Les Jones, Molly Campbell and Wilf Jones are the team behind Contemporary Collage Magazine, and they're also father, daughter and son. The magazine started as an online publication, but when readers said they wanted to read in print the team also added a real ink and paper version, and in this episode they speak about how they're running it as a financially sustainable family business.

Rob Orchard is one of the founders and editors of Delayed Gratification magazine, and one of the authors of Misc., a new book they published earlier this month. If you’re a long-time listener to our podcast you might remember that I spoke to Rob three years ago, when the first Delayed Gratification book was published, and as you’ll hear, Misc. has been shaped in large part by that experience. This new book is smaller, cheaper, and more deliberately created for people buying Christmas gifts, but none of that changes the fact that the book market is incredibly competitive and a really tough place to make money. Or as he puts it, “When you publish a book, you buy a ticket in a lottery”.

Magculture Live is coming up fast (Thursday 7th November, at the Vitsoe shop here in London) so I took the opportunity to sit down with Magculture founder Jeremy Leslie and have a long chat about magazine stuff. We spoke about some of the high-profile magazines, like Vice and The Onion, which have recently returned to print. We spoke about changes in magazine design trends, and the forces that can influence those decisions. And there was a lot of love for Richard Turley and his many print projects.

Nicolas Kemper is publisher of New York Review of Architecture, the big, two-colour, newsprint magazine that has become renowned for its long, critical, entertaining essays about architecture and the city. He gave the first talk of the weekend at this year’s Indiecon and I loved his enthusiasm for all parts of publishing – not just the fun stuff like writing, editing, and throwing parties, but also what he calls, “building pipes”; making sure that things like their subscription management and contributor invoicing systems run as efficiently as possible. We're playing his Indiecon talk for this episode of the Stack podcast, so you can hear the story of how he and the team are building through their versions of the magazine.

Viêt and Jeremy Raider-Hoàng are the founders, editors and creative directors of No One, a new magazine that explores the queer nightlife of a different city each issue. It feels natural to marry the subjects of nightlife and queer culture, and you can tell there are big, serious ideas behind their impulse to document the hedonistic fun they see around them.

For this first episode of the new season I’ve got a conversation with Kat, the woman who makes Moan, a magazine of sensuality and eroticism that prioritises the female gaze. It has a lot of explicit imagery, but it’s definitely not pornographic, and in fact there’s something about the risograph print and production that makes it feel like more of an art book than anything else. Hear what she has learned from publishing the magazine for the last five years, and how she's planning on taking it to the next level.

Ellie Jackson is the editor-in-chief and creative director of The Movement Movement, the women’s sports magazine that is committed to broadening our understanding of what sports coverage should look like. Issue one came out a few weeks ago, but that was preceded by issue zero, which came out in 2022, and in this episode she speaks about the delay between the two issues, and the struggle to stay on track when life gets in the way.

Steph Chung is managing partner at Racquet, the New York-based magazine that takes a fresh, anti-elitist look at the world of tennis. There have been some big changes since the last issue, with editor David Shaftel and art director Larry Buchanan both leaving the magazine, and a more commercial emphasis across the pages, with a big Gucci photo shoot on the cover and inside, and a partnership with Seoul-based cultural creators Ssoldot. It’s all part of a plan to take advantage of what Steph calls, “the convening power of the magazine”, and in this conversation she outlines their plan for making it more commercially successful, while expanding further into events, merchandise, and other activities based around tennis.

Zuzana Kvetková is executive editor of Backstage Talks, the magazine that grew out of Bratislava’s By Design Conference. Their new issue will be landing in shops very soon, and as she explains in this podcast, it marks something of a watershed. Because after 10 years they’ve decided that it’s time to stop running the conference, which in turn prompts lots of questions about what the magazine should be.

Yuto Miyamoto is editor of Troublemakers, a new Tokyo-based interview magazine that fills its pages with ordinary people living variously extraordinary lives. It’s a very personal magazine – he makes it with his wife, Manami Inoue, who is the art director, and interviewees are photographed at home, with lots of space dedicated to exploring their thoughts and beliefs. They're stretching the dictionary definition of 'troublemakers', and having some fun along the way.

Tom Rowley runs the Backstory bookshop in Balham in South London. He was previously a journalist for The Telegraph and The Economist, which he describes as his dream job, but when the pandemic knocked everything sideways he decided it was time to reassess and follow his other dream of running a bookshop. As he puts it, though, he felt the pull of ink in his veins, and started publishing Backstory magazine, which allows him to dig into the stories behind the stories in the books that he loves, reflecting on the experience of reading and writing.