In this podcast - which was recorded last year - academic and journalist Naemi Victoria chats with filmmaker Daniel Draper about his documentary Iron Ladies, which will screen in the Nerve Centre on 30th January 2026. Iron Ladies tells the story of the working-class women who became the backbone of the 1984–85 Miners' Strike. From Scotland to Kent, women from coalfield communities share their experiences of the year-long struggle, and how their actions reshaped political activism for working-class women. The film shines a spotlight on voices that have too often been overlooked. Featuring Heather Wood, Lorraine Stansbie, Rose Hunter, Kate Alvey, Betty Cook, Aggie Currie, and many more, Iron Ladies is both a vital historical record and a celebration of solidarity, resilience, and determination. The screening of Iron ladies will take place at 7pm on 30th January and is followed by a post-screening discussion with Daniel and contributor to the film, Rose Hunter. Get your tickets at NerveCentre.org.--- Daniel Draper Daniel is a Liverpool-based filmmaker. His debut film, Nature of the Beast was released across UK cinemas in 2017. Since, Daniel has produced and directed an additional three feature documentaries and continues to explore place, identity, class and politics through his current and forthcoming work. Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts.

In this podcast, we catch up with actor, writer and director Simon Killick, who plays sketchy landlord Rick in the comedian-laden, zany sci-fi Time Travel Is Dangerous. Now based in Ireland, Simon chats about his craft, career and his fantastic slate of upcoming creative projects. Listen now on SoundCloud, Apple, Spotify and Amazon, or subscribe to Film Ireland wherever you get your podcasts. As mentioned during the discussion, here are the links to: Life On Wheels - Original Comedy Pilot  www.youtube.com/@lifeonwheels-footballcomedy Simon's Average Joe & The PRO YouTube Golf Channel https://www.youtube.com/@averagejoeANDthepro Simon Killick Simon has recently starred in the new British comedy feature film Time Travel Is Dangerous which was released in Cinemas all over the UK & Ireland in August 2025 after gaining a prestigious 4 star review in the Guardian. It then went on to win Best Comedy Film at the National Film Awards. Simon Played Rick the Landlord along side Sophie Thompson, Jonny Vegas and Jane Horrocks. It is now available on Apple TV, Amazon Prime and Virgin Media TV. In late 2023 Simon completed his first lead role in a feature called Little Girl. A horror/thriller following Lucas (a truck driver who tragically lost his daughter). Simon is also a credited comedy writer. Reaching the shortlist for the British Comedy Guide Talent Awards for his episode Celebrity Disorder, from web series Fame Disease Created by Nessa Wrafter. He co-owns the multi award winning TV/Film Production Company Klick Productions where they have two feature films in development and pre-production.  www.filmireland.net/podcast-simon-killick-actor-writerr-director

Last year, Film Ireland presented Screen Sessions Live, an afternoon of in-depth conversations on craft, career and creativity between talent from the Irish screen industries - made possible with the support of Screen Ireland and hosted by our partners Griffith College. In this special live podcast recording, graphic artist Annie Atkins (The Grand Budapest Hotel, The French Dispatch, Bridge of Spies) is in conversation with production designer, art director, and concept illustrator Jill Beecher (Babylon, Elvis, The Revenant). Both creatives are key voices in the art department on some of Hollywood’s most ambitious and visually distinctive films. In this discussion, Annie and Jill explore the creative realities of working behind the scenes - from collaboration and artistry to problem-solving on set - and discuss how design shapes the stories we see on screen. Visit Film Ireland here to check out the images mentioned during the discussion: https://www.filmireland.net/screen-sessions-live-podcast-on-design-with-annie-atkins-the-grand-budapest-hotel-jill-beecher-babylon Annie Atkins Annie Atkins has created graphic props and set pieces for multiple Oscar-nominated and winning movies such as Wes Anderson’s The Grand Budapest Hotel, Isle of Dogs, and The French Dispatch; Spielberg’s Bridge of Spies and West Side Story; and the map for the latest Indiana Jones movie, The Dial of Destiny. Her first book, Fake Love Letters, Forged Telegrams, and Prison Escape Maps, was published by Phaidon and drew critical acclaim as a behind-the-scenes look at film design, winning accolades from Jeff Goldblum, among others: “Annie makes the unreal seem hyperreal, and the real more supremely alive and utterly magical...” Her latest book, Letters from the North Pole, is a children's picture book and is available now. Jill Beecher Jill was born in Dublin, Ireland, in 1984. She is a production designer, art director, and concept illustrator who has worked across Hollywood productions and local Irish projects (Once Upon a Time... in Hollywood, The Revenant, Alien: Covenant, Babylon, Elvis). Jill is now represented by William Morris Endeavour and is a member of the British and American Art Directors Guilds. She is also a visual artist who has exhibited in Europe, America, and Australia. Subscribe now on SoundCloud, Apple, Spotify and Amazon, or subscribe to Film Ireland wherever you get your podcasts.

In this podcast, we catch up once again with actor, writer and filmmaker Hugh O’Conor, whose quasi-autobiographical comedy series Showkids - co-written with Amy Stephenson and Shane Langan - is available to watch on RTÉ. We talk with Hugh about his expansive career, from performance and working with the greats at a young age, to training at NYU, and his move into directing features, animation, and now this witty and heartfelt show. Showkids is set around a very special after-school drama class for talented kids, run by the brilliant but super-intimidating Miss Bethany Jessop (Amy De Bhrún). The show is seen through the eyes of 12-year-old Sam Curtain (Flynn Gray), whose constant daydreaming has begun to cause mayhem in his life. When his parents, Sally & Con (Philippa Dunne & Killian Sundermann), stumble across Miss Jessop’s, they wonder if drama might be the perfect way to harness Sam’s overly active imagination? An initially reluctant Sam soon realises he’s discovered his tribe – other kids with equally vivid imaginations, inspired by Miss Jessop to use drama to help solve the problems they’re going through in their own lives. As well as experiencing his first, terrifying taste of showbiz, Sam has finally found somewhere he is free to let his cares and dreams run wild – but this time, with a purpose! Showkids is available to watch now on the RTÉ Player. Read more about this episode here: www.filmireland.net/podcast-hugh-oconor-actor-writer-filmmaker-on-showkids

In this episode of Film Ireland Presents, we chat with Margo Harkin, an accomplished and masterful filmmaker who has been directing and producing fiction and documentary work for over forty years. Her films span many aspects of life on the island of Ireland, from chronicling Northern Ireland’s political history, to examining the systemic oppression of women, to exploring the healing power of creativity, and much more beyond. The Irish Film Institute has curated a wonderful retrospective of her seminal works, available to watch back on their player now. Radical Witness Retrospective at Irish Film Institute After graduating in Fine Art from the Ulster College of Art and Design in 1974, Harkin worked as an art teacher and community worker in socially deprived areas of Derry. She joined Field Day Theatre Company in 1980 as an Assistant Stage Manager on Brian Friel’s Translations, before going on to work as a stage designer for the company. In 1984, Harkin co-founded Derry Film & Video Workshop with Anne Crilly and Trisha Ziff delivering critical perspectives that ran counter to the censored narratives then broadcast by British and Irish television. The signal works of this period were Mother Ireland (1988), Anne Crilly’s controversial documentary about feminism and Irish republicanism, and Harkin’s own Hush-A-Bye Baby (1990), a feature drama about teenage pregnancy following the 1983 abortion referendum in Ireland. Harkin established Besom Productions in 1992 making educational films for Channel 4 but her reputation as an astute, local documentarian of injustices was soon forged through a series of highly regarded television documentaries. Her cinema films, the surf documentary Waveriders (2003), by Joel Conroy (which she produced), and Stolen (2023), about the plight of unmarried mothers in Ireland in the 20th century, provided thoroughly researched, compelling accounts of their subjects. Margo Harkin is a member of Aosdána. Her work has won countless awards and is widely taught to third-level film and media students. Spanning over four decades, Harkin’s work has consistently challenged societal narratives, giving voice to the silenced and bearing witness to the social and political upheavals that have shaped the contemporary Irish landscape. The retrospective will span across the IFI’s cinema screens, as well as online via IFI@Home, IFI International and the IFI Archive Player.

In this episode of the Film Ireland Podcast, we celebrate two great new Irish films. First, Mo O’Connell chats with actor Carolyn Bracken about their feature Horseshoe, which is released in cinemas on 5th December. Mo, an accomplished actor herself, and a producer on the award-winning family dramedy, chats with about their Carolyn about their exciting new indie film. Then, contributor Hayley Jorja sits down with IFTA-nominated filmmaker Nathan Fagan to discuss his short animated documentary Inside, The Valley Sings, which has qualified for the 98th Academy Awards® and won Best Animated Short Film at the Dublin International Film Festival. The film follows three prisoners trapped in prolonged solitary confinement, who seek comfort and escape in the boundless landscapes of their imaginations. (Starting at 19:38) Listen now on SoundCloud, Apple, Spotify, and Amazon, or subscribe to Film Ireland wherever you get your podcasts. Horseshoe is in cinemas 5th December 2025.

In this episode of the Film Ireland Podcast, supported by Coimisiún na Meán, we shine a light on two powerful new documentaries. First, we catch up with director Daire Collins to discuss Beo Faoin Bhfód (Buried Alive), the story of two Irish daredevils who vied for the world record for the longest time spent buried alive, which recently aired on TG4 and is now available to stream on the TG4 Player. Beo Faoin Bhfód (Buried Alive) was supported by Coimisiún na Meán’s Sound & Vision Scheme, which celebrates its 25th anniversary this year. Then, actor and musician Olivia Phoenix sits down with award-winning photographer and filmmaker Ian Thuillier to talk about his moving Oscar-qualifying documentary Conflicted, in which two mothers - one Israeli, one Palestinian - confront the unimaginable loss of their children. Through grief they find the courage to meet, forgive, and work together for peace. Starting at timestamp 30:20. Listen now on SoundCloud, Apple, Spotify and Amazon, or subscribe to Film Ireland wherever you get your podcasts.

In this Film Ireland Podcast, we’re shining a spotlight on the Dublin International Comedy Film Festival (DICFF), which returns for its sixth edition from 27th - 30th November, to Tailors’ Hall, The Liberties. First up, festival director Mo O’Connell talks through this year’s jam-packed programme. Then we have a live recording from the first heat of the DICFF stand-up competition, held earlier this year in collaboration with Culture 8 and the Dublin Liberties Distillery. (Starting at 16.57) Finally, Film Ireland contributor Rachel Melita is in conversation with actor, writer, and filmmaker Laoisa Sexton. Laoisa’s short I Can't Go On screens as part of Shorts Block F on Friday, 29th November. (Starting at 19.37) As Mo mentions in the podcast, here is the GoFundMe link to support Haneen Koraz, as she empowers the children of Gaza through art. https://www.gofundme.com/f/help-haneen-koraz-empower-voices-through-art And here's a link to support Aisling & her three boys, Ted, Sonny & Max. https://www.gofundme.com/f/support-for-aisling-and-her-three-boys-ted-sonny-and-max This episode has been made possible with the support of Coimisiún na Meán and the Screen Ireland Stakeholder’s Scheme. Read more about this podcast here www.filmireland.net/podcast-festival-director-mo-oconnell-filmmaker-laoisa-sexton-at-dicff

In the latest episode of the State of the Arts Podcast, host filmmaker and writer Des Doyle chats with Steven S. DeKnight, acclaimed screenwriter, director, producer, and creator/showrunner behind some of the most influential genre series of the past two decades. Produced in partnership with Film Ireland and supported by Fís Éireann/Screen Ireland through the Screen Stakeholders Funding Scheme, the State of the Arts series explores the creative processes, industry challenges, and new opportunities that both Irish and international creatives face in today’s ever-evolving artistic landscapes. In this conversation, DeKnight reflects on his journey breaking into the entertainment industry as a writer on Buffy the Vampire Slayer. He discusses his work writing, directing, and producing on iconic series such as Angel, Smallville, and Dollhouse, before creating the hit show Spartacus for Starz and showrunning season one of Marvel’s Daredevil. He also talks about making his feature directorial debut with Pacific Rim: Uprising and his return to the Spartacus universe with the upcoming Spartacus: House of Ashur. Chapters: 2:11 – Nerves for “House of Ashur” impending release 09:29 – Inside the Writers’ Room 12:25 – Season Orders & Long-Game Planning 13:32 – How the Strikes Shook Production 15:07 – Showrunner Writing Process Explained 16:46 – Running a Show: LA vs New Zealand 18:58 – Why DeKnight Hasn’t Yet Directed Spartacus 22:35 – 22-Episode TV vs Today’s 10-Episode Sweet Spot 25:19 – Sticking With “House of Ashur” + Other Projects 28:37 – DeKnight’s Comic Book Worlds 36:03 – Working With Comic Artists 37:08 – AI in Entertainment: Hot Takes & Concerns 40:30 – Showrunning in 2025: Budgets & Tech Shift 45:07 – Are Spec Scripts Still Worth It? 48:01 – Top Writing Advice: Passion, Persistence, Failure 51:33 – What Failure Really Looks Like in Hollywood 01:00:52 – Rapid-Fire Favourites: TV, Music & More Follow the journey of State of the Arts here: https://www.instagram.com/sotapod/ Read more about this episode here: www.filmireland.net/state-of-the-arts-podcast-showrunner-steven-s-deknight-spartacus-house-of-ashur-with-host-des-doyle

In today’s Film Ireland podcast, we are delighted to partner with two wonderful film festivals. Last month at the Dinard British & Irish Film Festival, we caught up with acclaimed actor Bríd Brennan to talk about her extraordinary career on stage and screen, as well as her powerful performance as Cait in her latest film, Aontas. We’ll also be reporting live next week from the Foyle Film Festival, running in Derry from the 19th to the 30th of November (where Aontas will also be screening). Later in the episode (Timecode: 15:30), we hear from Vicki Rock and Kris Kelly, the husband-and-wife team behind the award-winning boutique creative studio Enter Yes. Their bold coming-of-age short Bulls in Water - directed and written by Kris and produced by Vicki - is about to have its premiere at Foyle.

In this Film Ireland Podcast, we're delighted to partner with the Cork International Film Festival, which runs until the 16th of November. In this very special episode, we highlight some of the standout films in this year’s line-up. First, IMRO Award-winning journalist and reviewer Yuliia Riabova speaks with Aurélie Godet, Cork International Film Festival’s Director of Programming, about this year’s themes, approach, and the strong line up Irish and international films on offer. Then filmmaker and actor Oscar O’Sullivan chats with Brendan Canty about his Irish-language documentary Gealtra. Finally, festival correspondent Shane McDevitt sits down with director David Kittredge to discuss his film Boorman and the Devil, which documents John Boorman’s experience making The Exorcist II in Ireland. This chat was recorded after the film’s premiere at the Venice Film Festival earlier this year. This podcast has been made possible with the support of Coimisiún na Meán. Check out the full festival line up at corkfilmfest.org.