenty years behind. The towns repeat in an endless sequence across the wilderness.

When Odile recognizes two visitors she wasn't supposed to see, she realizes that the parents of her friend Edme have been escorted across the border from the future, on a mourning tour, to view their son while he's still alive in Odile's present.

Edme--who is brilliant, funny, and the only person to truly see Odile--is about to die. Sworn to secrecy in order to preserve the timeline, Odile now becomes the Conseil's top candidate. Yet she finds herself drawing closer to the doomed boy, imperiling her entire future.

A breathlessly moving "unique take on the intersection of fate and free will" (Nikki Erlick, author of The Measure), The Other Valley (Astria Books, 2024) is "a stellar debut, full of heartbreak and hope wrapped up in gorgeous prose" (Christina Dalcher, author of Vox).

Scott Alexander Howard lives in Vancouver, British Columbia. He has a PhD in philosophy from the University of Toronto and was a postdoctoral fellow at Harvard, where his work focused on the relationship between memory, emotion, and literature. The Other Valley is his first novel.

• Jan Zwicky, The Long Walk
• Morgan Talty, Fire Exit
• Lily Wang, Silver Repetition

Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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