I blogcast about Artist stuff. And Arts Related stuff. Also feminism.
While talking with a friend about the ups and downs of making money from writing on the internet, it occurred to me that almost all the support I receive is from people who know me in real life. There are exceptions, of course, but the vast majority of support comes from friends, family and friends of friends and family. As I told my friend, I have found that my only successful marketing strategy has ever been to make friends with people. And truth be told, I tend to think of any supporters I haven’t met in real life as friends, too. So…I don’t feel like there’s anyone there who isn’t a friend.
To keep reading Discoverability Is the Issue visit the Songs for the Struggling Artist blog.
This is Episode 431
Song: Cherry Tree
Image by Annie Spratt via Unsplash
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As ever, I am yours,
Emily Rainbow Davis
The dance piece was genuinely terrible. The dancer couldn’t really dance. The choreographer seemed to have a four movement/gesture vocabulary and the “concept” was cringe-inducing. I could tell you more about it, and I’m tempted to, because talking about terrible art can be very fun, but I think any further details would start to be hurtful and maybe mean. These artists have no real power yet. They don’t deserve a take-down.
I spent about a third of the piece trying to imagine what jobs these people would have in the future where they would tell their co-workers, “I used to be a dancer!” And they’ll say, “Really? How wild!” And then they’ll all go see the latest Nutcracker together.
If it isn’t already obvious, these artists were young. They had not yet acquired any skill or vision or discernment. They were given an audience and a platform they were not ready for and it was hard to watch. Was I jealous? Absolutely. I’d love for someone to gift me a stage and an audience. I do not take such things for granted. But I also don’t blame these young artists for their wretched show.
To keep reading What Should We Do With All This Bad Art? visit the Songs for the Struggling Artist blog.
This is Episode 430
Song: All This Useless Beauty
Image by Tania Malréchauffé via Unsplash
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As ever, I am yours,
Emily Rainbow Davis
When I spent my junior year of college in Italy, I found myself not particularly bothered by the catcalling there. While there was a lot more of it, it always seemed kind of good natured. When I walked down the street, men shouted, “Bella! Ti amo!” (“Beautiful, I love you!”) And you know, I didn’t mind because I felt no implied threat behind it. It just felt like a kind of sweet spontaneous expression of appreciation.
When I got catcalled in the US, my home country, there was always something kind of dark and aggressive behind the catcalls. Someone telling me to smile suggested that they’d give me something to frown about if I didn’t comply. Also, “Nice tits,” isn’t quite as pleasant an interaction as being told you’re beautiful and loved. No one in America would ever shout “I love you!”
To keep reading America Hates Women a Lot More than I Realized, visit the Songs for the Struggling Artist blog.
This is Episode 429
Song: Cose Della Vita
Image by one of my friends (Probably Rachel?)
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Listen to The Dragoning here and The Defense here. You can support them via Ko-fi here: https://ko-fi.com/messengertheatrecompany
As ever, I am yours,
Emily Rainbow Davis
My jaw hit the floor when Catherine O’Hara, comedic genius, said she used to tell her ideas to Dave Thomas so he could pitch them to their SCTV group instead of her. Catherine O’Hara?! One of the most innovative performers we have, had as much trouble getting ideas out in a meeting as a lot women have?! She was on a podcast, telling this to Julia Louis-Dreyfus, a similarly remarkable comedic mind, who then shared that she, Julia Louis-Dreyfus, still, after decades of comedic accomplishments, has to push herself to pitch her ideas. These are two of the greats. Both of them came up in groups where they were often one of two women in groups of men and surprise, surprise, experienced the same sort of difficulties many women have encountered. In these ensembles where the competition was for the funniest bit, the most effective laugh, they managed to succeed but it sounds like it was not easy. It sounds like they experienced a lot of something I’ve come to call The Little Sister Effect.
To keep reading The Little Sister Effect, visit the Songs for the Struggling Artist blog.
This is Episode 428
Song: Sister Golden Hair
Image by Kyle Nieber via Unsplash.
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Listen to The Dragoning here and The Defense here. You can support them via Ko-fi here: https://ko-fi.com/messengertheatrecompany
As ever, I am yours,
Emily Rainbow Davis
It’s the day after election day. It was a rough night and I’m here at a café on the Upper East Side to write through this difficult moment. It’s 75 degrees in New York City in November (Nothing to worry about! No global warming to see here! Good thing no one’s declared a climate emergency yet!) so the patio is more full than usual. The man at the table next to me turns his body to directly face me, away from his table. It is a full body stare.
To keep reading Trying to Write the Day After the Election, visit the Songs for the Struggling Artist blog.
This is Episode 427
Song: Every Breath You Take
Image of a staring man by Jordan Koons via Unsplash.
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Listen to The Dragoning here and The Defense here. You can support them via Ko-fi here: https://ko-fi.com/messengertheatrecompany
As ever, I am yours,
Emily Rainbow Davis
My library finally re-opened post-pandemic and I went in for a celebratory look around. Though it supposedly had been re-modeled, it seemed to look exactly the same. (Except now there seemed to be no way to access the card catalogue? WTF?) I took a look at the theatre section because, you know, Theatre Nerd, and was struck by how much the selection of plays resembled the selection of plays that were in the library when I was growing up. It struck me that the accepted literary canon of theatrical greatness has not really been updated since the 1950s. When I was growing up, the theatre section looked like Arthur Miller and Tennessee Williams. And today, the theatre section looks like mostly Arthur Miller and Tennessee Williams. This doesn’t mean that theatre folk only read Miller and Williams but I think it does mean that the culture as a whole still only considers Miller and Williams worth keeping in the collection. There may be a scattered addition from a contemporary writer – maybe if it’s a library that’s really trying to expand, you’ll see some August Wilson or Suzan Lori Parks or an Anna Deavere Smith. My library had an Annie Baker, even. But for the most part, in libraries and bookstores across America, the bulk of a theatre section will be Arthur Miller and Tennessee Williams – maybe, on occasion, some Mamet, Albee, Simon or Durang – but most shelves will be the Miller and Williams collection. I’m curious about this.
To keep reading The Canon Is Stuck visit the Songs for the Struggling Artist blog.
This is Episode 426
Song: Love Me Tender
Image of the Queens Public Library play shelf by me, Emily Rainbow Davis
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Listen to The Dragoning here and The Defense here. You can support them via Ko-fi here: https://ko-fi.com/messengertheatrecompany
As ever, I am yours,
Emily Rainbow Davis
Trigger Warning: I don’t think this piece is any more triggering than just living in the world at the moment but if you’re not feeling like reading the words r*pe and r*pist a bunch, just skip this one, my friends.
*
It’s Election Day in New York City. Astoria, particularly.
I see a guy in a Trump baseball hat. We don’t see a lot of those around here and I hope we never will again but watching him make his jaunty way up the sidewalk playing his air piano, I started to think about how he’s marked himself as someone dangerous, someone to avoid.
To keep reading Something I Was Thinking About On Election Day 2024 visit the Songs for the Struggling Artist blog.
This is Episode 425
Song: Step Off
Image by Bernd Dittrich via Unsplash
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Listen to The Dragoning here and The Defense here. You can support them via Ko-fi here: https://ko-fi.com/messengertheatrecompany
As ever, I am yours,
Emily Rainbow Davis
A video I saw on BlueSky of a guy playing a cigar box guitar, while wearing a tin can helmet/mask, made me think of a teacher I had many years ago. That teacher told us to call him Professor Bobo (his name was Bobby Hansson) and he wore loud Hawaiian shirts with even louder wide neck ties. He had a big white and grey beard and his straight gray hair was cut a bit below his ears. He had the look of a 70s Santa on vacation. I adored him.
I took a workshop with him at Penland School of Crafts at the suggestion of a friend who was a full time student there. Even though I didn’t have any particular interest in his subject matter at the time, she knew I would be inspired by his style. The class was Tin Can Artwork and today I’m even gladder that I took it than I was at the time.
To keep reading An Ode to Professor Bobo or to see the image better, visit the Songs for the Struggling Artist blog.
This is Episode 424
Song: The Tin Can Man
Image by Bobby Hansson
Video about Bobby Hansson here.
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Listen to The Dragoning here and The Defense here. You can support them via Ko-fi here: https://ko-fi.com/messengertheatrecompany
As ever, I am yours,
Emily Rainbow Davis
A few days after the election, I received a piece of writing in my email inbox about art and fascism. It was a thoughtful piece and good advice but I also thought, “Yeah, I wrote almost the same piece in 2016. This lady’s is a newsletter, mine was a blog but the content is almost exactly the same.” Did this lady copy me from 8 years ago? No. Not a chance. She’s a big shot. I’m sure she’s never seen my blog.
I think what we’re seeing is that there’s not much to say this time that we didn’t say the last time our country elected an authoritarian fascist. (The same one!)
To keep reading The Resistance Will Be Recycled visit the Songs for the Struggling Artist blog.
This is Episode 423
Song: Here Comes the Rain Again
Image by Andrea Huls Pareja via Unsplash
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Listen to The Dragoning here and The Defense here. You can support them via Ko-fi here: https://ko-fi.com/messengertheatrecompany
As ever, I am yours,
Emily Rainbow Davis
It had been a long time since I’d seen a play, so I was kind of excited when the lights went down. When they came up, one of the three women on stage said, “Where should we begin?” and my head just sank into my hand in disappointment. I instantly knew the play I was going to spend the next couple of hours with, would not be great.
To keep reading Please Don't Start Your Play Like This visit the Songs for the Struggling Artist blog.
This is Episode 422
Song: Start With the Ending
Image by Markus Spiske via Unsplash
To support this podcast:
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Tell a friend!
Listen to The Dragoning here and The Defense here. You can support them via Ko-fi here: https://ko-fi.com/messengertheatrecompany
As ever, I am yours,
Emily Rainbow Davis
As I rounded the block of my polling place, I saw a couple bent over one of the VOTE HERE arrows on the sidewalk, filming a video. They were wrapping up, saying something about saving our country. Then they noticed me. I haven’t been able to stop thinking about the look they gave me when they looked up and saw me approaching. It was a kind of chagrin, I think – but also a lot like the look a child will give you when you catch them doing something you’ve expressly told them not to do. “No hitting!” you’ve said and then, you round the corner and they give you this look. You know what they were doing.
Based solely on this look I received, I assumed those two had just voted for Trump and it made me wonder, “Do they know they’re being assholes? Is that why they look so guilty? Do they know they’re doing a destructive thing and is that maybe why they’re doing it?”
To keep reading What Can I Say to Keep You from Putting Your Finger in that Socket? visit the Songs for the Struggling Artist blog.
This is Episode 421
Song: Houston We Got a Problem
Image by Parzeus via Wikicommons
To support this podcast:
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Tell a friend!
Listen to The Dragoning here and The Defense here. You can support them via Ko-fi here: https://ko-fi.com/messengertheatrecompany
As ever, I am yours,
Emily Rainbow Davis
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