The World is Our Ball of Clay
Former textile engineer and yoga teacher, Carine Belloc discovered her calling in ceramics inspired by feminine cycles, seasons, and nature. Creating handmade ritual objects, Carine invites women to reconnect with their sacred rhythms and inner power. Carine's creations encourage an authentic, joyful life in harmony with the cycles of life.
Joris Link is a Netherlands-based ceramic artist known for his refined craftsmanship and contemporary approach to slipcasting porcelain. Joris' work blends traditional and modern techniques, creating sculptural pieces that emphasize texture, balance, and subtle detail. Through experimentation and precision, Joris explores form, material, and the quiet beauty of ceramics. The resulting works are in constant dialogue with the moulds that gave them their shape.
Erin Shafkind is an artist, writer, and educator living in Seattle, WA. Erin studied art and earned a BA and teaching certificate at California State University, Humboldt and received an MFA from Lesley University's College of Art and Design in Boston. Erin has been teaching art in Seattle Public Schools since 1998. These days Erin hand-builds and throws on the pottery wheel using stoneware and porcelain and occasionally works with earthenware clay bodies. Erin writes about art and artists for national magazines and local galleries.
One of the great things ab0ut NCECA what happens after NCECA is shut down for the day. All around the city potters have gotten together to do their own special events... Popups! And they are so much fun. This popup was called Not My Hobby Popup and it will give you a flavor of the night life popups.
Ella Watson and Rainy Bray set out on a mission to make glazes more accessible... Founded by studio owner Rainy and glaze scientist Ella, Five Glaze combines creative vision with scientific precision to deliver dry batch glaze systems that make custom color development accessible, affordable, and exciting for potters at every level.
One of the main attractions at NCECA every year is the vendor hall in the main hall. Every potters dream tool and tools we've never even dreamed of. So many amazing resources! This year I decided to interview a few of these vendors.
Dr Cathy Franzi is a ceramic artist based in Canberra. Cathy's science background inspires her approach to representing plants and the environment. In 2015 Cathy was awarded a PhD from the Australian National University School of Art & Design, the culmination of four years of intense research into the intersection of ceramic studio practice, botanical science and printmaking.
Neeti Gokhalay Kheny is a ceramic artist and former graphic designer whose practice is inspired by nature, particularly the ocean and its fragile ecosystems. Drawing from shells, corals, and anemone-like forms, Neeti creates sculptural works marked by intricate ornamentation and architectural sensibilities. Neeti's work explores reverence as resistance, inviting reflection on ecological fragility, conservation, and our evolving relationship with water and shared responsibility.
Anshula Tayal is a Portland-based ceramic artist creating functional pottery for everyday use, with each piece serving as a canvas for storytelling. Inspired by Indian art and architecture, textile traditions, and regional folk forms, her wheel-thrown and hand-built work explores surface decoration as a way to share cultural narratives.
Caryn Newman creates functional stoneware and porcelain ceramics with a focus on timeless, accessible design. Caryn trained in traditional Japanese production techniques during a two‑year apprenticeship with Richard Bennett at the Great Barrington Pottery in the 1970s. Caryn later co‑founded Crow Hill Pottery in Abbot Village, Maine, and established Willowood Pottery in 2012.
Diego E Armentano is an Argentine ceramic artist and potter based in Buenos Aires, where he lives and works. Diego practice operates within contemporary ceramics, combining functional and sculptural work to explore clay as territory, landscape, and scale, grounded in material thinking and conceptual inquiry rooted in making.