Navigating the World of Recording With a Working Class Perspective
In this episode of Working Class Audio, Matt welcomes back producer, mixer, composer and songwriter Daniel Holter. Daniel first appeared in 2018 on WCA Episode #179. Over the years, Daniel has mixed music by artists such as Nick Lowe, Field Report, Over The Rhine, Amos Lee, Blitzen Trapper, Collections of Colonies of Bees, Phil Keaggy, Crowded House, Dead Horses, WebsterX, and Ryan Higa. He’s also composed and/or produced thousands of cues currently being used by such varied clients as Apple, Nike, Google, Microsoft, GM & Gatorade, virtually all of the top shows on HBO, ESPN, CBS, ABC, NBC, Fox, and all across the globe in tv, radio, advertisements, video games and film.
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Matt's Rant: The Curse
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In this episode of Working Class Audio, Matt welcomes Engineer and Composer Dane Giordano who has engineered artists for Warner, Sony and Universal Music Group. Dane has composed music for Film, Video Games, Television and more! He is also one of the House Engineers at Young Avenue Sound & Sun Studio.
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Matt's Rant: Session Documentation in the 21st Century
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In this episode of Working Class Audio, Matt welcomes Grammy Winning Producer/engineer/mixer, Justin Francis who has worked alongside artists like Sheryl Crow, Kacey Musgraves, Tyler Childers, Lake Street Dive, Justin Timberlake, Madison Cunningham, Gary Clark Jr, Sarah Jarosz and Lauren Daigle.
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Matt's Rant: Simplification
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Guest: Justin Francis Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith
In this episode of Working Class Audio, Matt welcomes back mastering engineer and host of The Mastering Show, Ian Shepherd. They dive into the current state of mastering, AI’s growing role, work/life balance, and in-the-box vs. out-of-the-box mastering.
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Matt's Rant: Building Things
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In this episode of Working Class Audio, Matt welcomes producer and mixer Dan Malsch to discuss his journey from guitarist to studio owner, working with bands like Ghost and Avenged Sevenfold, building studios with his own hands, and maintaining a no-ego approach to recording at the highest level.
In This Episode, We Discuss:
Dan Malsch’s Journey From Guitarist to Music Producer
Explore how Dan transitioned from touring with his metal band Wicked Mariah to becoming a full-time producer and mix engineer.
Building and Running a Professional Recording Studio
Learn how Dan used his construction background to build a world-class recording studio in the Poconos from the ground up.
Working With Major Artists Like Ghost and Avenged Sevenfold
Dan shares behind-the-scenes stories of working with chart-topping rock and metal bands including Ghost, Avenged Sevenfold, and Gojira.
Mixing in Dolby Atmos
Get insight into how Dan created an Atmos mix room in two weeks and how he mixed Ghost's Impera and Skeletor albums in Dolby Atmos.
Collaborating With Legendary Mixer Andy Wallace
Hear how a chance meeting led to a close working relationship with Andy Wallace and how that partnership elevated Dan’s career.
Running a Successful Studio in a Secondary Market
Discover how Dan attracts big-name clients to his Pennsylvania studio without being based in LA, Nashville, or New York.
How to Maintain Long-Term Clients as a Music Producer
Dan discusses how professionalism, personal communication, and trust help him retain high-profile clients year after year.
Balancing Studio Life and Family Life
Hear how Dan prioritized being present for his family while running a busy studio and raising two kids.
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Matt's Rant: Persistence
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In this episode of Working Class Audio, Matt welcomes back producer, engineer, songwriter and host of Recording Studio Rockstars Lij Shaw.
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Matt's Rant: Barriers
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In this episode of Working Class Audio, Matt welcomes Elad Marish, co-founder and producer at Swell Music + Sound, a leading creative audio agency based in San Francisco. Elad and his team at Swell have brought music, sound design, and audio branding to high-profile clients including Apple, Nike, Google, and Uber, working on everything from global ad campaigns to immersive brand experiences.
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Matt's Rant: Getting Some Space
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In this episode of Working Class Audio, Matt welcomes Howie Beck who is a multi Juno nominated Mixer, Producer and musician located in Toronto who has mixed or produced music by artists as diverse as Feist, Charlotte Day Wilson, Barenaked Ladies, Chilly Gonzales, Ron Sexsmith, and the Weather Station amongst many more.
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Matt's Rant: Small Chunks
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In this episode of Working Class Audio, Matt welcomes mixing engineer and podcaster Benedikt Hain. Benedikt discussed his journey from growing up in Bavaria to becoming a full-time mixing engineer and running a studio called Outback Recordings . Benedikt has worked with with bands like Pulley and Swallow's Rose and labels like Warner Music and SBÄM Records.
In This Episode, We Discuss:
• Remote Mixing In Bavaria
• Mindset and Songwriting
• Exclusive Focus on Mixing
• Client Revisions
• Mixing Heavy Rock
• Lessons Learned From His Podcast
• Client Filter
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Matt's Rant: Enjoying the Journey
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In this episode of Working Class Audio, Matt welcomes Mastering engineer, Composer, and Guitarist Sarah Register. Her mastering clients include Faye Webster, Channel Tres, Jeffrey Lewis, Alice Longyu Gao, Lee "Scratch" Perry, S.G. Goodman, Wye Oak and many more.
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Matt's Rant: The Battle for Organization
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In this episode of Working Class Audio, Matt welcomes producer, engineer, mixer, drummer, and composer Emre Ramazanoglu who has worked on projects for Brian Eno, David Bowie, Noel Gallagher Nova Twins and many more.
In This Episode, We Discuss:Links and Show Notes:Matt's Rant: Embrace the UnpredictableCredits: