Episode 454 / Xander

Xander is a Boston-based multi-genre music producer and artist. His sound has been greatly influenced by electronic music. To make his compositions stand out in a multiplicity of genres, Xander continues to incorporate a variety of experimental electronic sounds, striving to push the boundaries of any genre he enters. He has produced with and for musicians such as David Guetta, Riton, Kevin Garrett, Meek Mill and other artists. Xander’s work remains driven by experimentation and overcoming limitations of genre and sound.

Episode 453 / Ray Hwang

Ray Hwang is an artist from LA, living and working out of Ridgewood, NY. His work consists primarily of acrylic painting and drawing, in which he abstracts and layers imagery from his personal history to explore themes of family, home and inter-cultural contradiction. He received his BFA from the School of Visual Arts in 2016 and has since exhibited throughout New York City and internationally. He has been featured in Art Maze Magazine, Vast Magazine, and has been a recipient of the Keyholder Residency at the Lower East Side Printshop (New York, NY), the Plum Lime Residency (Brooklyn, NY), and the Moosey Residency (Norwich, UK). He has shown with Tube Culture Hall (Milan, Italy), LaiSun Keane Gallery (Boston, MA), 81 Leonard Gallery (New York, NY), and at Spring/Break Art Show (New York, NY). He opened his first solo exhibition in New York with Latitude Gallery in 2023, and is currently a member of the gallery and curatorial collective Below Grand on the Lower East Side in NY.

Episode 452 / Liv Aanrud earned her B.F.A in painting from the University of Wisconsin—Eau Claire(2001) and her M.F.A from Mason Gross School of Art, Rutgers University(2011). She has taught at ARTworks Charter School, Santa Barbara City College, the Armory Center for the Arts, and has designed and led textile workshops in the U.S and Canada.

Aanrud’s work has been the subject of one-person exhibitions at Kravets Wehby Gallery in New York City, and  BozoMag, New Image Art, Arvia, 1700 Naud and TSA-LA in Los Angeles. Solo shows also include Finlandia University in Hancock MI, Sierra Nevada College, Lake Tahoe, Pamela Salisbury Gallery, and John Davis Gallery, Hudson, NY, Oasis Gallery, Marquette, MI and Steven Harvey Fine Art Projects, New York City.

Her work has been shown in group exhibitions across the U.S., Taiwan, Germany, and Spain.

She currently lives and works in Los Angeles, California.

S&V Sponsored by the NY Studio School:

The 60-credit, two-year MFA curriculum immerses aspiring artists in a rigorous program of study – awakening students’ imagination, ambition and dedication to artistic production. Each semester begins with an intensive two-week Marathon developed to ignite new ideas and generate momentum. The first year offers a range of studio classes, with a shift to personal development in the second year. Classes are bolstered by the Evening Lecture Series, technical workshops, one-on-one faculty guidance, group critiques, visiting artists, and faculty-guided trips. The weekly Critical Studies seminar explores a range of theoretical approaches to artmaking and culminates in a written thesis paper and Thesis Exhibition. NYSS faculty are internationally distinguished artists and teachers, dedicated to the School’s experiential pedagogy.  They encourage students to work hard and think searchingly, establishing ethical and philosophical frameworks for their life’s work. Enrollment is limited to 15 MFA candidates per cohort each academic year. The priority application deadline for programs starting fall 2025 is January 15, 2025 - apply today at nyss.org.

Episode 451 / Jason Jägel

Jason Jägel born in 1971, Boston, MA is a 2023-24 Pollock-Krasner recipient. A monograph of his work entitled, Seventy-Three Funshine was published in 2008 by Electric Works, San Francisco. His work is featured in the collections of the Museum of Modern Art, New York, the San Francisco Museum of Modern Art, the UCLA Hammer Museum, among others. His 2018 public commission, The Author & Her Story, is a 13x34-foot ceramic tile mosaic at San Francisco International Airport. Landscape, his 2024 solo exhibition, was presented by Michael Benevento Gallery, Los Angeles.

S&V is sponsored by the New York Studio School. Register for their programs here:

https://nyss.org

Episode 450 / Bob Linder

Bob Linder received his MFA from Stanford University, his BFA from the San Francisco Art Institute and attended the Skowhegan School of Painting & Sculpture. He lives and works in Los Angeles, California.  Bob is currently the Program Director for gallery Michael Benevento, Los Angeles. Consistent among exhibiting artists is a willingness to take risks, a total commitment to unique practices, and the precise and thoughtful execution of ideas. He is also a co-founder of the art-damaged, post punk, noise project, Total Shutdown. 

Bob previously served as Head Curator at The David Ireland House at 500 Capp Street, where he curated challenging, relevant, and forward-thinking exhibitions and public programs. Prior to joining 500 Capp Street, Linder co-owned and directed CAPITAL, a contemporary art gallery located in the Mission District of San Francisco, where he programed more than thirty exhibitions with a focus on emerging and mid-career artists. 

Sound and Vision is supported by the New York Studio School. For 60 years students have come to study drawing, painting, and sculpture in the historic building on 8th Street in New York City. The school’s full-time programs: a two-year MFA and a three-year in-person or virtual Certificate program, prioritizes learning through creating with a dedicated faculty of active artists. The programs cultivate studio skills, materials knowledge, and self-development methods. Whether you are an aspiring artist or an experienced artist, the rigor, community, and intense art practice taught at the New York Studio School will prepare you for a lifetime of artmaking. The priority application deadline for programs starting fall 2025 is January 15, 2025 - apply today at nyss.org.

Episode 449 / Fred Tomaselli

(born 1956, Santa Monica, CA) Fred has been the subject of solo exhibitions at institutions including the Joslyn Art Museum, Omaha, NE (2019); Oceanside Museum of Art, Oceanside, CA (2018); Toledo Museum of Art, Toledo, OH (2016);  Modern Art Museum of Fort Worth (2014) and the University of Michigan Museum of Art (2014); a survey exhibition at Aspen Art Museum (2009) that toured to Tang Museum in Saratoga, NY and the Brooklyn Museum, Brooklyn NY (2010); The Fruitmarket Gallery, Edinburgh (2004) toured to four venues in Europe and the US; Albright-Knox Gallery of Art (2003); Site Santa Fe (2001); Palm Beach ICA (2001), and Whitney Museum of American Art (1999). His works have been included in international biennial exhibitions including Sydney (2010); Prospect 1 (2008); Site Santa Fe (2004); Whitney (2004) and others. Tomaselli’s work can be found in the public collections of institutions such as the Museum of Modern Art; Whitney Museum of American Art; Metropolitan Museum of Art; Brooklyn Museum; Albright Knox Art Gallery; Hirshhorn Museum and Sculpture Garden; San Diego Museum of Contemporary Art; San Francisco Museum of Modern Art; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; the Orange County Museum of Art, Santa Ana, CA; and many others.

Episode 448 / Akari Uragami is a Japanese multi-disciplinary artist whose work delves into the essence of human existence as a living organism. Her artistic expression, primarily through oil paintings and soft sculptures crafted from natural materials and textiles, offers a profound exploration of what human is.

Akari earned her bachelor's degree in textiles from Musashino Art University, where she immersed herself in the art of traditional Japanese dyeing techniques. Her dedication earned her the Outstanding Graduate Award, and this deep connection to tradition subtly informs her practice.

Her work has been showcased in exhibitions and projects across Japan, Korea, the USA, and Mexico, connecting with audiences far and wide. She has also completed a number of public murals across Japan and abroad including Tokyo, Kobe and Manchester (UK).

Episode 447 /

Aaron Glasson (b Auckland, 1983) is a New Zealand born multi-disciplinary artist based in Mexico, City. Since completing a Bachelor's degree in Art and Design at the Auckland University of Technology in 2005 he has been exhibiting and creating public art works internationally. His diverse portfolio consists of participatory installations, paintings, drawings, sculpture, architecture, assemblage, murals and film.

Though working in a diverse array of mediums Aaron has developed an abstract visual language that unifies his practice as a whole. His paintings rooted in geometry but inspired by time spent in the wilderness offer glimpses into micro and macro environments. Similar forms are applied to large scale interactive site-specific installations that encourage viewer engagement and participation as well as functional objects that explore arts practical potential outside of traditional contexts.

Aaron has worked as an artist extensively within numerous environmentalism efforts, community organizations and educational institutions, using his art as tool for connection and learning. His art has been in group exhibitions at the East Hawaii Museum of Contemporary Art, the Oceanside Museum of Art, Heron Arts, Maia Contemporary, Goodmother Gallery, Spoke Art, the Straat Museum along with solo exhibitions at ICA San Diego, Swish Projects, Louis Buhl & Co, Maia Contemporary  and Curators Cube.

Episode 446 / Christopher Daharsh is an artist who was born in 1990 in Omaha, Nebraska. He received a BFA in Painting and Art History from the Kansas City Art Institute in 2012. Christopher has attended a number of residencies since then, including two yearlong residencies from the Charlotte Street Foundation (Kansas City, Missouri), Art Farm (Marquette, Nebraska), the Factatory (Lyon, France), Hayama Residency (Hayama, Japan) and Goldey House (Huletts Landing, NY). 

Recently Christopher has shown work at Haw Contemporary (Kansas City), the Nerman Museum of Contemporary Art (Overland Park, Kansas), Mother (Beacon, NY), Capsule Bikini (Lyon, France), Les Limbes (St. Etienne, France), Deanna Evans (NYC), New Collectors (NYC), Underdonk (Brooklyn), My Pet Ram (NYC), Picture Theory (NYC) and Koki Arts (Tokyo, Japan). 

He currently lives and works in Queens.

Episode 445 / Henry Ward is an artist, writer, and educator living in London.

He works primarily as a painter, but also makes drawings and small sculptures. He is interested in exploring the language of paint by investigating the threshold between abstraction and representation. 

He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022, and longlisted for the Contemporary British Painting Prize 2021. He was included in the inaugural “The Football Art Prize” in 2022. His work has been included in numerous exhibitions. The first substantial publication about his work, “Shed Paintings – Henry Ward”, was published in February 2021 by Hato Press and features 101 works on paper and an essay by Ben Street. 

He is the Director for Freelands Foundation and launched the Freelands Painting Prize in 2020. Previously he was Head of Education at Southbank Centre and worked in a variety of roles at Welling School, a Specialist Visual Arts College, where he led on the school’s specialism. In 2002 he established the alTURNERtive Prize, an annual award celebrating outstanding student practice. In 2011 he founded the biannual arts and education periodical, æ. He is a visiting lecturer at UK art schools including Bath Spa University, University of Brighton, Manchester School of Art, Plymouth College of Art and Wolverhampton School of Art, and a mentor on the Turps Art School Correspondence and off-site courses.

He has written and lectured widely on the arts and education, with a particular focus on teaching as an artistic practice. He was an advisor for Martin Gropius Bau, Berlin from 2018-21 and curated a two day event, “Assembly”, investigating approaches to public engagement in 2018 and a follow up, “Assembly II” in 2021. 

In 2023 he undertook a residency at the Albers Foundation in Connecticut.

Episode 444 / Larry Madrigal is a Mexican-American painter based in Phoenix, Arizona. Originally from Los Angeles, where his parents stayed after migrating from Mexico, Madrigal spent many of his early summers in Colima where his extended family lives. In 1998, during his elementary years, his family left California and moved to Phoenix where they remain to this day. Madrigal studied at Arizona state University and received his BFA in 2017. During this time, he developed a skill for traditional figurative and portrait painting through his close relationship with emeritus professor, Jerry Schutte, and his wife Anne Schutte. Jerry’s strong knowledge of figurative and landscape painting combined with Anne’s masterful sense of abstraction and gesture were significant influences. After graduation Madrigal continued in portraiture for several years culminating in his first museum group exhibition “Body Language: Figuration in Modern and Contemporary Art” at the Tucson Museum of Art in 2016.

In 2017, Madrigal returned to ASU for his MFA. Besides this new venture, he and his wife decided to start a family, and his daughter was born two weeks before the start of the program. Madrigal’s initial artistic ambitions were thwarted by the new and urgent demands of parenthood. He inevitably found himself paying close attention to daily rhythms with more profound questions. Finally after two years of resisting, he eventually surrendered to this calling and moved towards a focus on the quotidian. The commonplace became his arena for painting, a strong move away from the current focus on identity politics prevalent in academia at that time.This newly found obsession with the mundane led Madrigal on a quest to rehabilitate the genre in it’s purest form. His work would now be marked by “a suspension and celebration of the precariousness by which our most mundane daily rituals are balanced on a precipice just above total anarchy.” — Ben Lee Ritchie Handler, Global Director Nicodim Gallery.

During his MFA Madrigal was a three-time recipient of the Elizabeth Greenshields Foundation Artist Grant and a finalist in the AXA XL Art Prize. Six months after graduation in 2020, Madrigal had his first solo exhibition, “Scattered Daydream” at Nicodim Gallery in Los Angeles. Since then, he has had solo shows in New York, Los Angeles, Bucharest, and Madrid (Forthcoming), along with group shows in Paris, Tokyo, and Tel Aviv.

Madrigal’s paintings have continued to focus on the relatable nature of the human experience from his earnest and contemplative perspective, adopting a sincere attitude towards figuration, with a touch of darkness and humor.
He currently lives in Phoenix Arizona with his wife and two kids, and works out of his downtown studio.