Forever is composed of podcasts. Caroline Fulford discusses selected poems by Emily Dickinson (c. 1860-65).

John McCoy with Caroline Fulford and Marina McCoy

Show Notes & Links

Emily Dickinson at the Poetry Foundation

Biography and texts of many of her poems. Works in this episode linked below:

I felt a funeral, in my brain

I heard a Fly buzz - when I died -

Forever – is composed of Nows –

You left me – Sire – two Legacies –

Wild nights - Wild nights!

Support this show and other shows like it on The Incomparable network by becoming a member. Members get early access to podcasts, bonus episodes, and more.

Cigars are always trouble. Marina McCoy discusses Barbara Robinson’s The Best Christmas Pageant Ever (1972).

John McCoy with Marina McCoy

Support this show and other shows like it on The Incomparable network by becoming a member. Members get early access to podcasts, bonus episodes, and more.

Sometimes you want to go where everybody is a thread in the fabric of the human condition. Also they know your name. Phil Gonzales discusses William Saroyan’s The Time of Your Life (1939).

John McCoy with Phil Gonzales

Show Notes & Links

The Time of Your Life (1976)

The John Houseman directed television version for Theater in America, with Kevin Kline and Patti Lupone.

Support this show and other shows like it on The Incomparable network by becoming a member. Members get early access to podcasts, bonus episodes, and more.

Hey, things are tough. The McCoy Bros, Rob, John, and Dan, discuss the books that get them through.

John McCoy with Rob McCoy and Dan McCoy

Support this show and other shows like it on The Incomparable network by becoming a member. Members get early access to podcasts, bonus episodes, and more.

Ross Cleaver returns to talk owls, plates, and Welsh mythology in Alan Garner’s The Owl Service (1967).

John McCoy with Ross Cleaver

Show Notes & Links

Owl Service dinner plate

The titular service plate with its owl flowers.

Support this show and other shows like it on The Incomparable network by becoming a member. Members get early access to podcasts, bonus episodes, and more.

This episode has many omissions, and contains much that is apocryphal, or at least wildly inaccurate. Jacob Haller tries to make sense of Douglas Adams’s The Hitchhiker’s Guide to the Galaxy (1979).

John McCoy with Jacob Haller

Support this show and other shows like it on The Incomparable network by becoming a member. Members get early access to podcasts, bonus episodes, and more.

What’s more cultivated and genteel than classical theater? David Loehr discusses Aristophanes’s Lysistrata (411 B.C.E.)

John McCoy with David J. Loehr

Show Notes & Links

Lysistrata Jones

Trailer for the 2011 Broadway musical

Support this show and other shows like it on The Incomparable network by becoming a member. Members get early access to podcasts, bonus episodes, and more.

Because twenty would be too few and twenty-two would be ridiculous. Shaenon K. Garrity discusses William Pène du Bois’s The Twenty-One Balloons (1947).

John McCoy with Shaenon K. Garrity

Referenced Works

The Twenty-One Balloons

Show Notes & Links

Support this show and other shows like it on The Incomparable network by becoming a member. Members get early access to podcasts, bonus episodes, and more.

Rain Main meets Air Bud. Dan McCoy discusses stims and happy endings and Mark Haddon’s The Curious Incident of the Dog in the Night-Time (2003).

John McCoy with Dan McCoy

Show Notes & Links

Dan McCoy's Special Interests

My brother’s newsletter mentioned in the episode.

Support this show and other shows like it on The Incomparable network by becoming a member. Members get early access to podcasts, bonus episodes, and more.

This is the way the world ends, not with a bang but with a bunch of monks sitting around copying stuff. Jelani Sims returns to discuss Walter M. Miller Jr.’s A Canticle for Leibowitz (1959).

John McCoy with Jelani Sims

Referenced Works

A Canticle for Leibowitz

Show Notes & Links

A Canticle for Leibowitz

The Internet Archive has all episodes of the 15-part NPR Playhouse adaptation which aired in 1981.

Support this show and other shows like it on The Incomparable network by becoming a member. Members get early access to podcasts, bonus episodes, and more.

Stick some stamps on the top of our heads. Deborah Stanish discusses Eudora Welty’s “Why I Live at the P.O.” (1941)

John McCoy with Deborah Stanish

Referenced Works

Why I Live at the P.O.

Show Notes & Links

Support this show and other shows like it on The Incomparable network by becoming a member. Members get early access to podcasts, bonus episodes, and more.