In this week’s Book Club podcast, we’re contemplating the astounding achievement of F. Scott Fitzgerald’s The Great Gatsby in its 100th year. My guest is Professor Sarah Churchwell, author of Careless People: Murder, Mayhem and the Making of The Great Gatsby, as well as the introduction to Cambridge University Press’s new edition of the novel. Sarah tells me what we get wrong about this Jazz Age classic, why Fitzgerald’s antisemitism shouldn’t necessarily get him cancelled, and how Fitzgerald’s great novel traces the arc that leads from 1925 to Donald Trump’s second inauguration.

My guest in this week’s Book Club podcast is Orlando Reade, whose book What in Me Is Dark: The Revolutionary Life of Paradise Lost describes the life and afterlife of one of the greatest poems in the language. Orlando tells me how Milton’s epic has been read with – and against – the grain over the centuries; how it went from being a totem of English exceptionalism to being an encouragement to postcolonial revolutionaries and political thinkers from Malcolm X to C. L. R. James; how the modernists wrestled with Milton… and how Jordan Peterson gets it wrong.

In this week’s Books podcast, I am joined by Rachel Cooke, who edits the new book The Virago Book of Friendship. Rachel unpacks the intense, often enigmatic dynamics of female friendships in a spry and very dip-in-and-out-able anthology of writing about female friendship in an exhilaratingly wide array of forms, from high culture to low.

There are many gems to cackle over, including: an incomparably tender and exact description of Hannah Arendt by Mary McCarthy; a wonderful, worm-turning character assassination of the ghastly Susan Sontag by her former disciple, Terry Castle; and the revelation that Elizabeth Bishop and Marianne Moore were boon companions for two whole years before they stopped calling each other ‘Miss Bishop’ and ‘Miss Moore’.

In this week's Book Club podcast I'm joined by the Nobel Prize winning novelist Orhan Pamuk to talk about the publication of Memories of Distant Mountains: Illustrated Notebooks. Right up to early adulthood, Orhan had imagined he was destined to be a painter, but then his life took another turn. In these illustrated notebooks he marries words and images in an elliptical sort-of diary. He tells me about what he puts in and what he leaves out, how his imagination works, the artists and writers he admires, what fame has given him, and why he wishes he didn't have to talk about politics.  

My guest in this week's Book Club podcast is Chris Ware — author of Jimmy Corrigan, Building Stories and Rusty Brown, and a man widely regarded as one of the greatest living cartoonists.

Chris's new book, The Acme Novelty Datebook Volume Three, opens his sketchbooks for public consumption: a potentially painful move for an artist as self-conscious and perfectionist as Ware. He tells me a bit about the relationship between cartooning and architecture, what he's trying to do with his graphic novels, the importance of R Crumb and Art Spiegelman to his work, and what gave him the confidence to turn his back on fine art.  

In this week’s Books podcast, I am joined by the writer Daniel Tammet, whose new book Nine Minds: Inner Lives on the Spectrum is a pen portrait of nine lives of people on the autism spectrum. On the podcast, he tells me how he happened upon these nine lives, whether ‘spectrum’ is a helpful term when understanding autism and Asperger’s syndrome, and how popular culture’s most famous depiction of autism – Dustin Hoffman’s Rain Man – is based on an individual who wasn’t autistic at all.

In this week’s Book Club podcast, my guest is Jonathan Coe, talking about cosy crime, the tug of nostalgia, the joys of satire, and his brilliant new novel, The Proof of My Innocence.

My guest in this week’s Book Club podcast is the novelist Nick Harkaway, whose new book Karla's Choice sees him pick up the mantle of his late father, John le Carré, in writing a new novel set in the world of George Smiley. He tells me why, having spent a career trying to put clear blue water between his own work and that of his father, he’s now steering in the opposite direction; about growing up with Smiley; about his relationship with the man so many outsiders have seen as secretive and opaque; about seeking advice from Stephen King’s son, Joe Hill; and why moving from his own style to that of his dad is just a ‘turn on the dial’.

My guest in this week’s Book Club podcast is the psychoanalyst and writer Josh Cohen. With anger seemingly the default condition of our time, Josh’s new book All The Rage: Why Anger Drives the World seeks to unpick where anger comes from, what it does to us, and how it might function in the human psyche as a dark twin of the impulses we think of as love.

Photo credit: Charlotte Speechley

My guest in this week's Book Club podcast is the writer, musician and editor Michael Moorcock, whose editorship of New Worlds magazine is widely credited with ushering in a 'new wave' of science fiction and developing the careers of writers like J G Ballard, Iain Sinclair, Pamela Zoline, Thomas M Disch and M John Harrison. With the release of a special edition of New Worlds, honouring the 60th anniversary of his editorship, Mike tells me about how he set out to marry the best of literary fiction with the best of the pulp tradition, how he fought off obscenity charges over Norman Spinrad's Bug Jack Barron, about his friendship with Ballard and his enmity with Kingsley Amis – and why he's determined never to lose his vulgarity.   

On this week's Book Club podcast we're celebrating the 100th anniversary of a landmark in children's publishing, When We Were Very Young — which represented the first collaboration between A A Milne and E H Shepard, who would (of course) go on to write an illustrate Winnie-the-Pooh. Sam Leith is joined by James Campbell, who runs the E H Shepard estate. He tells Sam how the war shaped the mood and success of that first book, why Daphne Milne's snobbery and ambition left Shepard out in the cold, what happened to Christopher Robin... and how Pooh became Pooh.